There is a strange contrast between, on the one hand, the prominent place generally assigned to Parmenides in the history of Greek philosophy, and on the other hand, the persistent uncertainty in the understanding of his teachings, as demonstrated by the large number of conflicting interpretations. In particular, there is no consent on the question whether Parmenides, in spite of the obvious weaknesses of his arguments, ought to be seen as the first proponent of a purely rational metaphysics, or whether, (...) in view of his assertion of the unreality of change and plurality and of the identity of thinking and being, we should first of all view him as a precursor of Plotinus, or even as a mediator between Indian Advaita-philosophy and Neo- Platonism. That question is the central issue considered in this paper. For it, only the first part of Parmenides’ poem is relevant: his “way of truth”. (shrink)

The concept of the mahant- ātman-, or “vast self”, found in some of the Early and Middle Upaniṣads, has, at least since the days of Hermann Oldenberg, been explored by a number of scholars, most notably by van Buitenen :103–114, 1964). These studies have usually emphasized the cosmic implications of this concept; the vast ātman- being the non-individualized spirit that brings forth and pervades the universe, then enters the bodies of all created beings as their animating principle. As such it (...) precedes the mahān, or mahat, of the Sāṃkhya philosophy. The present paper argues that the concept of a mahant- puruṣa- or “vast person”, appearing parallel to the vast ātman in these texts, is in fact older, being traceable to Middle Vedic texts; the emergence of the Upaniṣadic ātman doctrine has eventually led to its replacement by the mahān ātmā. Originally, it is argued, the adjective mahant- stressed the difference between this “vast” puruṣa, who is said to dwell in the sun, and the minute puruṣa within man, who is seen as the tiny “person” in one’s pupil, or resides in the heart, having the size of a thumb. In contradistinction to the ātman, the puruṣa is a thoroughly anthropomorphic soul-concept, a “person” within the person. The ultimate identity between this tiny soul-person and the puruṣa in the sun is a recurring, but little studied, motif in the micro-macrocosmic speculations of the Brāhmaṇa texts. This “vast”, solar puruṣa is sometimes identified with the Puruṣa or primeval man of Ṛgveda 10.90, from whose body the universe was formed, and much of the imagery surrounding the vast puruṣa of Middle and Late Vedic literature seems to derive from this hymn. (shrink)

Throughout its history, the renowned Kaṭha Upaniṣad has often been described as being both incoherent and contradictory. The aim of this paper is to show to what purpose the text was created. To this end, it discusses the connection of the three paths to salvation depicted in the text, viz. the Agnicayana (a powerful Vedic fire-ritual), the Upaniṣadic method of self-knowledge, and yoga. The first part retraces how in the Upaniṣads, the Agnicayana was transformed into a non-material or mental ritual (...) and linked with self-knowledge. The second part analyses how the various salvation goals (heaven, the World of Brahman, liberation from rebirth) could be related to each other. First, the authors redefined the Agnicayana’s salvation goal, heaven, to make it identical with liberation. Secondly, they introduced self-knowledge and yoga as alternative and equally powerful means to the same end. In practice, however, the new and world-negating methods were implied to be superior to the costly ritual from which they had drawn their authority. Thus, the authors of the Upaniṣad were more concerned with showing continuity between different religious approaches than upholding consistency of content. (shrink)

. Besides a philosophical exposition of the tenets of a form of Śaiva Siddhānta, the Dharma Pātañjala contains a long presentation of the yoga system that apparently follows the first three chapters of Patañjal’s Yogasūtra , either interweaving Sanskrit excerpts from an untraced versified version of the latter text with an Old Javanese commentary, or directly rendering into Old Javanese what appears to be an original Sanskrit commentary. Although the Old Javanese prose often bears a strong resemblance with the arrangement (...) and formulation of the topics treated in the Yogasūtrabhāṣya , it diverges from that commentary in several respects. The Dharma Pātañjala often presents specific doctrinal details that are found in other (sub)commentaries or in the Arabic rendering of the sūtra s-cum-commentary composed by al-Bīrūnī before 1030 AD , or adds original elements that are unattested elsewhere. The testimony of the Dharma Pātañjala turns out to be useful in order to solve some of the dilemmas posed by the selected sūtra s. It may also help us to better understand the textual cultural transmission and cultural reception of Patañjali’s work in both South and Southeast Asia, for its author, rather than freely borrowing from different Sanskrit commentaries, appear to have drawn upon an as yet unidentified, and possibly lost, ‘common source’. (shrink)