This article investigates the paradoxical nature of cameraless photography. Born after the invention of early photography, the camera apparatus is clearly a precondition of the idea and practice of cameraless photography (photography made without a camera). Yet, at the same time, cameraless photography is situated as a form of pure photography, giving rise to the idea that the spirit of photography lies somewhere beyond the mediation of the camera. This article approaches the paradoxical nature of cameraless photography in an indirect (...) manner by considering the spectrality of photography: from conceptions of early photography as itself spectral, to the manifestation of spectres in spirit photography, to the decomposition of the spectres by X-rays and radioactivity. Cameraless photography plays a twofold role in this genealogy of photographic spectres: first, it goes against a certain understanding of the spirit of photography as conditioned by the manipulating force of the camera apparatus; second, it proves the existence of spectres by uncovering the ontological convulsions of the world. (shrink)

This article investigates waymaking, the use of language to dedicate space to the traffic of animals, goods, fuel, waste, and people. It argues that the rhetorical creation of traversable clearances anticipates and services the formation of infrastructure. Through a close reading of Daniel Defoe’s A Journal of the Plague Year (1722), I show how literary critics can analyze the words that create the emptiness that allows conduits to happen and claim this emptiness as an analytical object in itself. By tracing (...) modern conceptions of infrastructure as assemblage, occasion, and patterning to the fray of early modern waymaking, I claim that criticism can supplement social-scientific research by casting as poetic event and autopoietic phenomenon the human practice of reserving space for utilities. (shrink)