This paper reconstructs and defends a Sellarsian approach to “sensation” that allows us to avoid mythological conceptions of it. Part I reconstructs and isolates Sellars’s argument for “sensation,” situating his adverbial interpretation of the notion within his broader theory of perception. Part II positions Sellars’s views vis-à-vis current conversations on adverbalism. In particular, it focuses on the Many Property Problem, which is traditionally considered the main obstacle to adverbialism. After reconstructing Sellars’s response to this problem, I demonstrate that his position (...) is compatible with some current strategies to solving it and can be developed along similar lines. Finally, part III addresses how a Sellarsian adverbial approach productively accounts for the phenomenal properties of experience often understood to fall under the notion of “sensation”. The paper therefore shows how isolating Sellars’s argument can yield a non-problematic conception of sensation. Indeed, the argument on which I focus offers a form of direct realism compatible with recent forms of “new adverbialism”. Although my view remains Sellarsian, to defend it I maintain that some Sellarsian claims about sensation should be resisted as not logically entailed by his argument. (shrink)

Is it possible to build a conscious machine, an artifact that has qualitative experiences such as feeling pain, seeing the redness of a flower or enjoying the taste of coffee ? What makes such experiences conscious is their phenomenal character: it is like something to have such experiences. In contemporary philosophy of mind, the question of the qualitative aspect of conscious experiences is often addressed in terms of qualia. In a pre-theoretical and intuitive sense, qualia refer to the phenomenal character (...) or “what-it’s-like-ness” of a conscious experience: the painfulness of a pain experience or the redness of a visual experience of a red object. The problem of artificial qualia is the question of the theoretical possibility of the realization of qualia by artifacts. In this work, this problem will serve as a methodological tool to address what is arguably the most fundamental question of philosophy of mind: what exactly is consciousness? (shrink)