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Kripke on Color Words and the Primary-Secondary Quality Distinction

In Alan Berger (ed.), Saul Kripke. Cambridge University Press. pp. 290-323 (2011)

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  1. Perceptual Variation, Color Language, and Reference Fixing. An Objectivist Account.Mario Gómez-Torrente - 2016 - Noûs 50 (1):3-40.
    I offer a new objectivist theory of the contents of color language and color experience, intended especially as an account of what normal intersubjective variation in color perception and classification shows about those contents. First I explain an abstract account of the contents of color and other gradable adjectives; on the account, these contents are certain objective properties constituted in part by contextually intended standards of application, which are in turn values in the dimensions of variation associated with the adjectives. (...)
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  • The Prejudice of Freedom: an Application of Kripke’s Notion of a Prejudice to our Understanding of Free Will.James Cain - 2021 - Acta Analytica 36 (3):323-339.
    This essay reframes salient issues in discussions of free will using conceptual apparatus developed in the works of Saul Kripke, with particular attention paid to his little-discussed technical notion of a prejudice. I begin by focusing on how various forms of modality (metaphysical, epistemic, and conceptual) underlie alternate forms of compatibilism and discuss why it is important to avoid conflating these forms of compatibilism. The concept of a prejudice is then introduced. We consider the semantic role of prejudices, in particular (...)
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  • El pluralismo moral de David Hume.Agustin Arrieta & Agustin Vicente - 2013 - Critica 45 (134):17-42.
    In this paper, we argue for an objectivist pluralist interpretation of Hume’s moral philosophy. We begin by approaching the pluralist/relativist distinction in aesthetics. Then we move to ethics, and present some reasons which justify considering Hume a normative pluralist, and, in particular, an objectivist pluralist. Our argument will make use of Hume’s idea that there are foru sources of value, and of his notion of artificial lives/moralities.
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