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  1. Towards a Divine Atheism: Jean-Luc Nancy’s Deconstruction of Monotheism and the Passage of the Last God.Marie-Eve Morin - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (1):29-48.
    In Briefings on Existence, Alain Badiou calls for a radical atheism that would refuse the Heideggerian pathos of a “last god” and deny the affliction of finitude. I will argue that Jean-Luc Nancy’s deconstruction of monotheism, as well as his thinking of the world, remains resolutely atheistic, or better atheological, precisely because of Nancy’s insistence on finitude and his appeal to the Heideggerian motif of the last god. At the same time, I want to underline the danger of Nancy’s maintenance (...)
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  • Heidegger and the appropriation of metaphysics.Todd S. Mei - 2009 - Heythrop Journal 50 (2):257-270.
    Heidegger’s deconstruction of the history of Western metaphysics has been a major influence behind poststructural critiques of modernity as well as more apologetic attempts to maintain a dialogue with historical sources, such as Gadamer’s philosophical hermeneutics. This bifurcation has intensified the ambiguity of Heidegger’s project: was it an attempt to relinquish philosophical ties to the past or a call for a fundamental reinterpretation of them? In this article I argue the latter,focusing my analysis on Heidegger’s notions of appropriation and historicity. (...)
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  • Heidegger and the appropriation of metaphysics.Todd S. Mei - 2007 - Heythrop Journal:070526091654001-???.
    The article examines Heidegger's understanding of metaphysics, arguing that he never intended its obsolescence.
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  • The Continually Expanding Limits of Hermeneutics: Heidegger on Poetic Expression, Nature, and the Holy.Niall Keane - 2016 - Research in Phenomenology 46 (3):349-368.
    _ Source: _Volume 46, Issue 3, pp 349 - 368 This article sets itself the task of explicating and assessing Heidegger’s hermeneutically expansive analyses of the ‘holy,’ ‘poetic expression,’ and ‘nature’ in his 1934/35 and 1944 Hölderlin lectures. The piece looks specifically at how Heidegger rearticulates poetic expression and nature through the fundamental attunement of ‘holy mourning’, which he finds in Hölderlin’s _Germanien_. I demonstrate how these two lecture courses, published as GA 4 and GA 39, offer us important insights (...)
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