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  1. Cardiophénoménologie.Natalie Depraz & Thomas Desmidt - 2015 - Les Cahiers Philosophiques de Strasbourg 38:47-83.
    En croisant l’interprétation d’enregistrements cardiovasculaires avec le recueil de l’expérience émotionnelle, au lieu de chercher les oscillations cérébrales corrélatives des illusions perceptives, on remédie à la différence d’échelle qui hypothéquait la méthode des contraintes mutuelles de Varela. La cardiophénoménologie propose un modèle dynamique de la surprise associant les variations d’indices physiologiques à une analyse husserlienne des phases du vécu. Une expérimentation avec des patientes dépressives soumises à une tâche émotionnelle combinée à l’entretien d’explicitation semble devoir valider une hypothèse d’hyporéactivité de (...)
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  • Trauma and Phenomenology.Natalie Depraz - 2018 - Eidos. A Journal for Philosophy of Culture 2 (2):53-74.
    The phenomenology of trauma is a historical, epistemological, and methodic inquiry that wishes to test the validity of an already settled dynamic model of surprise as shock-rupture based on its correlated inner structures of attention and emotion. Thanks to an integrative approach, crossing phenomenological subjective experiences and empirical data, we hope to renew the understanding of the blank lived experience of trauma and the passive preconscious dynamics of traumatism, as well as to generate possible therapeutic effects.
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  • Cardiophenomenology: a refinement of neurophenomenology.Natalie Depraz & Thomas Desmidt - 2019 - Phenomenology and the Cognitive Sciences 18 (3):493-507.
    Cardiophenomenology aims at refining the neuro-phenomenological approach created by F. Varela as a new paradigm, jointly based on Husserl’s a priori dynamics of the living present and an experiment on anticipatory time-dynamics of visual motor perception. In order to do so, we will situate the paradigm of neurophenomenology at the cardio-vascular level, focusing on the emotional dynamics of lived experience and thus refining the dialogue, more precisely, the generative mutual constraints between first- and third-person analysis. In this article we present (...)
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