This article explores the promises of critical hermeneutics as an innovative method and philosophy within the human sciences. It is argued that its success depends on its ability to articulate a theory of meaning with one of action and experience as well as its capacity to renew our understanding of the problem of ideology. First, critical hermeneutics must explain how cultural messages ‘show and hide’; that is, how the ambiguity of meaning always allows for a group to represent itself while (...) opening the door for distortion and domination. Second, critical hermeneutics ought to show how action can be best understood as opposing performances driven by ideological-moral views. Through an analysis of social movements, for instance, it is shown that any attempt to do justice could also and easily create exclusion. Third, critical hermeneutics has to clarify how tension and dualism within meaning and action are not to be dissociated from the self-interpretation of concrete individuals. A theory of experience is thus required in order to explain why the autonomy of the subject is finally at stake with regard to the problem of ideology. (shrink)

In this essay, I ask what form of historical consciousness schools should nurture in students. The two criteria I set up in this regard are plausibility—is the account of history plausible—and practicality—does the form of historical consciousness help young people contribute to the betterment of society. The level of my analysis is that of modernity, a novel interpretation of which I gradually develop. I begin by drawing on Nietzsche to assess three forms of historical consciousness that are on offer: the (...) belief in the old age of humankind, a forward-looking rebellion, and a backwards-looking rebellion. All three are found wanting according to my criteria. I retain from Nietzsche the idea that a certain degree of ‘presentism’ is inevitable in historical consciousness. I then use Paul Ricoeur’s reflections on modernity as a springboard for outlining a different account, which mobilizes the metaphor of modernity as a period of transition akin to adolescence. The form of historical consciousness that is associated with this metaphor is more plausible and practical than the three competitors I assessed. I conclude by defending this account from potential objections. (shrink)

Several scholars observed that narratives about the human past are evaluated comparatively. Few attempts have been made, however, to explore how such evaluations are actually done. Here I look at a lengthy “contest” among several historiographic narratives, all constructed to make sense of another one—the biblical story of the conquest of Canaan. I conclude that the preference of such narratives can be construed as a rational choice. In particular, an easily comprehensible and emotionally evocative narrative will give way to a (...) complex and mundane one, when the latter provides a more coherent account of the consensually accepted body of evidence. This points to a fundamental difference between historiographic narratives and fiction, contrary to some influential opinions in the philosophy of historiography. Such historiographic narratives have similarities with hypotheses and narrative explanations in natural science. (shrink)

In this article I explore relationships between love and politics by looking into Rosa Luxemburg’s letters to her lover and comrade Leo Jogiches. My discussion is framed within Hannah Arendt’s conceptualization of love as a manifestation of existence through the Augustinian journey of memory and as an existential force binding together the three faculties of the mind in her philosophical analysis: thinking, willing and judging. What I argue is that letters are crucial in enacting plurality and communication, and that Luxemburg’s (...) letters to her lover and comrade intensify rather than obscure the force of the political in opening up radical futures. (shrink)

This article argues that Orlando Patterson is a key contributor to postcolonial fiction and postcolonial theory as well as historical sociology and social theory, whose work contains crucial lessons for sociology in general. Patterson has coined striking concepts such as social death and human parasitism and made original historical interpretations such as the origins of freedom in the experiences of female slaves. Patterson has contributed to historical knowledge, social theory, and an alternative epistemology of interpretive social science. And through his (...) fiction, he exemplifies an alternative understanding of the métier of the social scientist, in which literary-aesthetic sensuousness and lyrical pleasure are combined with analytic rigor. The first part of the article suggests that Patterson’s work represents an overlooked foundation for postcolonial sociology. Demonstrating this involves reconstructing Patterson’s early intellectual context and then tracing the interplay between fiction and social analysis in his work. The article then analyses Patterson’s fictional writing, arguing that it is a crucial part of his overall production of social knowledge. The article’s final section argues that Patterson’s work lays out a non-positivist foundation for historical sociology and sociology as a whole. (shrink)

Today’s technological-scientific prospect of posthumanity simultaneously evokes and defies historical understanding. On the one hand, it implies a historical claim of an epochal transformation concerning posthumanity as a new era. On the other, by postulating the birth of a novel, better-than-human subject for this new era, it eliminates the human subject of modern Western historical understanding. In this article, I attempt to understand posthumanity as measured against the story of humanity as the story of history itself. I examine the fate (...) of humanity as the central subject of history in three consecutive steps: first, by exploring how classical philosophies of history achieved the integrity of the greatest historical narrative of history itself through the very invention of humanity as its subject; second, by recounting how this central subject came under heavy criticism by postcolonial and gender studies in the last half-century, targeting the universalism of the story of humanity as the greatest historical narrative of history; and third, by conceptualizing the challenge of posthumanity against both the story of humanity and its criticism. Whereas criticism fragmented history but retained the possibility of smaller-scale narratives, posthumanity does not doubt the feasibility of the story of humanity. Instead, it necessarily invokes humanity, if only in order to be able to claim its supersession by a better-than-human subject. In that, it represents a fundamental challenge to the modern Western historical condition and the very possibility of historical narratives – small-scale or large-scale, fragmented or universal. (shrink)

The rapidly growing transdisciplinary enthusiasm about developing new kinds of Anthropocene stories is based on the shared assumption that the Anthropocene predicament is best made sense of by narrative means. Against this assumption, this article argues that the challenge we are facing today does not merely lie in telling either scientific, socio-political, or entangled Anthropocene narratives to come to terms with our current condition. Instead, the challenge lies in coming to grips with how the stories we can tell in the (...) Anthropocene relate to the radical novelty of the Anthropocene condition about which no stories can be told. What we need to find are meaningful ways to reconcile an inherited commitment to narrativization and the collapse of storytelling as a vehicle of understanding the Anthropocene as our current predicament. (shrink)

A seemingly unitary appeal to history might evoke today two incompatible operations of historicization that yield contradictory results. This article attempts to understand two co-existing senses of historicity as conflicting ideas of historical change and rival practices of temporal comparison: historicism and constructionism. At their respective births, both claimed to make sense of the world and ourselves as changing over time. Historicism, dominating nineteenth-century Western thought and overseeing the professionalization of historical studies, advocated an understanding of the present condition of (...) the human world as developing out of past conditions. Constructionism, dominating the second half of the twentieth century, understood the present condition as the recent invention of certain ‘historical’ environments, without prior existence. As competing ideas of historical change, they both entail a comparison between past and present conditions of their investigated subjects, but their practices of temporal comparison are irreconcilable and represent two distinct ways of historicization. (shrink)

This paper discusses the historical voice in the history of the human sci ences. I address the question, 'Who speaks?', as a question about disci plinary identities and conventions of writing - identities and conventions which have the appearance of conditions of knowledge, in an area of activity where academic history and the history of science or intellectual history meet. If, as this paper contends, the subject-matter of the history of the human sciences is inherently contestable because of fundamental differences (...) about the subject, man, how is the field to be shaped as if it were a whole? The meta-narratives that once sustained synthetic writing, such as the teleological narratives of the emergence of a modern discipline or of progress towards truth, have lost authority. I ask whether the alternatives rely on 'wilful' authorial rhetoric, the use of the resources of language to sustain a narrative, the defence of which depends on intelligibility and inclusiveness, not detailed correspon dence to a supposedly independent past. If this is the case, an author's theoretical stance will inevitably be more out in the open - the author will have a 'theoretical voice' - than is common in most mainstream history writing. In the light of this, I reflect on my own effort to write a synthetic history of the human sciences. (shrink)

The fictionalist paradigm is introduced, and differentiated from other paradigms, using the Lincoln & Guba template. Following an initial overview, the axioms of fictionalism are delineated by reference to standard metaphysical categories: the nature of reality, the relationship between knower and known, the possibility of generalization, the possibility of causal linkages, and the role of values in inquiry. Although a paradigm's ‘basic beliefs’ are arbitrary and can be assumed for any reason, in this paper the fictionalist axioms are supported with (...) philosophical considerations, and the key differences between fictionalism, positivism, and constructivism are briefly explained. Paradigm characteristics are then derived, focusing particularly on the methodological consequences. Towards the end of the paper, various objections and misunderstandings are discussed. (shrink)

This study adopts a narrative lens to investigate how place shapes the emergence and work of cross-sector partnerships (CSPs). Based on a qualitative inquiry of the marketization of Lapland, Finland, as the home of Santa Claus, four matters of concern around the ethicality of marketizing Lapland are followed: revitalization, commerciality, distortion, and imbalance. The findings show how CSPs emerge in the marketization of place through the mechanisms of narrative contestations and misalignment of marketized place and place-identity, and their (re)alignment at (...) the nexus of marketization. The contestations and misalignment generate matters of concern from place, which in turn mobilize CSPs via two interrelated narrative practices: (i) problematizing and (ii) reimagining the marketized place to realign it with place-identity. The paper contributes the construct of concerned partnerships to the literature of CSPs, a place-based form of CSPs which consist of both market and non-market actors, including the place and its social and material resources. They are formed through matters of concern that emerge through misalignments of marketized place and place-identity, to realign them and sustain a place at a nexus of marketization. (shrink)

By considering a variety of readings of Renaissance Florence from Burckhardt to the present, this article discusses the nature of the interrelation between the archive and the historian, with a view to illustrating the partiality of both. The records contained within the archives are by nature fragmentary; vestiges of the past, they are also partial in the sense of being subjective, testimonies to past relationships either between individuals or between individuals and institutions - social or political. Likewise, the readings of (...) historians are partial both in the sense that the historian’s research is focused upon particular parts of the archive and in his or her subjectivity as an historian. Interestingly, in this context post-Burckhardtian Florentine historiography shares common ground, however unwittingly, with certain aspects of post-modern writing in decentring the subject, for observations concerning the partial subjectivity of Burckhardt’s Renaissance individual apply equally to observations concerning the partial subjectivity of historians as writers. The fiction of an objective historical method producing hard history becomes apparent once the static relation of historian as subject researching the archive as object is reconfigured as a dynamic and dialectical process. Through the acknowledging of the contingency of such archival readings it becomes apparent that the archive itself is a symbolic construct constituted through the process of writing. (shrink)

This article revisits Jean-Louis Comolli's “Historical Fiction: A Body Too Much” in the spirit of film-philosophy's various efforts to reassess the field's seminal texts, and it recasts Comolli's attentive analyses of film acting in terms of the original interpretations they produce. In short, I look to “A Body Too Much’ for its subtle disclosure of an underappreciated substratum of hermeneutics in so called “1970s film theory.” Comolli's study of the discord between actor and referent, I argue, is surprisingly consistent with (...) Paul Ricoeur's pioneering contemporaneous work on metaphor and interpretation, and it leads him to understand the meaningful deployment of film actors in very particular ways. I provide an extended analysis of Martin Scorsese's Gangs of New York to further demonstrate how the distinctive utilization of actors constitutes both a redescription of the historical past and a spur to interpretation. When critically apprehended as a solution to the broadly construed problems of creating historical fictions, the calculated deployment of film actors can reveal a manner of thinking about the historical past – simply put, it can tell us what a film is thinking and how it regards its historical characters and events. In the final analysis, I claim, our attention to – and critical interpretation of – the embodiment of such filmic thinking permits us to grasp the imaginative form of historical knowledge on view in such films. (shrink)

The present paper examines certain salient features of the his tory-memory-identity relation. The common feature underpinning most contemporary manifestations of the memory craze seems to be an insecurity about identity, an insecurity that generates an excessive pre occupation with 'memory'. In the face of memory's valorization, what should be the attitude of the historian? At the present moment there is a pathetic and sometimes tragic conflict between what 'memory' expresses and confirms, namely, the demands made by subjectivities, and the demand, (...) essential to any scientific discipline, for proof. The paper explores this conflict and argues that neither term can be reduced to the other. It suggests that one needs to conceptualize the field of history as involving inevitable limits to historical knowledge, such that both history and memory are seen as inadequate. In this way one avoids both the arrogance of a would-be definitive history and the 'arrogance of authenticity' that all too often accompanies claims for memory. (shrink)

The ArgumentDuring the last two decades the debate on the use and abuse of narrative in historiography has taken a new form: ideological instead of methodological. According to poststructuralist critics, the representation of past events and processes in the form of a coherent story turns history into mythology, which is (or serves) conservative ideology. This is so because the fabrication of organic continuity and unity between the past and the present (as well as the future) of society depicts its most (...) fundamental laws and institutions as divine-natural rather than human creations and thereby renders them impervious to any rational or historical refutation. The main aim of this essay is to reclaim some credibility for narrative history against its critics, both ancient and modern, and on both methodological and ideological grounds, by reappraising the role of myth in the constitution of all norms and forms of life. Setting out from the observation that the narratives and other symbolic interpretations of historical reality in which the people believe are as real as the conditions and events in which they actually live, the author calls upon historians not to eliminate, but to illuminate, myths in history, by showing their extension or configuration of historical reality. (shrink)

Scientific inquiry is both theoretical and empirical. It succeeds by bringing thought into productive harmony with the observable universe, and thus, students can attain a robust understanding of the nature of science only by developing a balanced appreciation of both these dimensions. In this article, I examine naïve empiricism, a teaching pattern that deters understanding of NOS by attributing to observation scientific achievements that have been wrought by a partnership of thought and empirical experience. My more specific concern is the (...) naïve empiricism promoted when teachers illustrate NOS through historical anecdotes about conflict between science and religion. Since the religious actors depicted in such accounts appear to reject evidence, these narratives lead readers to suppose that scientists draw their conclusions in exactly the opposite way, from empiricism alone. I illustrate this pattern by examining two representative treatments of the Copernican revolution. My methods are historical and critical. (shrink)

The purpose of this study is to examine Foucault's discourse-oriented theory, his explanation of the power-knowledge relation, his notions of technologies of domination and technologies of the self, and the Foucauldian critique of the assumed neutrality of education and school counseling. The theory that we shall seek to elaborate here puts considerable emphasis on Foucault's theory of power, his notion of discourse, his understanding of subjectivity, and his analysis of how power relations and discourses shape processes of ethical self-constitution. The (...) results of the current study converge with Besley's prior research on Foucault's analysis of education, his theory of language and social power, his non-essentialist conception of identity, and his emphasis on the centrality of truth in relation to the self. (shrink)

We may well be witnessing a decisive event in the history of knowledge as diversity is becoming one of the premier values of late modern societies. We seek to preserve and foster biodiversity, neurodiversity, racial diversity, ethnic diversity, gender diversity, linguistic diversity, cultural diversity, and perspectival diversity. Perspectival diversity has become the passage point through which other forms of diversity must pass to become epistemically consequential. This article examines how two of its varieties, viewpoint diversity and educational diversity, have come (...) to transform the moral economy of science. Both aim at multiplying perspectives on a given subject, but their political subtexts differ markedly. The valorization of educational diversity followed a US Supreme Court decision in 1978 that enabled universities to advance social justice, if they justified race-conscious admissions in terms of the pedagogic benefits of a more diverse student body for all. By contrast, the proponents of viewpoint diversity aim at the reform of scientific knowledge production and distribution rather than the reallocation of status and power among different social groups. We examine the political epistemology of viewpoint diversity by analyzing a controversy between social psychologists who, amid the American culture wars of the 2010s, debated how to rein in their political biases in a scientific field supposedly lacking political diversity. Out of this scientific controversy grew Heterodox Academy, an activist organization promoting viewpoint diversity in higher education. By relating and comparing viewpoint and educational diversity, we clarify what is at stake epistemically in the US-centric moral economy of diversity. (shrink)

I argue in this article that an aspect of Imre Lakatos’s philosophy has been largely ignored in previous literature. The key feature of Lakatos’s philosophy of the historiography of science is its non-representationalism, which enables comparisons of alternative ‘historiographic research programmes’ without implying that the interpretations of history re-present or mirror the past. I discuss some problems of this interpretation and show specifically that Lakatos’s philosophy does not distort the history of science despite its normative ambitions. The last section is (...) devoted to updating Lakatos’s programme to answer the needs of contemporary history and philosophy of science. The standard of rationality used in comparative assessments should be understood as a tool for measuring the coherence of an account of history with regard to the ‘actual history’. This standard takes two forms: framework-dependent and framework-independent rationality. The latter is decisive in comparative assessments. (shrink)

