In Speculum of the Other Woman (1974), Luce Irigaray argues that "any theory of the subject has always been appropriated by the masculine." This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as "the phallic economy of castration." A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

In Speculum of the Other Woman, Luce Irigaray argues that “any theory of the subject has always been appropriated by the masculine.” This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as “the phallic economy of castration.” A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

Sophocles's Antigone continues to attract attention for its portrayal of the themes of moral agency and sexual difference. In this paper I argue that the contradictory factors which constitute Antigone's social identity work against the possibility of assessing her actions as either "virtuous" or not. I challenge readings of the play which suggest either that individual moral agency is sexually neutral or that women's action is necessarily and simply in direct opposition to the interests of the public sphere.

Political agency is vital to the formulation of a feminist politics so feminists have attempted to create a subject that eschews the sexism of the Cartesian subject while at the same time retaining agency. This paper examines some of the principal feminist attempts to reconstitute the subject along these lines. It assesses the success of these attempts in light of the question of whether the subject is a necessary component of feminist theory and practice.

I maintain that Hegel’s reading of the Antigone underestimates the power of the negativity to which Antigone’s action is dedicated. I argue that the negativity of death and the sacred cannot, contrary to Hegel, to be sublated and thus incorporated into the progression of Spirit. Bataille’s treatment of the sacred better characterizes the unworldly force and the otherness with which Antigone and Creon are confronted when their actions bring the divine and the human into conflict. Antigone’s obedience to what she (...) understands to be her divine obligation is a devotion to a negativity which exceeds and subverts all dialectical comprehension. Although her action brings the divine and the human political sphere into a moment of identity, allowing for the sublation of the ethical world, Antigone’s action is a transgression in Bataille’s sense of the term, and it points toward the limits of reason. The Antigone narrative thus exceeds Hegel’s use of it and is ultimately more consistent with Bataille’s understanding of the sacred. (shrink)

RésuméCet article concerne le conflit entre le domaine du divin et celui de l'humain dans la lecture hégélienne de l'Antigone de Sophocle. Je soutiens que la lecture de l'Antigone par Hegel sous-estime la négativité du sacré et que, contrairement à ce que pense Hegel, l'action d'Antigone ne peut pas être dépassée, parce que son telos n'est pas l'unité, mais plutôt le rétablissement de ce que Bataille appellerait la continuité, ou l'indifférencié. Le sens du récit de l'Antigone excède ainsi l'usage qu'en (...) fait Hegel et s'accorde davantage avec la compréhension du sacré proposée par Bataille. (shrink)