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  1. Gestalt issues in modern neuroscience.Walter H. Ehrenstein, Lothar Spillmann & Viktor Sarris - 2003 - Axiomathes 13 (3-4):433-458.
    We present select examples of how visual phenomena can serve as tools to uncoverbrain mechanisms. Specifically, receptive field organization is proposed as a Gestalt-like neural mechanism of perceptual organization. Appropriate phenomena, such as brightness and orientation contrast, subjective contours, filling-in, and aperture-viewed motion, allow for a quantitative comparison between receptive fields and their psychophysical counterparts, perceptive fields. Phenomenology might thus be extended from the study of perceptual qualities to their transphenomenal substrates, including memory functions. In conclusion, classic issues of Gestalt (...)
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  • Principles of perceptual grouping: implications for image-guided surgery.Birgitta Dresp-Langley - 2015 - Frontiers in Psychology 6.
    The laws and principles which predict how perceptual qualities can be extracted from the most elementary visual signals were discovered by the Gestalt psychologists(e.g., Wertheimer,1923; Metzger,1930, translated and re-editedbySpillmann in 2009 and2012, respectively). Their seminal work has inspired visual science ever since, andhas led to exciting discoveries which have confirmed the Gestalt idea that the human brain would have an astonishing capacity for selecting and combining critical visual signals to generate output representations for decision making and action. This capacity of (...)
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  • Neural Computation of Surface Border Ownership and Relative Surface Depth from Ambiguous Contrast Inputs.Birgitta Dresp-Langley & Stephen Grossberg - 2016 - Frontiers in Psychology 7.
    The segregation of image parts into foreground and background is an important aspect of the neural computation of 3D scene perception. To achieve such segregation, the brain needs information about border ownership; that is, the belongingness of a contour to a specific surface represented in the image. This article presents psychophysical data derived from 3D percepts of figure and ground that were generated by presenting 2D images composed of spatially disjoint shapes that pointed inward or outward relative to the continuous (...)
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  • Effects of saturation and contrast polarity on the figure-ground organization of color on gray.Birgitta Dresp-Langley & Adam Reeves - 2014 - Frontiers in Psychology 5:1-9.
    Poorly saturated colors are closer to a pure grey than strongly saturated ones and, therefore, appear less “colorful”. Color saturation is effectively manipulated in the visual arts for balancing conflicting sensations and moods and for inducing the perception of relative distance in the pictorial plane. While perceptual science has proven quite clearly that the luminance contrast of any hue acts as a self-sufficient cue to relative depth in visual images, the role of color saturation in such figure-ground organization has remained (...)
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  • Beyond the classic receptive field: the effect of contextual stimuli.Lothar Spillmann, Birgitta Dresp-Langley & Chia-Huei Tseng - 2015 - Journal of Vision 15:1-22.
    Following the pioneering studies of the receptive field (RF), the concept gained further significance for visual perception by the discovery of input effects from beyond the classical RF. These studies demonstrated that neuronal responses could be modulated by stimuli outside their RFs, consistent with the perception of induced brightness, color, orientation, and motion. Lesion scotomata are similarly modulated perceptually from the surround by RFs that have migrated from the interior to the outer edge of the scotoma and in this way (...)
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  • On Galileo's visions: Piercing the spheres of the heavens by eye and mind.Birgitta Dresp-Langley - 2014 - Perception 43:1280-1282.
    This bookreview discusses Piccolino and Wades' book on Galileo's impact on contemporary perception science.
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  • Color for the perceptual organization of the pictorial plane: Victor Vasarely's legacy to Gestalt psychology.Birgitta Dresp-Langley & Adam Reeves - 2020 - Heliyon 6 (6):e04375.
    Victor Vasarely's (1906–1997) important legacy to the study of human perception is brought to the forefront and discussed. A large part of his impressive work conveys the appearance of striking three-dimensional shapes and structures in a large-scale pictorial plane. Current perception science explains such effects by invoking brain mechanisms for the processing of monocular (2D) depth cues. Here in this study, we illustrate and explain local effects of 2D color and contrast cues on the perceptual organization in terms of figure-ground (...)
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  • Affine geometry, visual sensation, and preference for symmetry of things in a thing.Birgitta Dresp-Langley - 2016 - Symmetry 127 (8).
    Evolution and geometry generate complexity in similar ways. Evolution drives natural selection while geometry may capture the logic of this selection and express it visually, in terms of specific generic properties representing some kind of advantage. Geometry is ideally suited for expressing the logic of evolutionary selection for symmetry, which is found in the shape curves of vein systems and other natural objects such as leaves, cell membranes, or tunnel systems built by ants. The topology and geometry of symmetry is (...)
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  • Bilateral Symmetry Strengthens the Perceptual Salience of Figure against Ground.Birgitta Dresp-Langley - 2019 - Symmetry 2 (11):225-250.
    Although symmetry has been discussed in terms of a major law of perceptual organization since the early conceptual efforts of the Gestalt school (Wertheimer, Metzger, Koffka and others), the first quantitative measurements testing for effects of symmetry on processes of Gestalt formation have seen the day only recently. In this study, a psychophysical rating study and a “foreground”-“background” choice response time experiment were run with human observers to test for effects of bilateral symmetry on the perceived strength of figure-ground in (...)
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