Contemporary scholarship interprets Sergej Bulgakov’s sophiology as an engagement of Orthodox theology with the modern world and as being on its way to becoming a political theology. In this paper I undertake a re-evaluation of the kind of engagement sophiology was and was intended to be, and of the kind of world it was destined for. It will be argued that sophiology was not so much a political-theological engagement with the world concentrating on the relation of religion and politics or (...) state and church, but rather an economic-theological engagement in the tradition of oikonomia theology that tried to understand the world in its relation to and as part of divine oikonomia. Furthermore, the world sophiology promotes engagement with is not only the real contemporary world, or the sociological ideal type of modernity, but primarily the world as such, this secular and human world over and against the divine and transcendent world. (shrink)

Sinology is like a Chinese ritual dance: the key is not the movement, but rather the positions , the moments of non-action ‘in between’, that make rhythm and transformation possible. Sinology itself occupies an in-between position in the landscape of academic disciplines, though it is not the only one to undertake this dance, as various disciplines engage themselves into a similar quest. Its distinctiveness as intellectual inquiry is to point at intervals, interstices, gaps, cracks, pauses, poses, in-between moments or zones (...) in culture and human life. In that sense, Sinology does ‘mind’ gaps. (shrink)

James Conroy's Betwixt and Between: The Liminal Imagination, Education and Democracy implies three main aims: first, to celebrate aspects of imagination in education and politics; second, to challenge defensive closure in varieties of discourse, especially in the language of economic and monetary management in education and politics; and third, to open up, for reciprocal enrichment, situations and discourses pertaining to consideration of state funding for religiously affiliated schools. Liminality, characteristic of thresholds and borders, calls for interpretation and mediation, as well (...) as appreciation of uncertainties. Liminality of imagination is explored in contexts associated with this third aim, but also in other kinds of context associated with the first two aims. As well as offering critical assessment of the book, this review article indicates some scope for interpretation and development. (shrink)

For decades now, the end of metaphysics has been heralded. Engaging with the issue at stake, first, I will present and critically discuss Jan Patočka’s prophetic reflection on the fate of metaphysics after metaphysical philosophy. This will show that the problem is far more complicated and that attempts devoted to overcoming metaphysics often unjustly reduce it. To be able properly address the complexities of the crisis of metaphysics, I will move beyond Patočka and will introduce the agent, which played a (...) decisive role in the history of metaphysics and its development, that is, theology. I will point out that Patočka’s reconsideration of metaphysical thinking via the reinterpretation of the Platonic Idea correlates with the category of faith. Thus, I will argue that ‘a providential marriage’ between Athens and Jerusalem should not be divorced and that, despite numerous attempts to prove the contrary, the alliance of theology metaphysical thinking is unavoidable and even beneficial for both parts. (shrink)

Contemporary scholarship interprets Sergej Bulgakov's sophiology as an engagement of Orthodox theology with the modern world and as being on its way to becoming a political theology. In this paper I undertake a re-evaluation of the kind of engagement sophiology was and was intended to be, and of the kind of world it was destined for. It will be argued that sophiology was not so much a political-theological engagement with the world concentrating on the relation of religion and politics or (...) state and church, but rather an economic-theological engagement in the tradition of oikonomia theology that tried to understand the world in its relation to and as part of divine oikonomia. Furthermore, the world sophiology promotes engagement with is not only the real contemporary world, or the sociological ideal type of modernity, but primarily the world as such, this secular and human world over and against the divine and transcendent world. (shrink)

The task of this article is a two-fold approach to Augustine’s theory of knowledge, often called that of ‘divine illumination’, with particular attention to one of its seminal sources, his Soliloquia. The first approach is historical- and text-critical; we consider the text of the Soliloquia, its meaning and significance, the questions to which Augustine was implicitly responding at the time, and especially how this work broaches themes which are revisited and further developed in Augustine’s later works. In the second part, (...) we take the results of the foregoing analysis and apply to them a systematic-theological and philosophical method. First we contextualize Augustine’s theory of illumination, both in relation to his own works and beyond. We then argue for a distinction between two senses of illumination, namely ‘principal’ and ‘gradual’, which helps to account for the different ways in which illumination is applied by Augustine. Finally, we show how Augustine’s insights can be relevant to contemporary philosophy and theology, and how his ideas are implicated in contemporary debates. The upshot is an historical, philosophical, and theological consideration of Augustine’s theory of divine illumination, which aspires to strike a balance between doing justice to the text from an historical perspective and interpreting and applying it in the present day. (shrink)

