I argue that in the Phaedo, Plato maintains that the soul is located in space and is capable of locomotion and of interacting with the body through contact. Numerous interpreters have dismissed these claims as merely metaphorical, since they assume that as an incorporeal substance, the soul cannot possess spatial attributes. But careful examination of how Plato conceives of the body throughout his corpus reveals that he does not distinguish it from the soul in terms of spatiality. Furthermore, assigning spatial (...) attributes to the soul plays an important role in Plato’s account of the relation of body and soul. (shrink)

The ending of the Phaedo is one of the most powerful and memorable moments in the entire Platonic corpus. It is not simply the end of a single dialogue, but a depiction of the end of the life of the man (Socrates) who is a looming presence in nearly everything that Plato wrote. In this article I offer an in-depth analysis of the final scene of the Phaedo. I argue that Plato very carefully constructs the scene for the sake of (...) specific philosophical, dramatic, and political ends. Plato uses it to unify the Phaedo as a singular text, while also provoking us to reflect on the nature of our lives, our deaths, and the possibilities and limits of philosophy itself. (shrink)

In the Phaedo the character Socrates argues that suicide is morally wrong. This is in fact one of only two places in the entire Platonic corpus where suicide is discussed. It is a brief passage, and a notoriously perplexing one. In this article, I distinguish between two arguments that Socrates gives in support of his claim. I argue that one of them is not to be taken literally, while the other represents the deeper reason for the prohibition of suicide. I (...) further relate the question of suicide to the overarching concerns of the Phaedo as a whole: the nature of our incarnate “imprisonment”, the nature and purpose of philosophy, the philosophical “purification” of the soul, the human pursuit of knowledge, and the nature of the divine. (shrink)

A topic common to both Plato’s and Aristotle’s discussions of theories of the soul is the doctrine of the soul as a harmony of the parts of the body. Plato’s Phaedo as well as Aristotle’s De anima and Eudemus present this theory and argue against the identification of the soul as a harmony. This paper has two focuses, one philosophical and one historical. First, I will focus on the argumentation used by Aristotle in his dialogue Eudemus, which is often associated (...) with Aristotle’s early attachment to Plato. On the basis of the argumentation against the harmonia theory, I will try to show that the Eudemus is not a dialogue that depicts Aristotle’s Platonic phase. Instead, by comparing the arguments of the Eudemus with both Plato and Aristotle’s mature thought, I will argue that the argumentation of the Eudemus seems to be an indirect attack on Plato’s view on the Forms and on the nature of the soul, and that it seems to be consistent with Aristotle’s mature work On the Soul. Second, given that Aristotle discusses this topic twice, I will try, also on the basis of conclusions about the Eudemus and on later reception of Aristotle’s arguments, to show why this is the case. (shrink)

What does Plato mean in saying that, for all forms, “F-ness is F”? In such claims, I argue, ‘F’ is being used metonymically to refer to the property of being productive of F-ness rather than to the property of being F, in a way consistent with univocity and the rejection of a genuine Self-Predication Assumption. I explain and defend this productive metonymy reading and show how it can resolve the troubling argument at Phaedo 74b7-c6.

I argue that Plato distinguishes between personal immortality and immortality of the soul. I begin by criticizing the consensus view that Plato identifies the person and the soul. I then turn to the issue of immortality. By considering passages from 'Symposium' and 'Timaeus', I make the case that Plato thinks that while the soul is immortal by nature, if a person is going to be immortal, they must become so. Finally, I argue that Plato has a psychological continuity approach to (...) personal identity. Thus, for Plato, a person becomes immortal by avoiding reincarnation and securing for themselves psychological continuity forever. (shrink)

It is well-known that Plato’s Republic introduces a tripartition of the incarnate human soul; yet quite how to interpret his ‘parts’ 1 is debated. On a strong reading, they are psychological subjects – much as we take ourselves to be, but homunculi, not homines. On a weak reading, they are something less paradoxical: aspects of ourselves, identified by characteristic mental states, dispositional and occurrent, that tend to come into conflict. Christopher Bobonich supports the strong reading in his Plato’s Utopia Recast: (...) His Later Ethics and Politics. In his The Brute Within: Appetitive Desire in Plato and Aristotle, Hendrik Lorenz agrees with Bobonich that the parts of the soul are ‘the subjects or bearers of psychological states’. Any ascription to my Mental Conflict of the opposed, weak view needs qualification: my Plato is highly ambivalent.2 But my intention here is less to defend an earlier self – though I predict failing to escape it – than to reconsider tripartition in the Republic in the light of Bobonich’s virtuosity and Lorenz’s lucidity. They persuade me of the inexhaustibility of the text, notably within Book 4 from 436 to 439. About these pages we may indeed disagree: they find them decisive in favour of their view, as I don’t. When Socrates remarks, ‘Let us have our understanding still more precise, lest as we proceed we become involved in dispute’, he was not anticipating the dissensions of interpreters. (shrink)

This paper uses a problematic passage at Phaedo 69a–c as a case study to explore the advantages we can gain by reading Plato in his cultural context. Socrates argues that the common conception of courage is strange: people fear death, but endure it because they are afraid of greater evils. They are thus brave through fear. He proposes that we should not exchange greater pleasures, pains, and fears for lesser, like coins, but that there is the only correct coin, for (...) which we must exchange all these things: wisdom (phronēsis). Commentators have been puzzled by the precise nature of the exchange envisaged here, sometimes labelling the coinage metaphor as inept, sometimes describing this stretch of argument as “religious” and thus not to be taken seriously. The body of the paper looks at (1) the connection between money and somatic materialism, (2) the incommensurability in Plato of financial and ethical orders, (3) financial metaphors outside Plato that connect coinage with ethics, (4) intrinsic and use values in ancient coinage, and (5) Athenian laws on coinage, weights, and measures that reflect anxiety about debased coins in the fifth and early fourth centuries. It sees the Phaedo passage as the product of a sociopolitical climate which facilitated the consideration of coinage as an embodiment of a value system and which connected counterfeit or debased currency with debased ethical types. Athenians in the early fourth century were much concerned with issues of commensurability between different currencies and with problems of debasement and counterfeiting; understanding this makes Socrates’ use of coinage metaphors less puzzling. Both the metaphor of coinage and the other metaphors in this passage of the Phaedo (painting and initiation) engage with ideas of purity, genuineness, and deception. Taken as a group, these metaphors cover a large area of contemporary popular culture and are used to illustrate a disjunction between popular and philosophical ways of looking at value. (shrink)

El Fedón es la estilización platónica de la figura de Sócrates como un philósophos pitagórico. Sin embargo, ¿puede deducirse de ello, como señalan las interpretaciones habituales de este diálogo, que ahí se albergue “el credo de la filosofía platónica”? Hay múltiples argumentos que impiden sostener esta tesis: por un lado, la caracterización pitagórica de Sócrates resulta ajena a las diversas fuentes que nos permiten reconstruir un Sócrates “histórico”; por otro lado, el Fedón contradice la actitud general del Sócrates del Corpus (...) Platonicum, que no parece ser la de un enemigo del “cuerpo” y sus placeres. En este artículo me propongo defender las siguientes tesis: 1) El Fedón y, en particular, el pasaje conocido como “La defensa de Sócrates” constituye el intento preliminar de esbozar algo así como los principios filosófico-religiosos del nuevo socratismo pitagórico; y 2) El diálogo no pretende sugerir ni que el Sócrates histórico sintiera alguna inclinación particular por estos principios ni que el propio Platón sostenga una posición de esa índole. (shrink)

This paper provides a rational reconstruction of a Platonic trope bundle theory that is a live alternative to contemporary bundle theories. According to the theory, Platonic particulars are composed of what Plato calls images of Forms; contemporary metaphysicians call these tropes. Tropes are dependent on Forms and the Receptacle, while trope bundles are structured by natural kinds using the Phaedo's principles of inclusion and exclusion and the Timaeus’ geometrised elements, as well as by co-location in the Receptacle. Key elements of (...) discussion include persistence and abundance of Plato's tropes. The resulting theory is compared with contemporary trope bundle theories. (shrink)

