In this paper I first address what I consider a central issue in the account of perception in Plato’s Timaeus, namely, how the pathemata pass through the body to reach the soul, and thus become aistheseis. My point in Section 1 is that in tackling this issue Plato aims to provide a firm physiological basis to the notion of perception that starts to emerge in the Theaetetus and the Philebus and is crucial to the late development of his theory of (...) cognition. In the ensuing section I try to put the account of perception in the Timaeus into a historical perspective, aiming to highlight two points: a) Plato’s description of the way in which sensible impressions “travel” inside the body and interact with its parts and other constituents is largely indebted to previous theories, such as those we find, for example, in Empedocles and a few Hippocratic writers; b) The leading role in this story (where internal air plays a significant supporting role) is played by blood flowing through the vascular system and thus performing a crucial cognitive function. Moreover, emphasizing the role of blood as well as analyzing the elaborate way in which perceptions are transmitted through the body to the soul proves vital to appreciate (in Section 3) the cognitive status of the lower parts of the soul (which are more involved in perception) and their relation to reason. Overall, the paper adds further elements to our understanding of Plato’s embodied approach to cognition. I had already written (and submitted) this article when Johansen (2021) was published. The latter’s approach to the role of blood in Plato’s physiology of knowledge in the Timaeus converges in part with mine (as I was pleased to find out), partly due to our overlapping sources and bibliography. (shrink)

In the Timaeus, human bodies are treated as homeostatic systems, striving to maintain their natural state. This striving constitutes Plato’s explanatory framework for perception: perceptions come about when the equilibrium is shaken, and when it is restored. The article makes two main suggestions: first, that experienced pleasure and pain are grounded in non-experiential departures from and restorations of the natural state. Second, that the striving to maintain the natural state grounds perceptual interests, especially through conscious algesic and hedonic affection. Explanation (...) of what humans find desirable and avoidable in their environment – what they attend to – is a complicated story that in the context of the Timaeus must include the role of human rational abilities. This article, however, only sheds light on its other, very basic aspect: the teleology involved in bodies and how it affects perceptual interests. (shrink)

_ Source: _Volume 63, Issue 2, pp 117 - 147 I argue that Plato, in the _Timaeus_, draws deep theoretical distinctions between sensation and affect, which comprises pleasure, pain, desire and emotion. Sensation is both ‘fine-grained’ and ‘immediate’. Emotions, by contrast, are mediated and coarse-grained. Pleasure and pain are coarse-grained but, in a range of important cases, immediate. The _Theaetetus_ assimilates affect to sensation in a way the _Timaeus_ does not. Smell frustrates Timaeus because it is coarse-grained, although unlike pleasure (...) and pain it is so by accident of physiology. (shrink)

Many scholars have denied that Plato’s argument about desire at Philebus 34c10–35d7 is related to his recollection arguments in the Meno and Phaedo, because it is concerned only with postnatal experiences of pleasure. This paper argues against their denial by showing that the desire argument in question is intended to prove the soul’s possession of innate memory of pleasure. This innateness interpretation will be supported by a close analysis of the Timaeus, where Plato suggests that our inborn desires for food (...) and drink derive from the primitive experiences of pleasure that have naturally been incorporated into the appetitive part of the soul. (shrink)

This paper puts forward a new interpretation of the argument at Philebus 36c–40d that pleasures can be false. Protarchus raises an objection at 37e–38a, and in response Socrates presents the elaborate painter-scribe analogy. Most previous interpretations do not explain how the analogy answers Protarchus’ objection. On my account, Protarchus’ objection relies on the plausible intuition that pleasure is simply not in the business of assessing the world, and so it cannot be charged with doing so incorrectly. Socrates responds by demonstrating (...) that pleasure can be mistaken about the world, despite not making an independent assessment of it. The painter-scribe analogy demonstrates how pleasure comes to be mistaken about the world by reproducing the mistake of a judgment. Socrates persuades Protarchus that pleasure can be mistaken in part by preserving his intuition that pleasure itself is not the source of the mistake. (shrink)

This paper concerns Plato’s characterization of the body as the soul’s tool. I take perception as an example of the body’s usefulness. I explore the Timaeus’ view that perception provides us with models of orderliness. Then, I argue that perception of confusing sensible objects is necessary for our cognitive development too. Lastly, I consider the instrumentality relationship more generally and its place in Plato’s teleological worldview.

My dissertation is a reading of Plato’s Timaeus that centers sexual difference and in particular femininity. I analyze the role of sexual difference in the framing of the dialogue as well as its accounts of body in the first and second discourse and its account of health in the third discourse. I argue that sexual difference, and, in particular, sexual reproduction, serves as a guiding paradigm of Timaeus’ entire project. I argue in each part of my dissertation that various aspects (...) of the Timaeus depend on a certain notion of sexual difference—even aspects which are seemingly causally prior to the issue of sexual difference (e.g., the nature of cause itself, structure). The dissertation consists of three parts. In the first part of my dissertation, I give a new reading of the myth of the origin of women at the end of the Timaeus and bring it into conversation with the dialogue’s opening in order to give an interpretation of the dialogue’s framing. I analyze the concept of sexual difference presented in this myth and argue that its philosophical richness has been overlooked, with many considering it to be either a joke or a sexist account. Focusing on Timaeus’s account of the woman’s relationship with her womb, I argue that womanhood in this myth is constituted by features that are elsewhere characterized as essentially philosophical (e.g., collaboration, making room, recognizing the complex structure of things, and nurture). In the second part of my dissertation, I introduce the two paradigms for the origin and composition of the cosmos in the Timaeus: the first discourse’s craft paradigm that construes the cosmos as a crafted artifact, and the second discourse’s genetic paradigm that construes the cosmos as a birthed organism. I am especially concerned with each discourse’s account of body. Here, I argue that the second discourse’s genetic paradigm is a significant revision of the first discourse’s craft paradigm. While some scholars have found that Timaeus’s insights in the second discourse are a further development of the groundwork he lays in the first discourse, I argue that the genetic paradigm’s focus on femininity and the mutual collaboration of masculine and feminine capacities is incompatible with the craft paradigm’s androcentrism. Finally, in the third part of my dissertation, I analyze the way that the Timaeus centers women’s bodies in its account of health in body and soul. Here, I argue that the Timaeus characterizes health by drawing on ideas about women’s bodies that are framed as symptoms of feminine disease in the Hippocratic texts (e.g., disequilibrium, flux, and porosity). Taken together, the three articles of my dissertation constitute a reading of the role of sexual difference in each part of the Timaeus. (shrink)

This paper aims to clarify Plato’s notions of the natural and the neutral state in relation to hedonic properties. Contra two extreme trends among scholars—people either conflate one state with the other, or keep them apart as to establish an unsurmount- able gap between both states, I argue that neither view accurately reflects Plato’s position because the natural state is real and can coincide with the neutral state in part, whereas the latter, as an umbrella term, can also be realized (...) in a non-natural condition. The clarification of the relation between the two states will shed light on the degree to which Plato admits and constrains the hedonic value for a good human life; further, this will call attention to some (not well explored) parallel thoughts in the medical tradition to which Plato is indebted. (shrink)