This article explores the cultural dimension in democratic struggle from the vantage point of the public sphere. It proposes that in the public sphere there take place competing and changing interpretations over the `public' through continuous articulation of two analytically distinct representations of public interest - democratic and communal discourses. In an empirical study of the recent credibility crisis in Hong Kong, the author demonstrates first, how the governing coalition sought to maintain its authority through a discourse of `administrative efficiency' (...) embedded in the hegemonic narrative of success, and second, how the challenging discourse of democracy regained momentum through de-mystification of the hegemonic narrative in the event of governing crises. The case study of the recent bird flu crisis offers a specific account of political and cultural challenge to bureaucratic paternalism in the postcolonial context. It is argued that the challenge was powerfully presented as the crisis became a dramatic moment of meaning reconstruction through ironic narrativizing and democratic encoding in the public sphere. (shrink)

In its attempt to respond to changing historical realities the university has undergone significant transformations, most of which, however, have focused on teaching material, tools, methods or practices adapted to the new demands. Taking as a case study the literary disciplines, this article focuses on the theoretical, mostly implicit, presuppositions that often underlie attempts at institutional innovations. To put the educational process at the center of attention has often meant that a certain view of the epistemic object itself has been (...) largely presupposed; this article attempts to unearth an unquestioned essentialism of the object, by showing how this has, to an extent, been constituted against a certain relativism of the processes that create it. Indeed, the educational setting and its space carry a set of implications for the object of study — that is, literature — that should not remain unaddressed. (shrink)

The idea of narrative has been widely discussed in the recent health care literature, including nursing, and has been portrayed as a resource for both clinical work and research studies. However, the use of the term 'narrative' is inconsistent, and various assumptions are made about the nature (and functions) of narrative: narrative as a naive account of events; narrative as the source of 'subjective truth'; narrative as intrinsically fictional; and narrative as a mode of explanation. All these assumptions have left (...) their mark on the nursing literature, and all of them (in our view) are misconceived. Here, we argue that a failure to distinguish between 'narrative' and 'story' is partly responsible for these misconceptions, and we offer an analysis that shows why the distinction between them is essential. In doing so, we borrow the concept of 'narrativity' from literary criticism. Narrativity is something that a text has degrees of, and our proposal is that the elements of narrativity can be 'sorted' roughly into a continuum, at the 'high narrativity' end of which we find 'story'. On our account, 'story' is an interweaving of plot and character, whose organization is designed to elicit a certain emotional response from the reader, while 'narrative' refers to the sequence of events and the (claimed) causal connections between them. We suggest that it is important not to confuse the emotional persuasiveness of the 'story' with the objective accuracy of the 'narrative', and to this end we recommend what might be called 'narrative vigilance'. There is nothing intrinsically authentic, or sacrosanct, or emancipatory, or paradigmatic about narrative itself, even though the recent health care literature has had a marked tendency to romanticize it. (shrink)

The literature on the life and work of American psychiatrist Harry Stack Sullivan is used to provide a critique of Jacques Derrida’s Archive Fever. Derrida’s concept of archival violence relies on psychoanalysis both for its epistemology and for its exemplar of archival violence. The Sullivan literature shows how these positions become antagonistic when Derrida’s work is used to think about Freud’s critics. The published literature on Sullivan is described as a queer archive that has been strongly shaped by historical shifts (...) in discourses about homosexuality, but that continues to stimulate and frustrate attempts to know the essential truth about Sullivan. Sullivan scholars have been quick to read his personality theory as autobiography, belittling the importance of friendship in Sullivan’s developmental theory, which differentiates it from the heteronormative Oedipal narrative. It is argued that Derrida’s mode of critique would entrench rather than unearth such heteronormative historiographical moves. Scholars are invited to put Sullivan’s biographies and published works to a broader range of uses in the human sciences. (shrink)

Sociology requires a robust theory of how local circumstances create social order. When we analyze social structures not recognizing that they depend on groups with collective pasts and futures that are spatially situated and that are based on personal relations, we avoid a core sociological dimension: the importance of local context in constituting social worlds. Too often this has been the sociological stance, both in micro-sociological studies that examine interaction as untethered from local traditions and in research that treats culture (...) as autonomous from action and choice. Building on theories of action, group dynamics, and micro-cultures, I argue that a sociology of the local solves critical theoretical problems. The local is a stage on which social order gets produced and a lens for understanding how particular forms of action are selected. Treating ethnographic studies as readings of ongoing cultures, I examine how the continuing and referential features of group life (spatial arenas, relations, shared pasts) generate action and argue that local practices provide the basis for cultural extension, influencing societal expectations through the linkages among groups. (shrink)