In Plato’s Protagoras, Socrates argues that ‘the many’ are confused about the experience they describe as ‘being overcome by pleasure’. They think the cause is ‘something other than ignorance’. He argues it follows from what they believe that the cause is ‘ignorance’ and ‘false belief’. I show that his argument depends on a premise he does not introduce but they should deny: that when someone is overcome by pleasure, the desire stems from a belief. To explain why Plato does not (...) make Socrates introduce this premise, the account I construct is speculative. It starts from the assumption that Plato is thinking through an understanding of human beings and what they must do to live good lives that he takes the historical Socrates to set out. (shrink)

This book is a quest for the real Plato, forever hiding behind the veil of drama. The quest, as the subtitle indicates, is Cartesian in that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus (...) for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro, Apology, Crito, and Phaedo. (shrink)

This article argues that the Phaedo is written as a new sort of story of how a hero faces death; this story provides an alternative to existing tragedy, as understood by Plato. The opening of the Phaedo makes clear that two features that Plato closely associates with tragedy, pity and lamentation, are inappropriate responses to Socrates’ impending death, and that tuchē (chance) did not affect his happiness. This is the first step in the dialogue’s sustained engagement with tragedy. Tragedy for (...) Plato falls under the category of stories about heroes and gods. Plato wrote the Phaedo so that we would see Socrates as a philosophical hero, a replacement for traditional heroes such as Theseus or Heracles. I argue that in fact the Phaedo meets every requirement in Republic Books 2–3 for how to tell stories about heroes and gods and so belongs to the same broad category as tragedy. Within this framework, it tells its new story of how the true hero faces death. (shrink)

The paper proposes (1.) a non-standard interpretation of the proverbial expression “deuteros plous” by giving a fresh look to Phaedo, 99c9-d1. Then (2.) it proceeds to the philosophical problem raised in this passage according to this interpretation, that is, the problem of the “hypothesis” or the “unproved principle”. It indicates finally (3.) the kernel of truth contained in the standard Interpretation and it concludes with some remarks on the “weakness of the logoi”.

This paper deals with the deuteros plous, literally ‘the second voyage’, proverbially ‘the next best way’, discussed in Plato’s Phaedo, the key passage being Phd. 99e4-100a3. I argue that (a) the ‘flight into the logoi’ can have two different interpretations, a standard one and a non-standard one. The issue is whether at 99e-100a Socrates means that both the student of erga and the student of logoi consider images (‘the standard interpretation’), or the student of logoi does not consider images but (...) that “consistency should suffice for truth” (‘the non-standard interpretation’); (b) the non-standard one implies the problem of the hypothesis, a problem analogous to the problem of the elenchus; (c) there is a structural analogy between Descartes’ ontological argument for the existence of God in his 5th Meditation and the final proof for the immortality of the soul in the Phaedo. (shrink)

In this paper, I propose a new reading of Phaedo 99b6-d2. My main thesis is that in 99c6-9, Socrates does not refer to the teleological αἰτία but to the αἰτία that will be provided by a stronger ‘Atlas’ (99c4-5). This means that the passage offers no evidence that Socrates abandons teleology or modifies his views about it. He acknowledges, instead, that he could not find or learn any αἰτία stronger than the teleological one. This, I suggest, allows an interpretation of (...) the Phaedo in which Socrates offers a consistent account of the αἰτία of generation and destruction. (shrink)

8000 Word annotated bibliography on the Phaedo, with roughly 70 entries. Note that the subscription version is a bit easier to navigate. The hyperlinks work in this pdf, but you can not as easily jump to the different sections.

Here I aim to show how the views on the body in Plato´’s Symposium must be considered not as contradictory but as complementary. The three main thesis of this paper are: a) The body is essential for the triggering of “erôs”, insofar as sexual attraction to beautiful bodies is the most natural way in which anyone can start to develop an erotic experience. b) The ascent towards beauty itself implies detachment from a particular body as such in order to move (...) to an appraisal of it from a wider, more general understanding. c) Additionally the loving relationship between Socrates and beautiful young men shows that the physical dimension of “erôs” is never completely eradicated by Plato but, on the contrary, it works as an essential trigger of desire. (shrink)