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The aim of this paper is to clarify the distinctive and the shared features of the three phenomena: irony, understatement, and litotes. These rhetorical figures have been defined as synonymous, distinct or overlapping in various accounts. This indicates an interrelation but also a need for clearer definitions. Here, each of these rhetorical figures is defined via two jointly necessary conditions. This approach sharpens the categories, enables clear-cut distinctions and helps to explain cases of overlap. German corpus data and examples from (...) |
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This paper reports a case study on a family of American English constructions that will be called the family of approximate comparison constructions. This family has three members, all of which follow the syntactic pattern about as X as Y with X being an adjective, but which allow three related functions: literal comparison, simile and irony. Two cognitive frameworks concern themselves with irony, the cognitive modelling approach and viewpoint approach, and the paper will show that, while the ironic approximate comparison (...) No categories |
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The goal of this paper is to propose a model that distinguishes between irony and humor in the context of literary texts. The comparative model was constructed based on existing models, and elaborated on them, substantiating the model through textual analysis focusing on cues for irony and cues for humor . The research was based on four conceptual paradigms: pragmatic studies of irony, pragmatic studies of humor, a pragmatic approach to the study of literary texts, and theories of text interpretation. (...) |
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This paper aims to differentiate between lying and irony, typically addressed independently by philosophers and linguists, as well as to discuss the cases when deception co-occurs with, and capitalises on, irony or metaphor. It is argued that the focal distinction can be made with reference to Grice’s first maxim of Quality, whose floutings lead to overt untruthfulness, and whose violations result in covert untruthfulness. Both types of untruthfulness are divided into explicit and implicit subtypes depending on the level of meaning (...) |
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This philosophical-pragmatic paper discusses several forms of irony which rest on other figures of speech contingent on overt untruthfulness, namely the figures arising as a result of flouting the first maxim of Quality. It is argued that an ironic implicature may be piggybacked on another implicature, called “as if implicature”, originating from flouting the first maxim of Quality occasioned by metaphor. Metaphorical irony, which is subject to the irony-after-metaphor order of interpretation, exhibits a number of manifestations depending on the nature (...) |
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Irony and sarcasm are two quite different, sometimes morally dubious, linguistic tropes. We can draw a distinction between them if we identify irony as a speech act that calls what is bad good and, correspondingly, sarcasm calls good bad. This allows us to ask, which one is morally worse. My argument is based on the idea that the speaker can legitimately bypass what is good and call it bad, which is to say that she may literally mean what she says. (...) No categories |
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Irony and sarcasm are common linguistic tropes. They are both based on falsehoods that the speaker pretends to be true. I briefly characterize their differences. A third trope exists that works when the relevant propositions are true – yet its rhetorical effect resembles irony and sarcasm, I call it mocking. It is mimetic evil: an agent copies another so that the result ridicules him. The image is, in a limited way, true of him and it hurts; we all are vulnerable. (...) No categories |
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These lines — also attributed to H. L. Mencken and Carl Jung — although perhaps politically incorrect, are surely correct in reminding us that more is involved in what one communicates than what one literally says; more is involved in what one means than the standard, conventional meaning of the words one uses. The words ‘yes,’ ‘perhaps,’ and ‘no’ each has a perfectly identifiable meaning, known by every speaker of English (including not very competent ones). However, as those lines illustrate, (...) |
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