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Ästhetik und allgemeine kunstwissenschaft

Stuttgart,: F. Enke (1923)

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  1. Zum zeitgenössischen theoretischen Kontext von Hermann Cohens Ästhetik.Stephan Nachtsheim - 2010 - Zeitschrift für Religions- Und Geistesgeschichte 62 (2):142-156.
    The tendency to isolate aesthetics in the study of fine arts and in basic fine arts research as well as through the aesthetics of empathy goes back to post-Kantian philosophy. This way of thinking, as far as it was of particular interest to Cohen, dominated aesthetics and art theory during the time of the publication his Ästhetik des reinen Gefühls. In the Marburg School itself, the systematic basis of aesthetics began to shift in 1912.
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  • On the essence and meaning of empathy, Part I.Geiger Moritz - 2015 - Dialogues in Philosophy, Mental and Neuro Sciences 8 (1):19-31.
    In 1910 Geiger presents at the 4th Congress of Experimental Psychology a lecture on empathy. The focus is on the key psychological question: How do I know external personalities and what is the origin of this knowledge? He immediately shows that this question is complex and needs clarification. There are at least three different questions linked with it, and they must be disentangled. The first question is the “question of fact”, which is a phenomenological question: What experiences are in my (...)
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  • On the essence and meaning of empathy, Part II.Moritz Geiger - 2015 - Dialogues in Philosophy, Mental and Neuro Sciences 8 (2):75-86.
    In this second part of his lecture, Geiger deals with the question of empathy for non-human entities, like various kinds of objects. Again, Geiger differentiates between various questions that are usually mixed together in the relevant literature. Thus, he distinguishes the question of fact from the psychological theories about possible mechanisms responsible for this phenomenon. In the last part there is an interesting debate showing how different is the approach between experimenters and philosophers. In his conclusion, Geiger stresses again that (...)
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