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What's wrong with story grammars

Cognition 15 (1-3):145-154 (1983)

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  1. Circular reasoning.Lance J. Rips - 2002 - Cognitive Science 26 (6):767-795.
    Good informal arguments offer justification for their conclusions. They go wrong if the justifications double back, rendering the arguments circular. Circularity, however, is not necessarily a single property of an argument, but may depend on (a) whether the argument repeats an earlier claim, (b) whether the repetition occurs within the same line of justification, and (c) whether the claim is properly grounded in agreed‐upon information. The experiments reported here examine whether people take these factors into account in their judgments of (...)
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  • The role of affect in narrative structure.Wendy G. Lehnert & Elaine W. Vine - 1987 - Cognition and Emotion 1 (3):299-322.
  • A theory of stories?Alan Garnham - 1986 - Behavioral and Brain Sciences 9 (4):739-740.
    This piece is a commentary on a Behavioral and Brain Sciences target article by Robert Wilensky entitled: Story grammars vs story points.
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  • Formal analysis of recognition scenes in the Odyssey.Peter Gainsford - 2003 - Journal of Hellenic Studies 123:41-59.
    Type-scenes have been studied and analysed for over seventy years. This paper presents a more detailed analysis of one type-scene, the 'recognition scene', than has previously been attempted, with the aim of moving towards a better-structured understanding of the 'syntax' of type-scenes generally. The structure of the recognition scene is dissected into motifs and 'moves', all of which are tabulated; this is the core of the analysis. The ensuing points of clarification elaborate on the definitions and assumptions built into the (...)
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  • Your Brain on Comics: A Cognitive Model of Visual Narrative Comprehension.Neil Cohn - 2020 - Topics in Cognitive Science 12 (1):352-386.
    Visual narratives like comics involve a range of complex cognitive operations in order to be understood. The Parallel Interfacing Narrative‐Semantics (PINS) Model integrates an emerging literature showing that comprehension of wordless image sequences balances two representational levels of semantic and narrative structure. The neurocognitive mechanisms that guide these processes are argued to overlap with other domains, such as language and music.
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  • Visual Narrative Structure.Neil Cohn - 2013 - Cognitive Science 37 (3):413-452.
    Narratives are an integral part of human expression. In the graphic form, they range from cave paintings to Egyptian hieroglyphics, from the Bayeux Tapestry to modern day comic books (Kunzle, 1973; McCloud, 1993). Yet not much research has addressed the structure and comprehension of narrative images, for example, how do people create meaning out of sequential images? This piece helps fill the gap by presenting a theory of Narrative Grammar. We describe the basic narrative categories and their relationship to a (...)
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  • Narrative prose generation.Charles B. Callaway & James C. Lester - 2002 - Artificial Intelligence 139 (2):213-252.