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  1. Making Space for Creativity: Niche Construction and the Artist’s Studio.Jussi A. Saarinen & Joel Krueger - 2022 - Journal of Aesthetics and Art Criticism 80 (3):322–332.
    It is increasingly acknowledged that creativity cannot be fully understood without considering the setting where it takes place. Building on this premise, we use the concepts of niche construction, scaffolding, coupling, and functional integration to expound on the environmentally situated nature of painters’ studio work. Our analysis shows studios to be multi-resource niches that are customized by artists to support various capacities, states, and actions crucial to painting. When at work in these personalized spaces, painters do not need to rely (...)
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  • Scientific practice as ecological-enactive co-construction.Guilherme Sanches de Oliveira, Thomas van Es & Inês Hipólito - 2023 - Synthese 202 (1):1-33.
    Philosophy of science has undergone a naturalistic turn, moving away from traditional idealized concerns with the logical structure of scientific theories and toward focusing on real-world scientific practice, especially in domains such as modeling and experimentation. As part of this shift, recent work has explored how the project of philosophically understanding science as a natural phenomenon can be enriched by drawing from different fields and disciplines, including niche construction theory in evolutionary biology, on the one hand, and ecological and enactive (...)
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  • Materialised Identities: Cultural Identity, Collective Memory, and Artifacts.Richard Heersmink - 2021 - Review of Philosophy and Psychology:1-17.
    This essay outlines one way to conceptualise the relation between cultural identity, collective memory, and artifacts. It starts by characterising the notion of cultural identity as our membership to cultural groups and briefly explores the relation between cultural and narrative identity (section 2). Next, it presents how human memory is conceptualised on an individual and collective level (section 3) and then distinguishes between small-scale and large-scale collective memory (section 4). Having described cultural identity and collective memory, it argues that cultural (...)
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  • Materialised Identities: Cultural Identity, Collective Memory, and Artifacts.Richard Heersmink - 2023 - Review of Philosophy and Psychology 14 (1):249-265.
    This essay outlines one way to conceptualise the relation between cultural identity, collective memory, and artifacts. It starts by characterising the notion of cultural identity as our membership to cultural groups and briefly explores the relation between cultural and narrative identity (section 2). Next, it presents how human memory is conceptualised on an individual and collective level (section 3) and then distinguishes between small-scale and large-scale collective memory (section 4). Having described cultural identity and collective memory, it argues that cultural (...)
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  • Into the dark room: a predictive processing account of major depressive disorder.Regina E. Fabry - 2020 - Phenomenology and the Cognitive Sciences 19 (4):685-704.
    Major depression is a prevalent mental disorder that leads to persistent negative mood and tremendous suffering in affected individuals. However, the biological realization of this disorder and associated symptom clusters remain poorly understood. Recently, phenomenological accounts of major depressive disorder and contributions to the emerging predictive processing account have provided valuable insights into the phenomenological and neuro-functional components that lead to manifestations of major depressive episodes. The purpose of this paper is to weave together these different strands of research to (...)
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