O argumentare a importanței dualiste a emoțiilor în societate, individual și la nivel de comunitate. Tendința actuală de conștientizare și control al emoțiilor prin inteligența emoțională are un efect benefic în afaceri și pentru succesul activităților sociale dar, dacă nu suntem atenți, poate duce la o alienare ireversibilă la nivel individual și social. Lucrarea se compune din trei părți principale: Emoții (Modele ale emoțiilor, Procesarea emoțiilor, Fericirea, Filosofia emoțiilor, Etica emotiilor), Inteligența emoțională (Modele ale inteligenței emoționale, Inteligența emoțională în cercetare (...) și educație, Filosofia inteligenței emoționale, Inteligența emoțională în filosofia orientală) și Inteligența emoțională în organizații (Munca emoțională, Filosofia inteligenței emoționale în organizații, Critica inteligenței emoționale în organizații, Etica inteligenței emoționale în organizații). În Concluzii prezint un rezumat al afirmațiilor din lucrare. CUPRINS: Abstract 1. Emoții 1.1 Modele ale emoțiilor 1.2 Procesarea emoțiilor 1.3 Fericirea 1.4 Filosofia emoțiilor 1.5 Etica emoțiilor 2. Inteligența emoțională 2.1 Modele ale inteligenței emoționale 2.1.1 Modelul de abilități al lui Mayer și Salovey 2.1.2 Modelul mixt al lui Goleman 2.1.3 Modelul mixt al lui Bar-On 2.1.4 Modelul de trăsături al lui Petrides 2.2 Inteligența emoțională în cercetare și educație 2.3 Filosofia inteligenței emoționale 2.3.1 Inteligența emoțională în filosofia orientală 3. Inteligența emoțională în organizații 3.1 Munca emoțională 3.2 Filosofia inteligenței emoționale în organizații 3.3 Critica inteligenței emoționale în organizații 3.4 Etica inteligenței emoționale în organizații Concluzii Bibliografie DOI: 10.13140/RG.2.2.32991.20640. (shrink)

Using the results of the latest neurophysiological research on colour, the article rejects outright physicalism and dispositionalism as appropriate approaches to solving the problem of colour realism. Physicalism sees colour as a real property of objects, i.e. the reflectance profile, while dispositionalism takes subjects, objects and light as necessary elements for colour production. First, it briefly outlines the historical development of the theory of colour, pointing towards dispositionalism which, in some sense, considers colour as a real entity of the world, (...) and then introduces the problem of colour realism, focusing on objections to physicalism as well as dispositionalism. After delineating the neurophysiological mechanisms underlying the visual experience of colour, and with the help of the concrete results of practical neurophysiological experiments, the article points to why the physicalist and any dispositionalist theories of colour in the light of a new physiological objection do not present credible views on the nature of colour. (shrink)

La lectura contextual es una metodología de estudio para estos testimonios fragmentarios que,aunque no deja de lado los aspectos microtextuales, se concentra en las estructuras argumentativas de los textosque portan los testimonios de los presocráticos , buscando detectar sesgos y elementos paradigmáticos que sean dicientes a la hora de unareconstrucción filosófica del pensamiento del autor en cuestión. En este caso me concentraré en el testimonio dePlatón sobre Heráclito, particularmente en el Crátilo, para mostrar cómo una lectura contextual da luces sobrela (...) construcción de una tradición interpretativa que ha resultado dominante en el caso de Heráclito: la doctrinadel flujo perpetuo. Dado que dicha interpretación ha sido puesta en duda por muchos estudiosos de Heráclito,me propongo, como último paso, cotejarla con otra tradición interpretativa que nos muestre elementos en comúny nos permita hacer un uso global de los testimonios que conservamos sobre el filósofo de Éfeso. (shrink)

At a crucial juncture in Plato’s Sophist, when the interlocutors have reached their deepest confusion about being and not-being, the Eleatic Visitor proclaims that there is yet hope. Insofar as they clarify one, he maintains, they will equally clarify the other. But what justifies the Visitor’s seemingly oracular prediction? A new interpretation explains how the Visitor’s hope is in fact warranted by the peculiar aporia they find themselves in. The passage describes a broader pattern of ‘exploring both sides’ that lends (...) insight into Plato’s aporetic method. (shrink)

In contrast to Christian theology that has ignored science, this essay suggests that a credible doctrine of God as creator must take into account scientific understandings of the world. The introduction of the principle of inertia into seventeenth‐century science and philosophy helped change the traditional idea of God as creator (which included divine conservation and governance) into a deist concept of God. To recapture the idea that God continually creates, it is important to affirm the contingency of the world as (...) a whole and of all events in the world. Reflecting on the interrelationship of contingency and natural law provides a framework for relating scientific theories of a universal field, the concept of emergent evolution, and the theological concept of eternal divine spirit active in all creation. (shrink)

In the following paper, the author will try to test the meaning of the transcendental approach in respect of the inner changes implied by the idea of quantum gravity. He will firstly describe the basic methodological Kant’s aim, viz. the grounding of a meta-science of physics as the a priori corpus of physical knowledge. After that, he will take into account the problematic physical and philosophical relationship between the theory of relativity and the quantum mechanics; in showing how the elementary (...) ontological and epistemological assumptions of experience result to be changed within them, he will also show the further modifications occurred in the development of the loop quantum gravity. He will particularly focus on the tough problem of the relationship space-matter, in order to settle the decisive question about the possibility of keeping a transcendental approach in the light of quantum gravity. He will positively answer by recalling Cassirer’s theory of the invariants of experience, although he will also add some problematic issues arising from the new physical context. (shrink)

