Universalism and particularism have become poles of modern social thought and lead to distinct definitions of democracy, citizenship, and social policy. Challenging Habermas and the Habermasians, this article argues that democracy can never be identified with domination. Meanwhile, contesting Chatterjee and Foucault, the author reaffirms citizenship and law in their various forms in relation to both bounded and unbounded serialities as the basis for democracy, beyond and despite governmentality. Latin America, and especially Brazil, with processes that check state domination and (...) have implied democratizing changes, provide the empirical focus for the discussion, albeit mediated by other countries, particularly India. (shrink)

The Collective Imagination explicates the media of social creativity and explains how the imagination has shaped historically significant social institutions. It focuses on the media of wit, paradox, and metaphor, and develops a distinctive and original interpretation of the imagination’s appositional quality. Murphy’s conception of the collective imagination is compared with that of Cornelius Castoriadis. The discussion suggests that Murphy’s claims are likely to be disputed, particularly because they diverge from the common equation of contemporary creativity with social progress. Murphy (...) draws attention to a kind of conservative disposition that is necessary for imagination to have substantial social efficacy. Murphy claims that the creativity of the collective imagination has to a large extent been eclipsed by fantasy and kitsch. The deleterious effects of fantasy’s denial of reality are explored in relation to four domains of collective creativity: art, society, economy and politics. It is argued that the ramifications of Murphy’s profound interpretation of the imagination may be developed in ways that differ from some of his conclusions. (shrink)