This article examines Sarah Kofman's interpretation of Nietzsche in light of the claim that interpretation was for her both an articulation of her identity and a mode of deconstructing the very notion of identity. Faulkner argues that Kofman's work on Nietzsche can be understood as autobiographical, in that it served to mediate a relation to her self. Faulkner examines this relation with reference to Klein's model of the child's connection to its mother. By examining Kofman's later writings on Nietzsche alongside (...) her autobiography, this article contends that Kofman's defense of anti-Semitism in Nietzsche serves to fend off her own ambivalence about being Jewish. (shrink)

: How might we locate originality as emerging from within the "discrete" work of commentary? Because many women have engaged with philosophy in forms (including commentary) that preclude their work from being seen as properly "original," this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

How might we locate originality as emerging from within the “discrete” work of commentary? Because many women have engaged with philosophy informs that preclude their work from being seen as properly “original,” this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

How might we locate originality as emerging from within the "discrete" work of commentary? Because many women have engaged with philosophy in forms that preclude their work from being seen as properly "original," this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

How might we locate originality as emerging from within the “discrete” work of commentary? Because many women have engaged with philosophy informs that preclude their work from being seen as properly “original,” this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.