Helmut Reich’s theory of relational and contextual reasoning is a courageous initiative for the resolution of cognitive conflicts between apparently incompatible or incommensurable views. Built upon Piagetian logico-mathematical reasoning, cognitive complexity theory, and dialectical and analogical reasoning, it includes the development of a both/and logic inclusive of binary either/or logic. Reich provides philosophic, theoretical, and even initial empirical support for the development of this form of reasoning along with a heuristic for its application. A valuable step beyond the limits of (...) binary, static, and formal reasoning, it takes relationship, context, and perspectival variations seriously in an explicitly reflective and iterative system. We can and do address conflicts not resolvable by conventional appeals to logic or evidence, including those at epistemic boundaries or produced by belief-commitment differences. Although this form of reasoning has real promise, including stepping beyond complementarity in the religion-science dialogue, it seems better directed to causally explanatory theories than to other forms of rendering meaning. Finally, its coextension requirement may render it problematic where functionally coherent explananda cannot be identified or are themselves produced or constituted by a belief system. (shrink)

Whereas Peirce’s logic drove him to postulate a primitive sentiency of physical matter, this essay argues that life exhibits behavior that is radically discontinuous from its preconditions; e.g., life manufactures chance by semiotic means. A sign being something that stands for another thing to a mind, signs are brought into existence only by acts of ‘reading.’ Peirce argued that this action is an element of physics, and thus the entire universe ‘lives.’ This essay postulates a degenerate form of Firstness that (...) is contingent upon ‘caused’ forms of apparent but not actual chance, and which consists of possibility sans sentiency. This argument limits the range of Peirce’s semiotics to biology; chance remains radical, though its roots now lie in the coextension of semiotics and life. As living things live only by incorporating extant phenomena, continuation depends on the ability to enter into successful semiotic relationships. This results in the ‘minding’ behavior that is both biological sentiency and genuine Firstness, and which expresses radically discontinuous behavior. Thus chance becomes something akin to truth: neither exists ‘metaphysically’ , both are quite distinct from being, and both happen only as a consequence of interpretation as it is generated by and re-generates sign-wielding beings as they seek what they need to go on living. While quite distinct from Peirce, this notion of chance may well result in a more productive use of his semiotics. (shrink)

Abstract Struck by essentialist and anti-essentialist elements in his writings, Nietzsche's readers have wondered whether his conception of the self is incoherent or paradoxical. This paper demonstrates that his conception of the self, while complex, is not paradoxical or incoherent, but contains four distinct levels. Section I shows Schopenhauer as Educator to contain an early description of the four levels: (1) a person's deepest self, embracing all that cannot be educated or molded; (2) a person's ego; (3) a person's ?ideal? (...) or ?higher self?; (4) a person's ?true self? or ?true nature?. In the remaining three sections, I show that Nietzsche develops and enriches this conception, without ever abandoning it. Section II treats the fourfold conception as it appears in Human, All Too Human. Section III interrogates relevant passages in the Gay Science, showing that while Nietzsche speaks of artful self-fashioning (as Alexander Nehamas emphasizes), he also pays due regard to the sense in which we are not our own creations. Section IV turns to the ?deepest? level of the self, consisting of motives and drives. Drawing primarily upon Daybreak and Beyond Good and Evil, I show that Nietzsche regards neither the drives nor their hierarchical ordering as things that we construct. (shrink)

John Kinsella’s twentieth volume of poetry is laden with a poetics of attention to time, water and heat. Climate inheres in simplified topographical sketches, surveys and encounters with animals; water is ambiguous: a solid presence that is also fluid, subject to evaporation and often modelled as multi-dimensional motion; universalised western seasons are used rhetorically and symbolically to bring into relief little seasons within seasons, the more spatially and temporally localised markers of change. All these speak directly to the function of (...) the image and terrestrial matter,and how poetry is alert to such conditions. Kinsella has conceived of this as a “clash between linguistic anomaly and environmental exactness.”. (shrink)