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  1. Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value.Henry John Pratt - 2012 - Philosophia 40 (3):591-606.
    Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while (...)
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  • Why Disdain Replicated Art? Metaphysics and Art in ‘The Elephant in the Brain’.Jimmy Alfonso Licon - 2021 - Philosophia 50 (2):605-617.
    Why disdain replicated art? If art is valuable because it evokes experiences of beauty, they should be comparable. In chapter 11 of the Elephant in the Brain, Simler and Hanson argue we actually care about the extrinsic properties of art—e.g. who made it—to signal our intelligence and taste. Here I defend a different explanation for the evidence cited by S&H: the extrinsic properties of art are central to what constitutes art, play a bigger role fixing the value of art than (...)
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