This article investigates a central yet perplexing term yiming in the ‘Qiwulun’ chapter of the Zhuangzi. Yiming describes a crucial way to detach from epistemic distinctions and debates. This term is often explained as ‘using ming’ or contradictorily as ‘stopping ming’. Yet neither of the two explanations can provide a full understanding of how yiming is adopted. I take three steps to explain yiming. First, taking an etymological approach, I argue that ming can be formulated as ‘X shining on Y’. (...) Second, I use the formula of ‘X shining on Y’ to account for yiming and argue that this term refers specifically to ‘using tian to shine on everything’. Third, I unpack a cluster of tian-associated metaphors, which provides a deep understanding of yiming as an ideal way to mental tranquility. (shrink)

This article draws a parallel between the Zhuangzi’s discussions of having no sense of “oneself” or “I,” on the one hand, and its critique of institutionalized order and visions of the unification of society, on the other. Highlighting the way the text distances itself from rituals and tradition, this article identifies the source of the shift in its view on personhood not simply in the situating of humans in the wider world or in acknowledgment of natural processes of change, but (...) in the character of one’s relation to the wider world and change. Although special attention is given here to the socially and politically disengaged tone of the text, I reject the view that the Zhuangzi’s goal is to help shed the “external,” “social,” or “constructed” layers of one’s person in order to unearth a “natural” or “authentic” core. (shrink)

Classicists have long been wary of comparisons, partly for ideological reasons related to the incomparability of ‘the Classical’, partly because of the often problematic basis and limited illumination afforded by such efforts as have been made: the -reception of the work of the Cambridge ritualists — such as J.G. Frazer and Jane Harrison — is a case in point in both respects. Interestingly, even the specifically comparative interests of the much more rigorous projects of the Paris School, at the Centre (...) Louis Gernet, have not had much resonance outside France, notwithstanding the enormous influence of their work concerning purely Greek subject matter. In part, perhaps, this was a result of the shift from Vernant's originally Marxist framework, in which societies were comparable in terms of an evolutionary sociological scheme, to a structuralist one, entailing an emphasis on the uniqueness of different cultural traditions. The emphasis on the uniqueness of the Classical world was only reinforced by post-structuralism and post-modernism, which in their strongest forms suggested that cultures, like languages, were fundamentally incommensurable, and thus not accessible to outsider knowledge, let alone comparable. Indeed, so virulent was the post-structuralist virus that disciplines to which we might have expected to be able to turn for guidance, like comparative religion, are only now recovering the courage ‘to compare religious phenomena, theologies or artefacts outside of footnotes or less heavily policed epilogues’. (shrink)

ABSTRACTThis response to Analogical Investigations concentrates on the legacy of Lloyd's polarity and analogy, other theories of metaphor, and relations between theories of metaphor and theories of nature.

In classical Chinese wu 吾 is commonly employed as the first-person pronoun, similar to wo 我 that retains its use in modern Chinese. Although these two words are usually understood as stylistic variants of “I,” “me,” and “myself,” Chinese scholars of the Zhuangzi 莊子 have long been aware of the possible differences in their semantics, especially in the philosophical context of discussing the relation between the self and the person, as evinced by their occurrences in the much-discussed line “Now I (...) have lost myself” in the chapter “Discussion on Making All Things Equal”. In this essay, I first provide an exegesis of the proffered explanations of the semantical differences between wu and wo as an introduction to two ways of understanding them in the Zhuangzi literature, viz. the single-reference view and the double-reference view. Then I shall argue against these two views in favor of the no-reference view, meaning that both pronouns in “Now I have lost myself” do not function referentially, given the peculiarity of the verb “lose.” I believe the no-reference view has not been explicitly articulated and defended in the literature, although some scholars who want to read the no-self view into the Zhuangzi might have implied it. My argument is supported by a close reading of the targeted passage in the Zhuangzi, premised on the assumption that the part on the “piping of Heaven” immediately following the discussion of losing oneself is an indirect explanation rather than a digression. My explanation is framed within a similar discussion of “I” by the British philosopher Elizabeth Anscombe. This comparative interpretation, I believe, not only provides the grounds for understanding Zhuangzi’s ideal of attaining the state where “the ten thousand things are one with me,” but also demonstrates how metaphysics and the philosophy of language are two interwoven threads in Zhuangzi’s reasoning. (shrink)

His batting stance was pure Skrimmer, the easy sink of the knees, the sense of prevailing silence, the dart of the hands to the ball. Good players tended to be good mimics: old footage of Aparicio,...

