Archimedes’ Sand-Reckoner presents a system for naming extraordinarily large numbers, larger than the number of grains of sand that would fill the cosmos. Curiously, Archimedes addresses the treatise not to another specialist but to King Gelon II of Syracuse. While the treatise has thus been seen as evidence for the dynamics of patronage, difficulties in both Archimedes’ treatment of Gelon and his discussion of astronomical models make it fit incongruously within contemporary court and scientific contexts. This article offers a new (...) reading of the Sand-Reckoner based on a reconsideration of the relationship between author and addressee: deferring assumptions about the historicity of that relationship, it analyzes Gelon’s role in the treatise with respect to both the stylistic features of Archimedes’ prose and a broader tradition of narratives about a variety of cultural actors who engage with kings, speaking not so much truth as wit to power. Such a reading resolves the social and scientific difficulties of the treatise, and develops the literary-experimental qualities of Hellenistic science. In turn, the article proposes a revised approach, sensitive to broader patterns of authorship, to understanding ancient scientific authors’ relationship to royal authority. It concludes, finally, that the royal patronage seemingly exemplified by the Sand-Reckoner had greater significance as a cultural trope than as a social institution. (shrink)

La invocación a la diosa Venus en el proemio al libro primero del De rerum natura es uno de los más memorables en la historia de la literatura, así como uno de los más inquietantes en la historia de los textos que niegan todo influjo divino en los asuntos humanos. El presente trabajo busca hallar en la presencia de la diosa Venus a lo largo de todo el poema una dimensión ordenadora que la distinguiría de cualquier entidad divina tradicional. Proponemos, (...) pues, que nuestra diosa personifica el _ordenamiento_ de la naturaleza y la reintegración del orden social al orden natural. El _filósofo_ Lucrecio, en su lucha contra la divinidad, presenta a Venus como un elemento que expresa una racionalización del universo en términos políticos. Para sustentar nuestra hipótesis, hemos accedido al latín de Lucrecio para identificar en él conceptos de la política romana asociados indiscutiblemente al gobierno de la naturaleza, que nuestra diosa preside. (shrink)