Prior used our emotions to argue that tensed language cannot be translated by tenseless language. However, it is widely accepted that Mellor and MacBeath have shown that our emotions do not imply the existence of tensed facts. I criticise this orthodoxy. There is a natural and plausible view of the appropriateness of emotions which in combination with Prior’s argument implies the existence of tensed facts. The Mellor/MacBeath position does nothing to upset this natural view and therefore is not sufficient to (...) block one drawing conclusions for the metaphysics of time from the nature of our emotions. (shrink)

Metaphysics seeks an account of fundamental reality as it is independent of any observer or point of view. As such, one problem it faces is that any such account is necessarily created by some observer from some point of view. Does this mean that metaphysics is thereby inherently impossible? Or inherently incomplete? I argue that it is possible and it can aim at completeness, but it must acknowledge the contributions made by the human perspective on reality, human cognition, and features (...) of the conceptual and linguistic representations in which it is couched. The idea that we can discover metaphysical insights by investigating concepts and language has had a remarkably tenacious grip on the field of metaphysics. I offer a diagnosis of how this grip took hold and an argument that it should be loosened. I also propose a means of pursuing metaphysical investigation that does not rely on an enquiry into language and that can yield fruitful results. (shrink)

Se brindan una serie de consideraciones prologales para justificar el establecimiento de una arquitectónica fenomenológica del tiempo en Emmanuel Levinas. El problema del tiempo se encuentra disperso en la obra levinasiana, en constante dialogo y confrontación con autores de la época, tanto de tradición fenomenológica como de tradición filosófica judía. El artículo recorre de manera proemial las diferentes etapas del pensamiento levinasiano y reconoce las periferias con las cuales el autor dialoga y confuta su propuesta, denominada como “Deformalización del tiempo”. (...) Se concluye quebrando una lanza por la necesidad de una investigación que constituya una arquitectónica como propuesta ante la irresuelta tarea del tiempo por parte del autor. (shrink)