According to current interpretations of Parmenides, he either embraces a token-monism of things, or a type-monism of the nature of each kind of thing, or a generous monism, accepting a token-monism of things of a specific type, necessary being. These interpretations share a common flaw: they fail to secure commensurability between Parmenides’ alētheia and doxa. We effect this by arguing that Parmenides champions a metaphysically refined form of material monism, a type-monism of things; that light and night are allomorphs of (...) what-is ; and that the key features of what-is are entailed by the theory of material monism. (shrink)

Plotinus developed a metaphorical approach to language that allowed him to offer a transcendent vision of God, a paradox that made clear how ineffably and incontrovertibly unclear God is – as is our relationship with Him. Ricoeur bridged the centuries by working intensively upon Plotinus in the 1950s-70s. He was seeking a philosophy of negation to help him understand the ways in which modern humans define themselves by lack, loss and longing and asked himself: ‘what is not-ness?’ Eventually Ricoeur abandoned (...) his search for a philosophy of negation that would explain the negative turn in modern life, and developed a model of language and of dialectic within which the negative was embedded. By fully integrating negation into various language forms (metaphor, dialectic) he was implementing the conviction that we have to accept that the negative (that which we want to reject) is an integral part of each of us: blame cannot be attributed to others. Through his negation project Ricoeur applied existential thinking to negative theology and gave its structural strangeness a new application. Using Plotinus he ensured that opposing existential concerns can in fact be brought into discussion, when we accept the impossibility of the unity for which we long. I propose that he even created a strange kind of analogue between negative theologies and existentialist problems, adapting the powerful provisionality of Plotinus’ dialectical and metaphorical devices, to help him address modern crises. Laclau believed that these crises can be solved, and Butler and Lorey concur, all three arguing for close attention to language, rhetoric and the people’s potential. In this context we can instructively apply Ricoeur’s adaptation of Plotinus to consider the emerging patterns around the Mediterranean, which we wish to negate and really must act upon: a mounting refugee crisis, the instability created by wars and an increasingly insecure workforce. The first step for a nation to take is to be able to talk about such matters and research on university campuses suggest that this is being inhibited by government regulatory practices. Attempts to reverse this trend render the extraordinary worlds of Plotinus and Ricoeur immensely useful. Using Plotinus he ensured that opposing existential concerns can in fact be brought into discussion, when we accept the impossibility of the unity for which we long. If we contrast this with the non-dialogic, argumentative and polarised discourse of populist political parties across Europe and round Plotinus’ Mediterranean, we can see how potent it could be to re-introduce Ricoeur’s response to Plotinus into modern discourse. (shrink)

Fragment B 1 of Parmenides describes a youth's journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides' Greek text is beset with many difficulties, most notably the phrase kata pant' atê at B 1.3. There, the neuter accusative plural panta ('all things') combines with the feminine nominative singular atê (heavenly sent blindness') to render translation impossible. Some have proposed emending the text to read a<s>tê ('down to all (...) cities'), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel 'far from the beaten path of men.' I argue in defense of the reading kata pant' a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides' era. (shrink)

Abstract The great german Scholar, Eduard Zeller, suggested that the reference to male and female in Parmenides B12.5-6 was probably an allusion to the physical principles of `mortal opinion': Night and Light. This suggestion has been rejected by some scholars because such an association would lead us to admit that, in B12, male was associated with Night and female with Light, a theory which would be at odds with the supposed misogyny of Greek culture. However, Parmenides' account of `mortal opinion' (...) certainly associates male with coldness and density, the attributes of Night, and female with hotness and greater rarity, the attibutes of Light. The aims of this paper are, then, first, to show that the association of female with Light and of male with Night is in fact right; and secondly to investigate the main dualistic features of Parmenides' `mortal opinion' (embryology, sleep, death, knowledge) in relation to this theme. This will lead us, finally, to focus our attention on the Proem, which introduces us to a world full of female divinities, among whom - beyond the gates of the ways of day and night - is the unnamed goddess who will initiate her young male auditor into the two `ways'. (shrink)

Parmenides’ Poem on Nature contains a proof that the world could not have come into being in time, because no explanation could be given for why it would do so at a given time. This same proof reappears in the Leibniz-Clarke Correspondence, where it is directed against Newtonian absolute time. Newtonians, Leibniz explains, believe that time is homogeneous and absolute, but this makes it inexplicable how God could have chosen to create the world on a given day. Similarly, in his (...) correspondence with Schrödinger in the 1930s, Einstein suggests that certain quantum mechanical occurrences, such as the spontaneous decay of a radioactive atom, are absurd, because they cannot be assigned a definite location in time. In Schrödinger’s version of Einstein’s argument, we must say that the cat dies twice: first, inside the box; yet, second, when we open the box. But both accounts cannot be true. Since each of the authors discussed was aware of the approach of his predecessors, they share a structure. In this article, I develop a unified account of all three. (shrink)

It is generally accepted that the enigmatic fragment 12 of Parmenides, supplemented by the first part of A.tius II 7.1, represents an unlikely cosmos which comprises alternating spherical crowns of fire and night, surrounding the earth. A comparison of the fragment and A.tius’ text shows that the latter adds nothing substantial to the fragment. Thus, fragment 12 can actually represent the structure of the earth, which consists of a core of fire, is surrounded by the layers of the earth’s crust, (...) into which heat is transmitted from within, and on which the goddess of life dwells. (shrink)

Tem-se analisado, recorrentemente, a influência de Homero e de Hesíodo no proêmio do poema de Parmênides. As possíveis influências da poesia órfica tem sido apenas consideradas. Todavia, diversas descobertas de textos órficos aconselham voltar a analisar os vestígios da tradição mistérica, em geral, e órfica, em particular, no poema do filósofo de Eléia, sem minimizar, com isso, as outras influências já postas em relevo. O autor assinalou, em um trabalho anterior, algumas conexões entre Parmênides e os textos órficos; neste artigo, (...) a análise se centra nos pontos de contato com ideias e imagens literárias dos Mistérios que se encontram no proêmio. Não se trata de determinar as crenças do filósofo, senão de situar, no âmbito da tradição, os conteúdos doutrinais e/ou poéticos expressados nesta parte fundamental do seu poema, para fazer ver o que têm de poderosamente originais e, em consequência, tratar de determinar o significado do proêmio no conjunto da obra. (shrink)

This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of some critical (...) variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink)