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  1. Adorno and Schelling on the art–nature relation.Camilla Flodin - 2018 - British Journal for the History of Philosophy 26 (1):176-196.
    When it comes to the relationship between art and nature, research on Adorno’s aesthetics usually centres on his discussion of Kant and Hegel. While this reflects Adorno’s own position – his comprehension of this relationship is to a large extent developed through a critical re-reading of both the Kantian and the Hegelian position – I argue that we are able to gain important insights into Adorno’s aesthetics and the central art–nature relation by reading his ideas in the light of Schelling’s (...)
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  • At the limit of the concept: logic and history in Hegel, Schelling, and Adorno.John M. Lumsden - unknown
    In this thesis I show how the challenges of producing a philosophy of history responsive to the negativity of the world benefits from working through the difficulties of G. W. F. Hegel’s systematic philosophy. By revealing the powerful and intricate ways that Hegel gives an illegitimate primacy to thought we can better appreciate the obstacles that face a philosophy which places new emphasis on the nonconceptual whilst recognising the genuine role of the concept. In the first half of this thesis (...)
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