This article examines some of the interactions between law, science, and society taking place during a trial. By focusing on a restricted set of scientific and nonscientific actors engaged in negotiating the meaning, relevance, and reliability of scientific evidence, the article illustrates how the categories—law, science, and society—are inextricably interrelated in the legal negotiations and outcome. The introduction of scientific evidence into adversarial legal settings produces strategies, opinions, and claims that are not shaped solely by scientists, lawyers, or legal processes. (...) The situated law-science negotiations provide a site where social order and scientific knowledges are mutually constituted. The outcome of specific law-science interactions will be open to a range of readings and constraints that are not reducible to some putatively correct scientific understanding nor adequately described as the distortion of scientific evidence by the legal system. (shrink)

In recent years Duncan Kennedy has turned to the question, what is Contemporary Legal Thought? For the most part, his answers have focused on the modes of legal argument he believes are indigenous to Contemporary Legal Thought in the United States, and possibly, at a transnational or global level as well. In this article, I bracket the question of content and ask instead, if we are interested in exploring the category of a legal ‘contemporary’, how do we do so? What (...) historiographic methods are well-suited to the task of constituting ‘Contemporary Legal Thought’? My focus here is entirely on legal structuralism, the historical method I associate with Kennedy’s work beginning in the 1970s. By the mid-1980s, legal structuralism was under assault and quickly fading from the repertoire of available styles of doing history on the left. By the turn of the century, legal structuralism appeared to have vanished. I think that this was regrettable and unnecessary, and in this article I argue for a return to structuralist historiography. I do not pretend, however, that this return entails a second coming of the totalizing, originary center. Rather, I encourage thinking about legal structuralism in the way that I understand Roland Barthes, Hayden White, and to a large extent Duncan Kennedy himself to have thought about it: as a style. And as a style, legal structuralism is worth reawakening, a style back in style once more. (shrink)

In recent years Duncan Kennedy has turned to the question, what is Contemporary Legal Thought? For the most part, his answers have focused on the modes of legal argument he believes are indigenous to Contemporary Legal Thought in the United States, and possibly, at a transnational or global level as well. In this article, I bracket the question of content and ask instead, if we are interested in exploring the category of a legal ‘contemporary’, how do we do so? What (...) historiographic methods are well-suited to the task of constituting ‘Contemporary Legal Thought’? My focus here is entirely on legal structuralism, the historical method I associate with Kennedy’s work beginning in the 1970s. By the mid-1980s, legal structuralism was under assault and quickly fading from the repertoire of available styles of doing history on the left. By the turn of the century, legal structuralism appeared to have vanished. I think that this was regrettable and unnecessary, and in this article I argue for a return to structuralist historiography. I do not pretend, however, that this return entails a second coming of the totalizing, originary center. Rather, I encourage thinking about legal structuralism in the way that I understand Roland Barthes, Hayden White, and to a large extent Duncan Kennedy himself to have thought about it: as a style. And as a style, legal structuralism is worth reawakening, a style back in style once more. (shrink)

This article is concerned with how the idea of anachronism can interfere with our thinking about social justice, peace, and human liberation. In the case of Israel/Palestine the idea of anachronism is deployed among liberals, progressives and radical theorists, and activists seeking peace and social justice who express animosity toward religiously motivated settlers and their settlement project. One of the ways in which they differentiate themselves from these settlers is by suggesting that settler actions belong to the past. They also (...) pity Palestinians conceived of as stuck in an oppressive system of settler colonialism that also belongs to the past, preventing them from moving forward. Both perceptions of anachronism limit the ways we can think about human liberation and peace. This article sheds light on a conundrum about who or what belongs to the past, and how thinking in such terms can contribute to the production of a particular moral collective and to the production of enmity. Both perceptions of anachronism frame history as a kind of progress in which peoples or groups might be ranked according to their levels of civilizational attainment, an idea we abandoned long ago as an analytical tool, but seem to have retained as a matter of practical political sympathy and judgment. This temporal conditioning can interfere with the thinking of even some of the most progressive social theorists, and mimics a colonial impulse. (shrink)

This article is an exploration of the differences between science and technology studies and the history of technology, taken as independent intellectual fields. The differences range from stylistic and professional, to matters of theory, narrative, and inference. These make true interdisciplinarity challenging, although scholars do bridge the disciplines. Both provide important resources for critical technological literacy by promoting historical thinking and by providing tools for exploring reflexivity by the social contextualization of scholarly activities and knowledge production in general.