Between Thought, Religion, and Contemporaneity: the hyperboles of being and the equivocal communication of the sacred (Entre o Pensamento, a Religião e a Contemporaneidade: as hipérboles do ser e a comunicação equívoca do sagrado).The contemporary philosophical thought regards itself as postmetaphysical, post-religious, postmodern, and post-philosophical. It advocates for metaphysics without metaphysics, ethics without ethics, and religion without religion. This paper aims at exploring the possibilities of thinking through the place and role of God, religion, and mystique in the philosophical discourse (...) of contemporaneity, having William Desmond’s thought as a reference. According to Desmond’s thought, there’s an intimate, idiotic, porosity in the call to truth. Thought is communication openness for its own originating source. This means that thought is situated at the knowledge threshold, and it may open up to a reverence attitude in the face of the mystery of being. Through metaphysical metaphors, intermediate names going beyond the univocal determination of metaphysical constructs from the past, Desmond aims at thinking through something which is present amidst finitude, indicating a foremost transcendence going beyond our experience: an upper transcendence essentially asymmetrical to our own transcendence. Such metaphors or hyperboles safeguard the enigma involved in the issue of God and the religious being. This enigma or mystery isn’t something negative, but openness for a fuller and overdetermined agapic origin. Keywords: Metaxology. Religion. Postmodern. Agape. Mystique. Resumo O pensamento filosófico contemporâneo se compreende como pós-metafisico, pós-religioso, pós-moderno e pós-filosófico. Ele advoga uma metafisica sem metafisica, uma ética sem ética e uma religião sem religião. O objetivo deste artigo é explorar as possibilidades de refletir sobre o lugar e o papel de Deus, da religião e da mística no discurso filosófico da contemporaneidade, tendo como referência o pensamento de William Desmond. Para o pensamento desmondiano, existe uma porosidade íntima, idiótica, no chamado à verdade. O pensamento é uma abertura comunicativa para a sua própria fonte originadora. Isso significa que o pensamento se encontra no limiar do saber, podendo abrir-se para uma posição de reverência diante do mistério do ser. Através de metáforas metafisicas, nomes intermediários para além da determinação unívoca das construções metafisicas do passado, Desmond busca refletir sobre algo presente em meio à finitude, que indica uma transcendência primeira que vai além da nossa experiência: uma transcendência superior essencialmente assimétrica à nossa própria transcendência. Tais metáforas ou hipérboles asseguram o enigma envolvido na questão de Deus e do ser religioso. Tal enigma ou mistério não é algo negativo, mas uma abertura para uma origem agápica mais plena e supradeterminada. Palavras-chave: Metaxologia. Religião. Pós-moderno. Ágape. Mística. (shrink)

This article explores and critically assesses the metaxological account of a philosophy of God professed by William Desmond. Postmodern reflection on the philosophy of God has a tendency to focus on the 'signs' of God and urges for a passive acceptance of these signs. Desmond argues, contrary to this tendency, for a mindful togetherness of philosophical activity and religious passivity. After exploring Desmond's thought on this topic, I move to assess his 'metaxological yes' to God as the agapeic origin from (...) an existential point of view. Initially it seems that his 'yes' is somewhat strained as it burdens itself with an excessive task of having faith into something that is beyond determination. I illustrate this insight by referring to Friedrich Nietzsche’s 'Thus Spoke Zarathustra.' Nietzsche's existential 'No' toward transcendence is a consequence of a mindful confrontation with the excesses as play. (shrink)

Acclaimed as one of the great filmmakers of the 20th century, Ingmar Bergman is for many an arch-modernist, whose work is characterized by a high degree of self-conscious artistry and by dark, even nihilistic themes. Film critics increasingly identify him as a kind of philosopher of the human condition, especially of the dislocations and misery of the modern human condition. However, Bergman’s films are not embodiments of philosophical theories, nor do they include explicit discussions of theory. Instead, he attends to (...) the concrete lived experience of those who, on the one hand, suffer from doubt, dislocation, and self-hatred and, on the other, long for confession and communion. In the middle of his career, especially in his famous faith trilogy of the early 1960s, Bergman investigated the lived experience of the absence of God. It is commonly thought that after this period, the question of God disappeared. However, in his last two films, Faithless and Saraband, Bergman explores the lived experience of the absence of God. Indeed, he moves beyond a simple negation to explore the complex interplay of absence. He even illustrates the possibility of a kind of communion for which so many of his characters—early, middle and late—long. (shrink)