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  1. Models of Presence and Loss of Transcendence in History.Ronny Miron - 2013 - Philosophy Study 3 (4):331-351.
    The article seeks to elucidate the status of transcendence in the historiography of secularization through the perspective of collective memory. It discusses two typological models dealing with the basic metaphysical problem concerned with the presence and meaning of transcendence in real human existence. According to the first, the historical reality of secularization causes a break from the collective memory whose roots are in religion. In contrast, the second model considers that despite the deep transformations in the status of religion in (...)
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  • “Metaphysische Ergebnisse”: Phenomenology and Metaphysics in Edmund Husserl’s Cartesianische Meditationen (§60). Attempt at Commentary.Daniele De Santis - 2018 - Husserl Studies 34 (1):63-83.
    The main goal of the present paper is to offer a preliminary study of the relations between phenomenology and metaphysics in Husserl. After a brief presentation of what Husserl means by the term “metaphysics”, the rest of our research will consist of a detailed commentary on §60 of the Cartesian Meditations. Our aim is to explain in what sense, according to Husserl, the “outcomes” of the phenomenological constitution of monadological intersubjectivity entail the solution to a traditional metaphysical problem, i.e., that (...)
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  • Between Freedom and Necessity: The conception of Guilt in Jaspers’ Thought (Hebrew).Ronny Miron - 2007 - Iyun 56 (2):183-211.
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  • Showtime: the phenomenology of film consciousness.Spencer Shaw - 2002 - Dissertation, University of Warwick
    The thesis argues that the notion of film consciousness deepens a wide-range of philosophical issues in ways which are only accessible through film experience. These issues, directly related to the continental tradition, deal with consciousness, experience, intentionally and meaning. We look to the implications of the initial acts of film reproduction as it creates 'images' of the world which reconceptualise vision in terms of space, time and dimension. We move from ontology to experience and examine an aesthetic form with radical (...)
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