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  1. Introduction: The Legacies and Limits of The Body in Pain.Timothy J. Huzar & Leila Dawney - 2019 - Body and Society 25 (3):3-21.
    Since its publication in 1985, Elaine Scarry's The Body in Pain has become a seminal text in the study of embodiment. In its foregrounding of the body in war and torture, it critiques the minimising of the body in questions of politics, offering a compelling account of the structure and phenomenology of violent domination. However, at the same time the text can be seen to shore up a mind/body dualism that has been associated with oppressive forms of gendering, racialisation and (...)
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  • Up Against the Property Logic of Equality Law: Conservative Christian Accommodation Claims and Gay Rights. [REVIEW]Davina Cooper & Didi Herman - 2013 - Feminist Legal Studies 21 (1):61-80.
    This paper explores conservative Christian demands that religious-based objections to providing services to lesbians and gay men should be accommodated by employers and public bodies. Focusing on a series of court judgments, alongside commentators’ critical accounts, the paper explores the dominant interpretation of the conflict as one involving two groups with deeply held, competing interests, and suggests this interpretation can be understood through a social property framework. The paper explores how religious beliefs and sexual orientation are attachments whose power has (...)
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  • Reading the State as a Multi-Identity Formation: The Touch and Feel of Equality Governance. [REVIEW]Davina Cooper - 2011 - Feminist Legal Studies 19 (1):3-25.
    How does a sense of touch, figuratively and practically, get deployed within equality governance, and to what questions and ways of thinking about the state does this direct us? Taking 2009–2010 as a snap-shot moment in the development of British equality reform—the year leading up to passage of the Equality Act 2010—this article explores the relationship between touch (the haptic) and equality governance from three angles. First, how have governmental bodies used touch language and imagery, including in geometrical representations of (...)
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