Rush Rhees, Georg Henrik von Wright and Elizabeth Anscombe are well known as the literary executors who made Ludwig Wittgenstein’s later philosophy available to all interested readers. Their editions of Wittgenstein’s writings have become an integral part of the modern philosophical canon. However, surprisingly little is known about the circumstances and reasons that made Wittgenstein choose them to edit and publish his papers. This essay sheds light on these questions by presenting the story of their personal relationships—relationships that, on the (...) one hand, gave Rhees, von Wright and Anscombe distinct insights into Wittgenstein’s philosophizing; and, on the other hand, let Wittgenstein assume that these three former students, and later colleagues and friends, were the most capable of preparing his work for publication. Using hitherto unpublished archival material as well as information from published recollections, the essay sketches the development of the personal and philosophical bonds from which the literary heirs’ distinct ways of handling Wittgenstein’s unpublished writings grew in later years. (shrink)

Using new archival material, this article reconstructs the editorial history of Philosophical Grammar, an edition that Rush Rhees crafted from Wittgenstein's papers. Contrasting the often‐held view that Rhees, in editing Philosophical Grammar, arbitrarily interfered with Wittgenstein's Big Typescript, the article illuminates the work, motives and reasons that underlie Rhees’ editing. Although recent philological evidence supports his editorial decisions, Rhees, at the time, made them based on his desire to do justice to his understanding of Wittgenstein's philosophical orientation. Against this background, (...) purely text‐philological criticism of Philosophical Grammar seems to come from a philosophical culture that was alien to Rhees. (shrink)

Brentano’s theory of continuity is based on his account of boundaries. The core idea of the theory is that boundaries and coincidences thereof belong to the essence of continua. Brentano is confident that he developed a full-fledged, boundary-based, theory of continuity1; and scholars often concur: whether or not they accept Brentano’s take on continua they consider it a clear contender. My impression, on the contrary, is that, although it is infused with invaluable insights, several aspects of Brentano’s account of continuity (...) remain inchoate. To be clear, the theory of boundaries on which it relies, as well as the account of ontological dependence that Brentano develops alongside his theory of boundaries, constitute splendid achievements. However, the passage from the theory of boundaries to the account of continuity is rather sketchy. This paper pinpoints some chief problems raised by this transition, and proposes some solutions to them which, if not always faithful to the letter of Brentano’s account of continua, are I believe faithful to its spirit. §1 presents Brentano’s critique of the mathematical account of the continuous. §2 introduces Brentano’s positive account of continua. §3 raises three worries about Brentano’s account of continuity. §4 proposes a Neo-Brentanian approach to continua that handles these worries. (shrink)