The “unknown heritage” is the name usually given to a problem type in whose archetype a father leaves to his first son 1 monetary unit and \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$${\frac{1}{n}}$$\end{document} (n usually being 7 or 10) of what remains, to the second 2 units and \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$${\frac{1}{n}}$$\end{document} of what remains, and so on. In the end, all sons get the same, and nothing remains. The earliest known (...) occurrence is in Fibonacci’s Liber abbaci, which also contains a number of much more sophisticated versions, together with a partial algebraic solution for one of these and rules for all which do not follow from his algebraic calculation. The next time the problem turns up is in Planudes’s late thirteenth century Calculus according to the Indians, Called the Great. After that the simple problem type turns up regularly in Provençal, Italian and Byzantine sources. It seems never to appear in Arabic or Indian writings, although two Arabic texts (one from c. 1190) contain more regular problems where the number of shares is given; they are clearly derived from the type known from European and Byzantine works, not its source. The sophisticated versions turn up again in Barthélemy de Romans’ Compendy de la praticque des nombres (c. 1467) and, apparently inspired from there, in the appendix to Nicolas Chuquet’s Triparty (1484). Apart from a single trace in Cardano’s Practica arithmetice et mensurandi singularis, the sophisticated versions never surface again, but the simple version spreads for a while to German practical arithmetic and, more persistently, to French polite recreational mathematics. Close examination of the texts shows that Barthélemy cannot have drawn his familiarity with the sophisticated rules from Fibonacci. It also suggests that the simple version is originally either a classical, strictly Greek or Hellenistic, or a medieval Byzantine invention; and that the sophisticated versions must have been developed before Fibonacci within an environment (located in Byzantium, Provence, or possibly in Sicily?) of which all direct traces has been lost, but whose mathematical level must have been quite advanced. (shrink)

In this work we will analyze the main features of Sartre’s ontological-phenomenological theory in Being and Nothingness, linking them with some key historical precedents. By clarifying the connections of this theory with the former philosophical tradition on the subject of Being, its role in existence, reality’s nature and its relation to the phenomenon, the actual contribution of Sartre in this matter is demonstrated.

Anaxagoras of Clazomenae (a major Greek city of Ionian Asia Minor), a Greek philosopher of the 5th century B.C.E. (born ca. 500–480), was the first of the Presocratic philosophers to live in Athens. He propounded a physical theory of “everything-in-everything,” and claimed that nous (intellect or mind) was the motive cause of the cosmos. He was the first to give a correct explanation of eclipses, and was both famous and notorious for his scientific theories, including the claims that the sun (...) is a mass of red-hot metal, that the moon is earthy, and that the stars are fiery stones. Anaxagoras maintained that the original state of the cosmos was a mixture of all its ingredients (the basic realities of his system). The ingredients are thoroughly mixed, so that no individual ingredient as such is evident, but the mixture is not entirely uniform or homogeneous. (shrink)

Xenophanes of Colophon was a philosophically-minded poet who lived in various parts of the ancient Greek world during the late 6th and early 5th centuries BC. He is best remembered for a novel critique of anthropomorphism in religion, a partial advance toward monotheism, and some pioneering reflections on the conditions of knowledge. Many later writers, perhaps influenced by two brief characterizations of Xenophanes by Plato (Sophist 242c-d) and Aristotle (Metaphysics 986b18-27) identified him as the founder of Eleatic philosophy (the view (...) that despite appearances, what there is is a changeless, motionless, and eternal ‘one’. In fact, the Xenophanes who emerges from the surviving fragments defies simple classification. He was a traveling rhapsode who criticized the stories about the gods told by the poets, and he defended a novel conception of the divine nature. But he was also a reflective observer of the human condition, a practitioner of the special form of inquiry introduced by the Milesians philosopher-scientists, and a civic counselor who encouraged his fellow citizens to respect the gods and work to safeguard the well-being of their city. (shrink)

Algunas de las preguntas fundamentales de la filosofía del arte son: 1) ¿Qué es una obra de arte?, 2) ¿Qué es Arte?, 3) ¿Qué es el arte? Responderlas es determinar el sentido del arte. Este tipo de preguntas están planteadas bajo la fórmula ¿Qué es X?, es decir, preguntas en las cuales en lo simple esta lo complejo, preguntas en donde lo simple no quiere decir que sean sencillas; son preguntas que traen dentro de si su naturaleza y carácter metafísico-ontológico-gnoseológico, (...) y hasta axiológico. No es el propósito de este trabajo hacer frente o resolver estos problemas, sino proporcionar una aproximación al concepto de “obra de arte” en la época actual y como podría entenderse en relación a ciertos problemas ontológicos y epistemológicos actuales. -/- [Extended Version of: Vélez León, Paulo (2006). «Aproximaciones a la ¿obra de arte?». En Políticas al borde. Una investigación sobre el arte contemporáneo cuencano en los discursos políticos actuales, editado por Paulo Vélez León y Hernán Pacucuru. Cuenca: Universidad de Cuenca/Bienal Internacional de Cuenca, 2006, pp. 1-12]. (shrink)