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A companion to Meister Eckhart

Boston: Brill (2012)

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  1. Kierkegaard on Truth: One or Many?Daniel Watts - 2016 - Mind:fzw010.
    This paper reexamines Kierkegaard's work with respect to the question whether truth is one or many. I argue that his famous distinction between objective and subjective truth is grounded in a unitary conception of truth as such: truth as self-coincidence. By explaining his use in this context of the term ‘redoubling’ [Fordoblelse], I show how Kierkegaard can intelligibly maintain that truth is neither one nor many, neither a simple unity nor a complex multiplicity. I further show how these points shed (...)
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  • Kierkegaard on Truth: One or Many?Daniel Watts - 2018 - Mind 127 (505):197-223.
    This paper re-examines Kierkegaard's work with respect to the question whether truth is one or many. I argue that his famous distinction between objective and subjective truth is grounded in a unitary conception of truth as such: truth as self-coincidence. By explaining his use in this context of the term ‘redoubling’ [ Fordoblelse ], I show how Kierkegaard can intelligibly maintain that truth is neither one nor many, neither a simple unity nor a complex multiplicity. I further show how these (...)
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  • Bild, Bildung and the ‘romance of the soul’: Reflections upon the image of Meister Eckhart.Douglas Hedley - 2018 - Educational Philosophy and Theory 50 (6-7):614-620.
    In this article, the Bild or image of the sculptor used by Plotinus and adapted by his Christian follower Meister Eckhart forms the basis of a reflection on the religious or otherworldly dimension in ethics and on the relationship of esthetics, morality, and religion. The image of the sculptor who chips away at his sculpture exemplifies the relationship of the individual to its divine archetype. Such knowledge involves transformation of the knower, a turning back of the image to the archetype, (...)
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