Kierkegaard in Fear and Trembling presents a reductio ad absurdum regarding the time-spans subject to moral evaluation. The text's classic dilemma depends on assuming that we only evaluate discrete, contextless instants. The pseudonymous author constantly seeks the single instant or moral “photograph” that indicates Abraham's status. Doing so, however, extracts scripture's moral legislation out from narrative, resulting in theological paralysis and thereby requiring an alternative temporal vocabulary for evaluating Abraham. Fear and Trembling contains an under-explored alternative that sets Abraham within (...) the covenantal narrative's temporality. The paper explores the consequences of shifting from evaluating instants to evaluating narrative durations, showing that while Genesis 22 remains a challenging episode, it also offers a model of imaginative faith, fidelity to promises, and hope in the face of trauma that focusing on moral instants overlooks. (shrink)

In this study I provide a thematic comparison of Søren Kierkegaard’s Fear and Trembling and Immanuel Kant’s Groundwork of the Metaphysics of Morals to suggest that the representation of the ethical in Fear and Trembling is transparently Kantian. At times I draw on Kant’s Religion Within the Boundaries of Mere Reason, Conflict of the Faculties, and The Metaphysics of Morals to offer a comprehensive account of Kant’s ethical theory. Both philosophers hold profoundly important positions within the milieu of ethics, however (...) they have always shared a tenuous and at times negative relationship. In this study, I challenge such commentators by showing that when the figure of Abraham is taken typologically and excluded from the text, what emerges from Fear and Trembling is a Kantian based ethics. I argue that a comparative reading of Kant’s Groundwork and Kierkegaard’s Fear and Trembling reveals that Kierkegaard’s thought gravitates towards three central principles of Kant’s categorical imperative, as well sharing some similarities with Kant’s understanding of duty. (shrink)

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.