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  1. Adaptation and Fitness.Margaret Campbell - 1983 - Studies in History and Philosophy of Science Part A 14 (1):59.
  • The reception of Leibniz's philosophy in the writings of Charles Bonnet.Olivier Rieppel - 1988 - Journal of the History of Biology 21 (1):119-145.
  • How did Darwin arrive at his theory? The secondary literature to 1982.David R. Oldroyd - 1984 - History of Science 22 (4):325-374.
  • The metaphor of the architect in Darwin: Chance and free will.Ricardo Noguera-Solano - 2013 - Zygon 48 (4):859-874.
    In The Variation of Animals and Plants under Domestication, published in 1868, Darwin used the metaphor of the architect to argue in favor of natural autonomy and to clarify the role of chance in his theory of adaptive change by variation and natural selection. In this article, I trace the history of this important heuristic instrument in Darwin's writings and letters and suggest that this metaphor was important to Darwin because it helps him to explain the role of chance, and (...)
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  • Charles Darwin, Paul MacLean, and the lost origins of “the moral sense”: Some implications for general evolution theory.David Loye - 1994 - World Futures 40 (4):187-196.
    (1994). Charles Darwin, Paul MacLean, and the lost origins of “the moral sense”: Some implications for general evolution theory. World Futures: Vol. 40, No. 4, pp. 187-196.
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  • Darwin's lost theory and its implications for the 21st century.David Loye - 2000 - World Futures 55 (3):201-226.
  • Darwin's Ambiguity: The Secularization of Biological Meaning.David Kohn - 1989 - British Journal for the History of Science 22 (2):215-239.
    Darwin is well known for his wondrously ambiguous rhetoric. The author who used an ‘entangled bank’ as his metaphor for Nature and its complex relationships built up the substance of his text from a corresponding entanglement of unresolved theoretical relations. Ambiguous positions, arguments that seem to fold in on themselves, vacillations, contradictions, and pluralities of explanation suffuse Darwin's science and its constituent metascience. The Origin abounds in ambiguities with regard to the technical features of evolutionary biology. But the domain of (...)
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  • The Darwinian Revolution Revisited.Sandra Herbert - 2005 - Journal of the History of Biology 38 (1):51 - 66.
    The "Darwinian revolution" remains an acceptable phrase to describe the change in thought brought about by the theory of evolution, provided that the revolution is seen as occurring over an extended period of time. The decades from the 1790s through the 1850s are at the focus of this article. Emphasis is placed on the issue of species extinction and on generational shifts in opinion.
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  • Darwin’s Sublime: The Contest Between Reason and Imagination in On the Origin of Species. [REVIEW]Benjamin Sylvester Bradley - 2011 - Journal of the History of Biology 44 (2):205 - 232.
    Recent Darwin scholarship has provided grounds for recognising the Origin as a literary as well as a scientific achievement. While Darwin was an acute observer, a gifted experimentalist and indefatigable theorist, this essay argues that it was also crucial to his impact that the Origin transcended the putative divide between the scientific and the literary. Analysis of Darwin's development as a writer between his journal-keeping on HMS Beagle and his construction of the Origin argues the latter draws on the pattern (...)
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  • Darwin’s Sublime: The Contest Between Reason and Imagination in On the Origin of Species.Benjamin Sylvester Bradley - 2011 - Journal of the History of Biology 44 (2):205-232.
    Recent Darwin scholarship has provided grounds for recognising the Origin as a literary as well as a scientific achievement. While Darwin was an acute observer, a gifted experimentalist and indefatigable theorist, this essay argues that it was also crucial to his impact that the Origin transcended the putative divide between the scientific and the literary. Analysis of Darwin’s development as a writer between his journal-keeping on HMS Beagle and his construction of the Origin argues the latter draws on the pattern (...)
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