In this paper, I investigate Louis de La Forge's argument against body–body causation. His general strategy exploits the impossibility of bodies communicating their movement by transfer of motion. I call this the ‘non-transfer’ argument . NT allows La Forge both to reinterpret continuous creation in an occasionalistic fashion and to support his non-occasionalistic view concerning mind–body union. First, I present how NT emerges in Descartes’ own texts. Second, I show how La Forge recasts it to draw an occasionalistic account of (...) body–body interactions, and I discuss how La Forge supports NT with continuous creation. Third, I conclude by suggesting that this further step of his argument does not undermine his non-occasionalistic account of mind–body union. (shrink)

One question that has created controversy among interpreters is just how much is in doubt at the end of the Dream Argument in Meditation I. I argue that there is doubt about the existence of composite bodies not yet about the existence of a physical world. I also caution against using later parts of the Meditations to interpret the First Meditation on account of the order of reasons in this work. I connect the Omnipotent God argument to Descartes's views about (...) innate ideas and analyze the First Meditation in relation to Descartes's anti-aristotelian purposes. (shrink)

The concept of continuous creation is now widely used in the context of reflections on the dialogue between science and religion. The first part of this research work seeks to understand its meaning through a twofold elaboration: (1) the historical setting of the three philosophical trends in which this concept was developed: scholastic (conservation), Cartesian (conservation through repetition of the creative act at each instant), and dynamic (interpreting the emergence of radical and contingent novelty in nature as a sign of (...) the continuity of creation); (2) a philosophical and theological critique of the concept of continuous creation regarding the question of the relationship between change and creation, in the light of its highly polymorphous contemporary use, and, in opposition, its absence within the Catholic Magisterium. This work opens the field a further step toward reflection on a renewed concept of continuous creation. (shrink)

'God needs no instruments to act', Malebranche writes in Search 6.2.3; 'it suffices that He wills in order that a thing be, because it is a contradiction that He should will and that what He wills should not happen. Therefore, His power is His will' (450). After nearly identical language in Treatise 1.12, Malebranche writes that '[God's] wills are necessarily efficacious ... [H]is power differs not at all from [H]is will' (116). God's causal power, here, clearly traces only to His (...) volitions - not merely to the fact that He wills, but specifically to the content of His volitions ('"what" He wills'). Yet despite the obviously key role the ordinary notion of volitional content plays for Malebranche, recent writers have paid surprisingly little attention either to it or its exegetical implications. I hope to rectify this situation here. The plan of this paper is this: first, to borrow current work in the philosophy of mind to sketch the notion of an incomplete volition, i.e. one whose content is 'incomplete' in a sense to be explained; second, to show that Malebranche clearly allows and uses something like this notion; third, to apply the notion to Malebranche's doctrine of human freedom. In so doing, I believe, we can understand this doctrine in a new way, and one which: (i) is clearly consistent with his texts, and (ii) unlike other interpretations makes coherent sense out of the conflicting streams in his heroic attempt to reconcile his occasionalism - the doctrine that no finite substances have genuine causal powers - with our freedom; fourth, Contrast my interpretation with those of two recent writers: Sleigh et al. (1998) and Schmaltz (1996); and Fifth, Summarize the major results. (shrink)

‘God needs no instruments to act,’ Malebranche writes in Search 6.2.3; “it suffices that He wills in order that a thing be, because it is a contradiction that He should will and that what He wills should not happen. Therefore, His power is His will”. After nearly identical language in Treatise 1.12, Malebranche writes that “[God's] wills are necessarily efficacious … His power differs not at all from His will”. God exercises His causal power, here, via His volitions; what He (...) causes depends not merely on the fact that He wills, but specifically on the content of His volitions, on “what He wills.” Yet despite the obviously key role the ordinary notion of volitional content plays for Malebranche, recent writers have paid surprisingly little attention either to it or its exegetical implications. I hope partly to rectify this situation here.The plan of this paper is this: to borrow current work in the philosophy of mind to sketch the notion of an incomplete volition, i.e. one whose content is ‘incomplete’ in a sense to be explained; to note that Malebranche accepts and uses something like this notion. (shrink)

‘God needs no instruments to act,’ Malebranche writes in Search 6.2.3; “it suffices that He wills in order that a thing be, because it is a contradiction that He should will and that what He wills should not happen. Therefore, His power is His will”. After nearly identical language in Treatise 1.12, Malebranche writes that “[God's] wills are necessarily efficacious … His power differs not at all from His will”. God exercises His causal power, here, via His volitions; what He (...) causes depends not merely on the fact that He wills, but specifically on the content of His volitions, on “what He wills.” Yet despite the obviously key role the ordinary notion of volitional content plays for Malebranche, recent writers have paid surprisingly little attention either to it or its exegetical implications. I hope partly to rectify this situation here.The plan of this paper is this: to borrow current work in the philosophy of mind to sketch the notion of an incomplete volition, i.e. one whose content is ‘incomplete’ in a sense to be explained; to note that Malebranche accepts and uses something like this notion. (shrink)

Este artigo explora a relação que Descartes estabelece com as noções de forma e de matéria do aristotelismo escolástico ao tratar da interação entre as substâncias nas correspondências com Elisabeth, Gassendi e Arnauld. Partindo do exemplo do peso utilizado por Descartes em diversas cartas, traça-se uma relação de identidade entre a noção de forma em Tomás de Aquino e de pensamento em Descartes, assim como se traça a crítica à noção de forma, entendida como qualidade oculta, para os corpos inanimados. (...) Por fim, explora-se a interpretação ocasionalista do sistema cartesiano e a relevância dos movimentos celestes para a explicação dos movimentos naturais em Tomás de Aquino.This paper deals with the relation that Descartes points between his system and concepts of matter and form from Aristotelian scholasticism. The resemblance arises when Descartes treats interaction among substances in correspondences with Elisabeth, Gassendi and Arnauld. Beginning with the example of the scholastic concept of weight, used many times by Descartes, this article traces an identity between concepts of form in Thomas Aquinas and of thought in Descartes, as well as traces his criticism on the concept of form, understood as hidden qualities, to inanimate bodies. Finally, this paper investigates Cartesian occasionalism as well as the importance of celestial movements for a better comprehension of nature in Thomas Aquinas. (shrink)

This article addresses a debate in Descartes scholarship over the mind-dependence or -independence of time by turning to Merleau-Ponty’s "Nature" and "The Visible and the Invisible." In doing so, it shows that both sides of the debate ignore that time for Descartes is a measure of duration in general. The consequences to remembering what time is are that the future is shown to be the invisible of an intertwining of past and future, and that historicity is the invisible of God.