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The feeling of being alive. Organic foundations of self-awareness

In Jörg Fingerhut & Sabine Marienberg (eds.), Feelings of Being Alive. De Gruyter. pp. 149-165 (2012)

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  1. From Body Image to Emotional Bodily Experience in Eating Disorders.María Isabel Gaete & Thomas Fuchs - 2016 - Journal of Phenomenological Psychology 47 (1):17-40.
    This paper is a critical analysis and overview of body image conceptualization and its scope and limits within the field of eating disorders up to the present day. In addition, a concept ofemotional bodily experienceis advanced in an attempt to shift towards a more comprehensive and multidimensional perspective for thelived bodyof these patients. It mainly considers contributions from phenomenology, embodiment theories and a review of the empirical findings that shed light on the emotional bodily experience in eating disorders. It proposes (...)
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  • The Circularity of the Embodied Mind.Thomas Fuchs - 2020 - Frontiers in Psychology 11.
  • Self across time: the diachronic unity of bodily existence.Thomas Fuchs - 2017 - Phenomenology and the Cognitive Sciences 16 (2):291-315.
    The debate on personal persistence has been characterized by a dichotomy which is due to its still Cartesian framwork: On the one side we find proponents of psychological continuity who connect, in Locke’s tradition, the persistence of the person with the constancy of the first-person perspective in retrospection. On the other side, proponents of a biological approach take diachronic identity to consist in the continuity of the organism as the carrier of personal existence from a third-person-perspective. Thus, what accounts for (...)
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  • The aesthetic stance - on the conditions and consequences of becoming a beholder.Maria Brincker - 2015 - In Alfonsina Scarinzi (ed.), Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy. Springer. pp. 117-138.
    What does it mean to be an aesthetic beholder? Is it different than simply being a perceiver? Most theories of aesthetic perception focus on 1) features of the perceived object and its presentation or 2) on psychological evaluative or emotional responses and intentions of perceiver and artist. In this chapter I propose that we need to look at the process of engaged perception itself, and further that this temporal process of be- coming a beholder must be understood in its embodied, (...)
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  • Disposition: the “pathic” dimension of existence and its relevance in affective disorders and schizophrenia.Francesca Brencio - 2018 - Thaumàzein. Rivista di Filosofia 6:138-157.