What place should be given to ruins in the phenomenology of memory sketched by Ricœur in Memory, History, Forgetting? The contemplation of ruins raises the same problem as that which occupies the whole of Ricœur’s work: the representation of the past and the relations of memory and imagination in the formation of recollection. Can ruins give rise to a rearrangement of the relations of memory and imagination and produce an “imagining remembering”?