I contend that the well-established phenomenological distinction between reflective and pre-reflective self-awareness needs to be further supplemented with more refined distinctions between different modes of pre-reflective self-awareness. Here I distinguish between five modes, which we come across in perception, lucid dreams, non-lucid dreams, daydreams, and episodic memory. Building on the basis of a phenomenological description, I argue that perception entails the pre-reflective self-awareness of the perceiving ego; non-lucid dreams implicate the pre-reflective self-awareness of the dreamed ego; in the case of (...) lucid dreams and daydreams, we are faced with a split pre-reflective self-awareness, which entails the self-awareness of the dreaming and the dreamed ego. Lastly, in the case of episodic recollection, we are confronted with a threefold pre-reflective self-awareness: the self-awareness of the remembered ego, the remembering ego, and of the temporal unity of experience. The phenomenological analysis here offered leads to the conclusion that pre-reflective self-awareness need not be spoken of in the singular, but in the plural, and that while some modes of pre-reflective self-awareness constitute the foundations of selfhood, others enable the subject of experience to flee its facticity and become someone other than it is. (shrink)

Ever since the 1960s, media and communication studies have abounded in heated debates concerning the psychological and social effects of fictional media violence. Massive empirical research has first tried to tie film violence to cultivating either fear or aggressive tendencies among its viewership, while later research has focused on other media as well (television, video games). The present paper does not aim to settle the factual question of whether or not medial experiences indeed engender real emotional dispositions. Instead, it brings (...) into play the resources of genetic phenomenology in order to ask how the formation of such dispositions would be generally possible. Thus, it aims to further the discussion by overtly employing the framework of Husserl’s later genetic phenomenology to the field of emotional experience. By posing questions with regard to how fictional emotional experiences contribute to the formation of apperceptions and to the specificities of emotional sedimentation, it also points out some shortcomings in Husserl’s account by drawing from Freud’s dynamic theory of drives and emotions. (shrink)

The phenomenal character of dreaming has long been a matter of philosophical debates. Most of the time, dreaming is either likened to perception or likened to imagination, in order to decide whether it gets closer to normal or abnormal states of consciousness. This line of debates extends from the traditional dream argument to the contemporary movement of phenomenology. This article presents what specific contributions phenomenology has made to the millennial investigations of dreaming. Its structure is twofold. Firstly, we introduce how (...) pioneering phenomenologists, including Edmund Husserl, Jan Patočka, Jean-Paul Sartre, Eugen Fink, and Jean Héring, analyse the lived characters of dreaming respectively. Secondly, we show that those pioneering phenomenologists, by engaging with the traditional dream argument, have laid out the worldliness of dreams as a crucial criterion for deciding how similar dreams and reality can be. (shrink)