Billy Wilder's classic film ‘Some Like It Hot’ prefigures Judith Butler's concept of performativity in relation to sex, gender and sexuality. Butler introduced this in Gender Trouble , demonstrating that sex, gender and sexuality are naturalized effects of citation and repetition. In that text she explains that denaturalization is visibly demonstrated by drag. Later in Bodies that Matter she argues that drag in ‘Some Like It Hot’ does not denaturalize heterosexuality, but rather fortifies it. What then for Butler divides denaturalizing (...) drag from non-denaturalizing drag? Butler locates denaturalizing drag in the film ‘Female Trouble’ , where Divine's drag-queen persona satirizes gender in a hyperbolic performance. However, Butler misconstrues the cross-dressing performances in ‘Some Like It Hot’ as drag, which are better understood as instances of theatrical disguise. Narrative analysis reveals that all the characters in ‘Some Like It Hot’ function within a dystopian critique of heteronormativity. Because the film takes a performative view of sex, gender and sexuality, it can validate three queer couples who defy the strictures of heterosexual romance. Butler thus overlooks a discourse of critique and destabilization alternative to gay perspectives. Current developments in sexual politics, broadly conceived, track both Butlerian concepts of performativity and dystopian critiques of heteronormativity. (shrink)

Billy Wilder's classic film ‘Some Like It Hot’ prefigures Judith Butler's concept of performativity in relation to sex, gender and sexuality. Butler introduced this in Gender Trouble, demonstrating that sex, gender and sexuality are naturalized effects of citation and repetition. In that text she explains that denaturalization is visibly demonstrated by drag. Later in Bodies that Matter she argues that drag in ‘Some Like It Hot’ does not denaturalize heterosexuality, but rather fortifies it. What then for Butler divides denaturalizing drag (...) from non-denaturalizing drag? Butler locates denaturalizing drag in the film ‘Female Trouble’, where Divine's drag-queen persona satirizes gender in a hyperbolic performance. However, Butler misconstrues the cross-dressing performances in ‘Some Like It Hot’ as drag, which are better understood as instances of theatrical disguise. Narrative analysis reveals that all the characters in ‘Some Like It Hot’ function within a dystopian critique of heteronormativity. Because the film takes a performative view of sex, gender and sexuality, it can validate three queer couples who defy the strictures of heterosexual romance. Butler thus overlooks a discourse of critique and destabilization alternative to gay perspectives. Current developments in sexual politics, broadly conceived, track both Butlerian concepts of performativity and dystopian critiques of heteronormativity. (shrink)

Four women have been conventionally framed as wives and/or mistresses and/or sexual partners in the biographical reception of Karl Marx and Friedrich Engels as heterosexual men. These women were Jenny Marx, Helene Demuth, Mary Burns, and Lydia Burns. How exactly they appear in the few contemporary texts and rare images that survive is less interesting than the determination of subsequent biographers of the two “great men” to make these women fit a familiar genre, namely intellectual biography. An analysis of Marx–Engels (...) biographies shows how this masculinized genre enforces an incuriosity that makes gendered political partnerships unthinkable and therefore invisible. By contrast, a positive interest in these women, which rethinks what a gendered political partnership is or could be, results in a significantly different view of the two men. As historical figures, they shift from being individualized or paired‐with‐each‐other “great thinkers” to communist/socialist activists working in and through everyday spaces and material practices. Their pamphlets, articles, and books thus appear more as immediate political interventions and less as timeless theorizing or as the raw material for such intellectualizing reconstructions. (shrink)

Straipsnyje analizuojamas Lietuvos partizanų, partizaninio karo, istorijos vaizdavimas keliuose romanuose: Mariaus Ivaškevičiaus Žali, Teodoro Četrausko Tarsi gyventa, Juozo Jasaičio Per sutemas, Petro Venclovo Kartybių taurė – iki dugno, Antano Šileikos Pogrindis, Justino Sajausko Neužmirštami Suvalkijos vardai. Romanai nagrinėjami aktualizuojant Maurice‘o Halbwachso kolektyvinės atminties koncepciją, Haydeno White‘o istorijos diskurso sampratą, Umberto Eco interpretacijos teoriją. Tyrimas atskleidė, kad dauguma autorių renkasi istorinį diskursą, kuris pasakoja, o mažuma – kuris naratyvizuoja. Partizaninio karo kolektyvinė atmintis yra siejama arba su abstrakčiais, arba su konkrečiais partizanais; (...) istorijos diskursas suponuoja įvairias interpretacijas, kurios rodo skirtingas autoriaus, teksto, skaitytojo intencijas. (shrink)

