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  1. Text Technology: Building Subjective and Shared Experience in Reading.Mette Steenberg, Sebastian Wallot & Pernille Bräuner - 2014 - Journal of Cognition and Culture 14 (5):357-372.
    This article presents a case study of a facilitator-lead “shared reading” group with participants suffering from mental health problems. We argue that the text is the most important agent in creating a reading experience which is both subjective and shared. And we point to relatedness as a function of text agency, and to the role of facilitation in creating text-reader relations. The article also presents a new methodological framework combining physiological data of heart rate variability and linguistic, observational and subjective (...)
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  • Moments of meeting: A case study of Shared Reading of poetry in a care home.Thor Magnus Tangerås - 2022 - Frontiers in Psychology 13.
    There is a growing research interest in the value of participative arts-based strategies for enhancing wellbeing amongst adults living with dementia. One such intervention, centred around literature, is the group activity called Shared Reading. The purpose of this case study of weekly Shared Reading sessions of poetry in a care home in Merseyside is to investigate instances of how participants with mild to moderate dementia collaborate in processes of meaning-making that allow them shared experiences of being moved by poetry. An (...)
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  • Murder by the book: using crime fiction as a bibliotherapeutic resource.Liz Brewster - 2017 - Medical Humanities 43 (1):62-67.
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  • Regaining autonomy, competence, and relatedness: Experiences from two Shared Reading groups for people diagnosed with cancer.Tine Riis Andersen - 2022 - Frontiers in Psychology 13.
    This study explored 12 cancer patients’ experiences from participating in an online and on-site Shared Reading group for 16 weeks in Norway. Shared Reading is a practice in which prose and poetry are read aloud in small parts and discussed along the way. The study is a qualitative evaluation study with a particular focus on how the participants experienced the reading group supported their life living with cancer. The study was mainly based on the data collected from focus group discussions (...)
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  • Reading and company: embodiment and social space in silent reading practices.Anezka Kuzmicova, Patricia Dias, Ana Vogrincic Cepic, Anne-Mette Bech Albrechtslund, Andre Casado, Marina Kotrla Topic, Xavier Minguez Lopez, Skans Kersti Nilsson & Ines Teixeira-Botelho - 2018 - Literacy 52 (2):70–77.
    Reading, even when silent and individual, is a social phenomenon and has often been studied as such. Complementary to this view, research has begun to explore how reading is embodied beyond simply being ‘wired’ in the brain. This article brings the social and embodied perspectives together in a very literal sense. Reporting a qualitative study of reading practices across student focus groups from six European countries, it identifies an underexplored factor in reading behaviour and experience. This factor is the sheer (...)
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  • Does it matter where you read? Situating narrative in physical environment.Anezka Kuzmicova - 2016 - Communication Theory 26 (3):290-308.
    While language use in general is currently being explored as essentially situated in immediate physical environment, narrative reading is primarily regarded as a means of decoupling one’s consciousness from the environment. In order to offer a more diversified view of narrative reading, the article distinguishes between three different roles the environment can play in the reading experience. Next to the traditional notion that environmental stimuli disrupt attention, the article proposes that they can also serve as a prop for mental imagery (...)
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  • Audiobooks and print narrative: Similarities in text experience.Anezka Kuzmicova - 2016 - In Jarmila Mildorf & Till Kinzel (eds.), Audionarratology: Interfaces of Sound and Narrative. De Gruyter. pp. 217-237.
    Comparisons between audiobook listening and print reading often boil down to the fact that audiobooks impose limitations on the recipient’s continuous in-depth reflection. As a result, audiobook listening is considered a shallow alternative to reading. This chapter critically revisits the following three intuitions commonly associated with such comparisons: 1) Audiobooks elicit more mental imagery than print. 2) Audiobooks invite more inattentive processing than print. 3) Audiobook listening is more contingent on the environment than print reading. Instead of postulating the superiority (...)
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