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Storia della bellezza

(ed.)
Milano: Bompiani (2004)

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  1. Cultures of the (masked) face.Gabriele Marino - 2021 - Sign Systems Studies 49 (3-4):318-337.
    What we generally regard as ‘the face’ should be semiotically understood not as something given and monolithic, but rather stratified – it is at least threefold: biological (face), physiognomic (expression), perceivable (visage) – and relational as it has to be put within a narrative in order to make sense. The face lies at the centre of a whole semiotic system, the form of life, revolving around the issue of identity (which the face – the visage, to be precise – embodies (...)
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  • The good sense of Umberto Eco and the common sense of the Echian Encyclopaedia.Anna Maria Lorusso - 2021 - Semiotica 2021 (241):29-44.
    The aim of my contribution is to analyse the role that common sense has played in Umberto Eco’s work. After making clear the distinction between good sense and common sense, and highlighting a number of differences with the Scottish philosophy of common sense, I will consider the uses and functions that common sense assumes in Eco’s philosophy: namely, a phenomenological function, a regulatory function and a communicative function. I will demonstrate how the characterisation of common sense in Eco emphasises the (...)
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