Frederick Douglass’s socio-political narrative is explored through an existential lens, arguing that Douglass is contesting the proposition that essence precedes existence. Douglass, through his fight with Covey, a white ‘slave breaker’, and his escape to freedom, affirms his existence as being for it-self over and against the reduction of his existence to that of being in-itself. Drawing from the work of Simone de Beauvoir, who was greatly influenced by the phenomenological and politico-praxic work of Black novelist Richard Wright, it is (...) argued that Douglass disrupts the power/knowledge regime of white American slavery, exercising his existential capacity for transcendence. Examining whiteness as a species of what Beauvoir calls ‘the serious man’, it is argued that whites within Douglass’s text are in a state of flight, performing their whiteness as ‘the serious man’, that is, where whiteness is accepted as an unconditioned state of being. Douglass’s narrative depicts whiteness as a flight from freedom ; for his very act of protestation against whiteness demonstrates that whiteness is not an objective, hypostatized thing, but a performative choice that sustains white hegemony. (shrink)

In this paper, I present a new reading of Simone de Beauvoir’s first major work, L’Invitée ( She Came to Stay ), in order to reveal the text as a vital place of origin for feminist phenomenological philosophy. My reading of L’Invitée departs from most scholarly interpretations of the text in three notable respects: (1) it is inclusive of the “two unpublished chapters” that were excised from the original manuscript at the publisher’s request, (2) it takes seriously Beauvoir’s claim that (...) phenomenological philosophy is often better expressed in novels than essays or treatises, and (3) it views the novel’s main characters, Françoise and Xavière, as one woman who has multiple, contradictory, excessive selves. Thus approached, L’Invitée provides us with a thick description of one woman’s embodied consciousness and thereby shows us with specificity what a consciousness whose underlying structures reflect sexual difference looks like. This consciousness not only experiences itself as being both gendered, categorized, disciplined, and defined and in excess of these genders, categories, disciplines, and definitions at the same time, but also experiences its own self-relation through the presence of multiple selves who are each simultaneously attracted to and negating of the other. As such, the defining features of this consciousness involve experiences that I have respectively labeled “ontological multiplicity” and “auto-jealousy.”. (shrink)

Simone de Beauvoir's novel She Came to Stay follows Françoise and her partner Pierre as their intimacy becomes increasingly entangled with the young and tempestuous Xavière. Many readings of the novel explain Françoise's bad feeling and eventual violence as symptoms of sexual jealousy. The book has also been read as a veiled autobiography of Beauvoir and Sartre's similar entanglement with Olga Kosakiewicz, so that, very often, Françoise's jealousy is assumed to stand in for Beauvoir's own. This article is about misreading (...) in two ways. First, I argue that the common view that this is a story in part or in whole about sexual jealousy reflects a radical simplification of the emotional and interpersonal dynamics of the “trio.” Second, I argue that this interpretive simplification is in fact common in mainstream readings of nonmonogamous relationships, where “jealousy” is used to name any and all bad feelings in the vicinity of the nonmonogamous relationship, and where that bad feeling is interpreted as caused by the nonmonogamy itself. To conclude, I suggest that She Came to Stay, and particularly its notorious ending, can be seen as Beauvoir's depiction—and refusal—of the misreadings that constitute the “situation” of nonmonogamy in everyday life. (shrink)

ABSTRACTThe central hypothesis of this paper is that the phenomenology of Merleau-Ponty offers significant philosophical groundwork for an ethics that honours key feminist commitments – embodiment, situatedness, diversity and the intrinsic sociality of subjectivity. Part I evaluates feminist criticisms of Merleau-Ponty. Part II defends the claim that Merleau-Ponty’s non-dualist ontology underwrites leading approaches in feminist ethics, notably Care Ethics and the Ethics of Vulnerability. Part III examines Merleau-Ponty’s analyses of embodied percipience, arguing that these offer a powerful critique of the (...) view from nowhere, a totalizing God’s-eye-view with pretensions to objectivity. By revealing the normative structure of perceptual gestalts in the intersubjective domain, he establishes the view from everywhere. Normativity is no longer deferred to higher authorities such as duty, utility or the valorized virtue, but through the perceptual gestalt it is returned to the perceiving embodied subject. This... (shrink)