De rerum natura displays a particular closeness to the Homeric epics on various levels: in language, in arguments, and in the selection of examples. This closeness clearly goes beyond similarities arising from the affinity as determined by genre. Further, a couple of passages are veritable translations from the Iliad resp. the Odyssey. There, the attitude towards the pretext becomes especially clear. It ranges from acknowledgement to rejection and in some instances is brought about through the use of allegory. This attitude (...) of criticism and affinity at the same time can be observed in two passages of De rerum natura that are prominent due to their position: the beginning and the end allude to the plot of the Iliad. This should be read as an indication that Lucretius understood his didactic poem as an invitation to read the Homeric epics philosophically. (shrink)

Commentators since antiquity have seen connections between Virgil's Dido and the philosophy of the Garden, and several recent studies have drawn attention to the echoes of Lucretius in the first and fourth books of the Aeneid. This essay proposes that there is an even richer and more extensive Epicurean presence intertwined with the Dido episode. Although Virgilian quotations of Lucretius provide the most obvious references to Epicureanism, too narrow a focus on the traces of the De Rerum Natura obscures important (...) resonances with Virgil's more obvious models: the Odyssey and Apollonius' Argonautica. Reversion to Homer and Apollonius, however, does not dim the Epicurean aura around Dido. Rather: echoes of Nausikaa and other Phaeacian traditions reinforce Dido's links with the Garden. At play here is a widespread ancient tradition of disparaging Epicurus by calling him "the Phaeacian philosopher." But by evoking this tradition, Virgil is not necessarily engaging in a standard polemic against the Epicureans. Instead of foreclosing any particular reading, the intertextual modes of the Aeneid turn various possibilities of interpretation over to the reader. (shrink)

Dido's Epicureanism is as complex and problematic as Aeneas' much-discussed Stoicism. This paper argues that Virgil's allusions to Lucretius form a consistent pattern: Dido embodies the ironies inherent in Epicureanism as practiced by Virgil's contemporaries, mouthing apparently Lucretian sentiments even as she comes to personify a Lucretian exemplum malum. Yet her fall is largely due to the pervasive supernatural machinery of the Aeneid-divine intervention which Lucretius declares impossible. In Book 1, Virgil employs Lucretian allusions in distinctly un-Lucretian contexts to suggest (...) in Dido a disjunction between words and actions. There is a Lucretian flavor in the description of her initial equanimity, in her injunction to the Trojans to put away fear and cares, and in the scientific rationalism of the song of Iopas. These passages contrast with the sensualism evident in her lavish court and her growing passion for Aeneas-excesses of luxury and love described in words that Lucretius used to condemn them. In Book 4, Virgil more directly refutes Lucretian doctrine about the mortality of the soul and the indifference of the gods. The sarcastic questions of Anna and Iarbas are implicitly answered in such a way as to refute the Epicurean stance. Dido points to the gods' indifference a few seconds before she invokes their aid, and her final submission to Fate occurs in words that Lucretius used to deny its existence. Finally, the departure of Dido's soul recalls Lucretius' atoms of "heat and wind," in ironic contrast to the immortality of her Shade. (shrink)

In this essay I explore the nature of Deleuze’s commitment to an affirmative naturalism that is based on certain Epicurean principles and insights. The essay is divided into two main parts. In the first part I bring to light some of the key features of Lucretius’s great poem on the nature of things, and I do so with the aid of Bergson and his reading of the teaching as fundamentally melancholic. In the second part I switch my attention to Deleuze (...) and show how he links together physics and ethics as a way of providing an emancipatory and affirmative philosophy of life and one that aims to defeat sadness. In the conclusion I return to the question of melancholy and indicate how the problem might be best negotiated. (shrink)

In this research I propose to bring to light the meaning of "Venus" in the invocation of Lucretius´s De rerum natura. This paper is divided into six parts. In the first, I give an account of the various interpretations of the invocation and I systematize them. In the second I analyze and discuss three incategorizable investigations. In the third and fourth parts I expose the epicurean concepts of pleasure and divinity respectively. In the fifth I look for the terms, by (...) way of epithets, that the poet uses to refer to the goddess, bringing to light the nuances that light up them alternately in various instances of the invocation. In the sixth, finally, I give mine interpretation of vv 44-49 explaining why they should be included in the invocation. (shrink)

Some significant receptions of Epicurean philosophy take place in nineteenth century European thought. For Marx, writing in the 1840s, and in defiance of Hegel’s negative assessment, Epicurus is the ‘greatest representative of the Greek enlightenment’,1 whilst for Jean-Marie Guyau, writing in the 1870s, Epicurus is the original free spirit, ‘Still today it is the spirit of old Epicurus who, combined with new doctrines, works away at and undermines Christianity.’ 2 For Nietzsche, Epicurus is one of the greatest human beings to (...) have graced the earth and the inventor of ‘heroic-idyllic philosophizing’.3 Here my focus is on the reading of Epicureanism to be found in Bergson’s commentary on Lucretius’s remarkable poem, De Rerum Natura. For Bergson the task Lucretius sets himself is a ‘pioneering one’, one that will serve humanity, in particular making the Romans aware of previously unknown or misunderstood truths. In order to demonstrate these truths with precision it was necessary for Lucretius to be acquainted with Greek philosophy, and especially the teaching of Epicurus. (shrink)