At the end of May 1917, Max Weber attended a “cultural congress” at the picturesque castle of Lauenstein in Thuringia. The congress had been organized by the publicist Eugen Diederichs of Jena and by the Patriotic Society for Thuringia 1914. The moment was a particularly tense one in the life of the embattled German Reich. Against the advice of many cooler heads within the country, Germany had declared unrestricted submarine warfare in January, which together with other antagonistic moves on its (...) part, had led to the entry of the United States into the war in April. By this point it was clear to all but the most indefatigable optimists that Germany would lose the war. In this atmosphere of dread and of new hope that a phoenix-like new Germany or a new humanity would arise out of the ashes of the war, the participants outlined their visions of the future. The eccentric former Social Democrat-turned-nationalist Max Maurenbrecher denounced capitalist mechanization but called for a revival of the traditional Prussian concept of the state, for an “idealistic state” and for workers to be educated towards national consciousness by means of the German literary and philosophical classics. (shrink)

The concept of worldviews gives a visual sense to the notion of a shared ideological frame, but misleadingly suppresses the visual itself. Against the standard image of worldviews, it is argued that the notion makes sense in connection with particular technologies of representation, notably newspapers, and is no longer informative about political beliefs. The example of Kristin Luker's work on abortion politics is used to show how weak the evidential base is for claims about worldviews. It is then argued that (...) the kind of solidarity produced by ideological or `word', politics is different from the solidarities produced by the visual. Acts of political violence with strong visual representation produce sympathetic responses and are particularly effective in creating a sense of common victimhood. However, images also produce complex and conflicting responses that are less controllable. The visual impact of the World Trade Center attacks is a startling example of the differences between a politics of the eye and a politics of worldviews. (shrink)

This article constructs a critical historical, political and theoretical analysis of the essence of Fascist criminal law discourse in terms of the violence that shaped and characterised it. The article examines the significance of violence in key declarations about the role and purpose of criminal law by Alfredo Rocco, Fascist Minister of Justice and leading ideologue, in his principal speech on the final draft of the 1930 Italian Penal Code. It is grounded on the premise that criminal law is particularly (...) significant for understanding the relationship between State power and individuals, and so what was distinctive about Fascist thinking in this regard. The article analyses Rocco’s declarations as a discourse in order to highlight their contextual foundations, construction and ideological connections. It argues that the core theme of that discourse is violence, which has three principal dimensions: a close historical and rhetorical connection with war, a focus on repressive and intimidatory force, and a paramount concern with subordinating individuals to State interests. The article then uses this analysis to develop a theoretical reading of the nexus between criminal law and violence in Fascism, in terms of its foundations and reversal of ends and means. The article thus provides an original perspective on Fascism and criminal law, which it argues is important for critical engagement with criminal law discourse in our democracies today. (shrink)

ABSTRACT In The Longing for Total Revolution, Bernard Yack claims not to account for totalitarianism but simply to unearth a new, specifically modern mindset. Still, the problem of totalitarianism, and whatever connection it might have had with that mindset, lurks throughout his book. Yack convincingly posits a relationship between a troubling new sense of historical embeddedness and novel totalist thinking. But his sense of the range of responses to historicity proves too limited to illuminate the connection between the longing for (...) total revolution and the advent of totalitarianism. Another look at Yack’s two culminating figures, Marx and Nietzsche, suggests a more illuminating alternative. (shrink)

Accounts that attribute nationalism to capitalism or industrialization face the problem of nationalism in late?stage capitalist, or as some might say, post?industrial, societies. While increasing social significance has been attributed to economic growth throughout human history, reasons for this are far from self?evident. By looking at arguments made by Marx, List, and Smith, a new understanding of the relationship between nationalism and economics emerges?one that explains the attribution of social importance to economic development by revealing it as a function of (...) nationalism. (shrink)