This essay examines the concept of the wandering heart-mind in the Inner Chapters of the Zhuangzi 莊子. This essay examines the problems caused by a collection of behaviors in the heart-mind: the ability to make distinctions, the tendency to fix distinctions and language, and the need to act for the sake of fixed ends. Zhuangzi treats these problems with emptying, wandering, and mirroring. These techniques release the heart-mind from fixation and conflict, enabling the heart-mind to respond to conditions without acting (...) for fixed ends. Letting the heart-mind wander provides the receptivity and creativity necessary for responding to a complex world of constant change. Letting the heart-mind wander also opens the possibility of an intrinsically beneficial moral psychology, one where the heart-mind not only adapts to but enjoys a world of transformation and uncertainty. This interpretation of the heart-mind has important consequences for psychology, language, and ethics. In terms of psychology this interpretation diagnoses the limitations of knowledge and proposes therapeutic techniques to treat uncertainty and fixation. In terms of language this interpretation reveals different linguistic attitudes in the text, such as usefulness and play. In terms of ethics this interpretation provides a basis for Zhuangzi’s ethical vision of nourishing living and free-and-easy wandering. (shrink)

This essay thinks through Nanguo Ziqi’s famous “I lost myself” (wu sang wo 吾喪我) remark in the Qiwulun 齊物論 in light of Weil’s notion of decreation. The desire to undo the self is paradoxical, and most philosophical interpretations of the Zhuangzi passage try to avoid the paradox of “I lost myself” by positing various levels of self. Weil’s decreation embraces the paradox, and thereby helps clarify how Nanguo’s “I lost myself” connects with his subsequent metaphor of pipes of Heaven. More (...) broadly, this essay is a first step in drawing together these two uniquely unsystematic and paradoxical thinkers. (shrink)

In this essay, I challenge the use of Conceptual Metaphor Theory in the premodern Chinese setting. The dominant, implicit assumption in the literature is that conclusions reached by CMT on the ways in which cognition operates can be applied in toto and without qualification onto the makers of classical Chinese texts. I want to challenge this assumption and argue that textual evidence from premodern Chinese points to a different cognitive process. Differences in the use and conceptualization of image-based thinking as (...) well as differences in the understanding of the relationship between words, images, and the world reveal a different cognitive process. However, I do not wish to argue for a total abandonment of the insights of CMT. Rather, I call for the need to properly qualify its findings in light of premodern Chinese use and conceptions of image-based language. (shrink)

Metaphor study is a promising trend in present-day academia. Scholars of antiquity are already profiting from it in their study of early texts. We have yet, however, to harness the potentials of metaphor in East-West comparison. The article discusses what literary metaphors are, in particular how they generate images and perspectives that call into play a broad range of extra-textual information about the speaker and his milieu. Shared metaphors are doubly advantageous: they serve as hermeneutic tools for reading early texts (...) and are fulcrums for comparing views of different traditions. Archery is an example of a shared metaphor in the Confucian Analects and Aristotle’s Nicomachean Ethics. It seems that while both texts employ images that are close together, their meanings are far apart. (shrink)

Light metaphors occurring in Chinese philosophy and Stoicism are of special interest for the unique ways they channel potentialities of the self. In this paper I apply ideas from cognitive linguistics to examine selected structural features of these metaphors. I also build on these ideas by presenting a framework regarding affects to assist in disclosing what is at stake for differing Chinese and Stoic technologies of the self. The paper adopts a high-level perspective to see these broad philosophical implications, interleaving (...) discussions of Chinese philosophy (mainly views associated with Daoism), Stoicism (bringing into relief important differences from these views), and contemporary research on socially constructed affects. This “triadic” comparative approach aims to shed new light on some root assumptions built into the projects of self-cultivation that are at the core of Chinese and Stoic worldviews. (shrink)

Posthumanist critics such as Braidotti—informed by the antihumanisms of Foucault, Irigaray, and Deleuze—seek to respond to advanced capitalism by promoting what they take to be a radical transformation of what it means to be “human,” a way of conceiving being human that is thoroughly and consistently post-anthropocentric. Braidotti calls out advanced capitalism’s global economy as being inconsistently post-anthropocentric. In response, I first lay out ways through which posthumanists can find corroboration in Asian religious thought, such as in Zhuangzi and classical (...) Chan (Zen) Buddhism. I simply put forth, basically side by side, posthumanist positions on subjectivity and flourishing and parallels in Zhuangzi and Chan. This may strike some as sophomoric, which is in part what I hope to illustrate: just how easy it is to find corroboration in these Asian religious resources. This leads to my second issue. Given such conveniently available resources, what might this tell us about limitations in posthumanist Humanities and posthumanist critical theory as developed so far? I seek to bring out both a possible covert form of Orientalism in posthumanism and a myopic methodology in excluding Religious Studies in general as paradigmatic of posthumanist Humanities. (shrink)