This study examines the notion of antinomy, or unavoidable contradiction, in the work of Pavel Florensky. Many Russian philosophers of the Silver Age shared a common conviction which is yet to receive sufficient attention in critical literature, either in Russia or abroad. This is namely a philosophical and theological dependence on unavoidable contradiction, paradox, or antinomy. The history of antinomy and its Russian reception is introduced here before a new framework for understanding Russian antinomism is defended. This is namely the (...) anticipation of ‘vertical’ antinomies in ‘horizontal’ antinomies. Here, by ‘horizontal’ we suppose an unavoidable contradiction of reason or philosophical reflection, and by ‘vertical’ an unavoidable contradiction of revelation, faith, or a self-contradictory dogma. The study aims to demonstrate that Florensky fails to provide a satisfactory anticipation of vertical antinomies. (shrink)

Vladimir Solov’ëv, Sergej Bulgakov, Nikolaj Berdjaev, and Semën Frank shared the conviction that Creation is incomplete: humanity must arrive at organizing social life on an “eighth day.” Thus they prophesied the Universal Church, “social Christianity,” “personalist socialism,” and “spiritual democracy.” Their attempt to avoid any illegitimate confusion between independent rational thought and Christian faith prompted Bulgakov to become an ordained theologian, Berdjaev a “philosophical poet,” and Frank a “Christian realist.” Solov’ëv’s theosophical attempt to philosophically substantiate faith and consequently eschatological prophecy (...) finds itself in the same tragic predicament as Christian faith in general when amalgamated on a one to one basis with the world. I am to show that this is not the case for any of the three other authors discussed, however, much they did adhere to some of Solov’ëv’s major lines of thought. (shrink)

Vladimir Solov’ëv, Sergej Bulgakov, Nikolaj Berdjaev, and Semën Frank shared the conviction that Creation is incomplete: humanity must arrive at organizing social life on an “eighth day.” Thus they prophesied the Universal Church, “social Christianity,” “personalist socialism,” and “spiritual democracy.” Their attempt to avoid any illegitimate confusion between independent rational thought and Christian faith prompted Bulgakov to become an ordained theologian, Berdjaev a “philosophical poet,” and Frank a “Christian realist.” Solov’ëv’s theosophical attempt to philosophically substantiate faith and consequently eschatological prophecy (...) finds itself in the same tragic predicament as Christian faith in general when amalgamated on a one to one basis with the world. I am to show that this is not the case for any of the three other authors discussed, however, much they did adhere to some of Solov’ëv’s major lines of thought. (shrink)

At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth (Istina) is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular guise (...) by Bakhtin, has a theological underpinning. Dostoevskij's exposition of conflicting truths should therefore be seen not as a case of irresolvable contradiction or paradox but as an organic wholeness. (shrink)

At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular guise by (...) Bakhtin, has a theological underpinning. Dostoevskij's exposition of conflicting truths should therefore be seen not as a case of irresolvable contradiction or paradox but as an organic wholeness. (shrink)