In 1942, the recently bereaved Manu Gandhi arrived in Sevagram ashram, Wardha, to serve the aged Mahatma and his ailing wife Kasturba. In 1943, she was called to Poona, where the Mahatma and his as...

In U.S. national policy, K-12 education is slated to play a significant role in the development and deployment of the National Information Infrastructure (NII). Analysis of legislation, policy documents, and histori cal narratives about attempts to use communications technologiesfor K-12 education shows, that these texts and discourses construct knowledge about, and allowable domains for, education in communications and national policy contexts such as the NII. This article fashions a counternarrative of policy pasts and presents that constructs new knowledge about the (...) NII and education and questions the many relations that have structured, and continue to structure, the process and practice of education relative to communications- based technologies. By briefly drawing attention to such counternarratives, the author encourages communications and educational policy makers to consider how education's position might be constructed and envisioned differently as they design policies for current and future uses of telecommunications-based educational technology and the NII. (shrink)

This article discusses the national identity of the Yemenite Jews as portrayed in Majdi Saleh’s novelThe Journey of Buried Secrets. The novel, in addition to being a journey to the ancient past of Yemen, is a journey to the secret life of the Yemenite Jews as well. It is an exploration of their customs, traditions, worries, passions and identity. The writer has been able to dive deep into the depths of Yemeni society, both Muslim and Jewish, depicting the beauty of (...) Yemen architecture, ancient inscriptions and living styles of bygone days. Saleh’s novel presents a new perspective of the Yemenite Jew, one who identifies himself with Yemen and feels proud of this attachment to the land of his birth. The article argues that Yemenite Jews have been emotionally and cognitively attached to their motherland and perceived themselves as being Yemenites belonging to the country where they were born and grew up. It asserts that such a sense of belonging is the outcome of religious tolerance and coexistence of the larger Muslim community. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

This article affords particular attention to the relationship between memory, the narrativization of news and its linear construction, conceived as journalism’s ‘memory- work’. In elaborating upon this ‘work’, it is proposed that the Hegelian notion of retroactive causation (as used by Slavoj Žižek) can examine how analyses of news journalists ‘retroactively’ employ the past in the temporal construction of news. In fact, such retroactive (re)ordering directs attention to the ways in which journalists contingently select ‘a past’ to confer meaning on (...) the present. With regard to current literature, it is noted that a retroactive analysis can highlight two important dialectics within the practice of news journalism: 1) the relation between contingency and necessity; and, 2) the relation between content and form. Indeed, it is argued that this theoretical account offers a novel approach to examining the significance of memory in news journalism as well as the inconsistencies which underscore journalism’s memory-work. It is in accordance with such inconsistency that broader reflections on time, temporality and our relations to the past can be made. (shrink)

Ron Eyerman is one of the authors of the cultural theory trauma with an introduction by Jeffrey Alexander. This text may be seen as a case-study, that underlines and illuminates some of the main features of their theory. Using the examples of three significant social theory texts, Horkheimer and Adorno’s “Dialectic of Enlightenment”, Freud’s “Moses and Monotheism” and Bauman’s “Modernity and the Holocaust”, this article illustrates the difference between personal, collective and cultural trauma. All of those texts are connected to (...) the same event – the Holocaust – and the outcome of this event. Bauman and Adorno could have become the victims, but instead survived bearing the trauma, conceptualizing it and thus becoming predecessors of the cultural trauma theory. Ron Eyerman shows the complexity of the relationship between personal and collective trauma, and the construction of social theory. In analyzing these texts he goes into history of their creation, finding evidence of the traumatic experience of the authors. He also analyzes aesthetic characteristics of the texts, showing theese texts as not only pieces of social theorizing but also as personal experiences, trying to find meaning in gaps, voids and inconsistency. The aim is also to illustrate how personal trauma can impact the construction and representation of social theory. (shrink)