Eleven top Deleuze scholars reclaim Deleuzian philosophy as moral philosophy Ethics plays a crucial, if subtle, role in Gilles Deleuze's philosophical project. Michel Foucault claimed that Anti-Oedipus was `a book of ethics, the first book of ethics to be written in France in quite a long time'. But what is the nature of the immanent ethics that is developed in Deleuze's thought? How does it differ from previous conceptions of ethics? And what paths does it open for future thought, given (...) the ethical challenges facing humanity in so many domains? Each of the eleven essays in this collection explores the ethical dimension of Deleuze's thought along a new and singular trajectory, and in so doing, attempts to reclaim his philosophy as an ethical philosophy. (shrink)

In Coldness and Cruelty, Deleuze remarks that masochism may be reflected on from three perspectives: as a pleasure–pain alliance, as an enactment of humiliation and slavery, and as a consideration of the enslavement of contractual relations. Later Deleuze and Guattari consider masochism in terms of an ontology of desire – in terms of virtuality rather than extensity. I argue that while the actualisation of pain might be considered secondary, and is oftentimes portrayed as incidental in popular depictions, it also constitutes (...) the exhaustive/exhausted and refrain functions of masochism so that the masochist might be thought of as the figure of exhaustion. (shrink)

The essay draws together a number of disparate elements from Deleuze and Deleuze and Guattari’s various engagements with Spinoza. Specifically, the essay connects the notion of expressionism, which Deleuze develops in the early work Expressionism in Philosophy: Spinoza, to the notion of living a philosophical life from Spinoza: Practical Philosophy, to the ideas of friendship and conceptual personae in Deleuze and Guattari’s What is Philosophy? To think philosophically, which following Spinoza Deleuze treats as a matter of thinking immanently and essentially, (...) is to live a philosophical life, that is, to re-express the contingencies of an empirical life in and as the essence of a life. Such is the existential and ethical task Spinoza presents us. The essay argues that a Spinozan existential ethics is realisable only in relation to – only in friendship with – the image of a philosopher as conceptual persona. Further, the essay argues that Spinoza is an exemplary philosopher in this regard because expressionism, which he alone in the history of philosophy conceptualises in fully univocal fashion, presents an image of a philosopher as a friend to one and to all. The ethical implication of thinking immanently and living essentially in the image of Spinoza as a photographic lens is to constitute a community of friends – distant and non-communicative as that community may be. Or, to put the point in Dickensian terms that Deleuze appeals to in ‘Immanence: A Life’, the Ethics is of ethico-existential import in expressing the image of Spinoza as our mutual philosophical friend. (shrink)

This article seeks to do two things: articulate the function of biopolitics as a necessary correlate to human exceptionalism, and argue for the factory farm as a supplementary inverse of biopolitical logic. Human exceptionalism is based fundamentally in a desire to create protected lives, and lives that can be, or even need to be, exterminated. In other words, human exceptionalism is the very definition of biopolitics. However, biopolitical theory was mostly developed around thinking through issues of human genocides, particularly the (...) Nazi Lager. Despite attempts to think the analogies between Auschwitz and a factory farm, such analogies ignore important historical and theoretical specificities. While the biopolitical is an important, even necessary, theoretical understanding of humans’ relations to other animals, it is not sufficient for thinking the realities of factory farming. We need a conceptual apparatus not rooted in the ability to think the horrors of human genocide, but one rooted in the ability to think the horrors of the factory farm. Thus I propose the animals in the factory farm exist in the political ontology of deading life; that is beings who should be alive, but are somehow already dead. This conceptual apparatus is not meant to oppose the thought of the biopolitical, it is meant to supplement the biopolitical—to allow us to think with and beyond the biopolitical. (shrink)

This review essay develops Gordon Bearn's interpretation of Deleuze's philosophy as an aesthetic existential indicative of the creative practice of life drawing. Life drawing requires moving beyond various forms of representation that stultify the movement of becoming and limit our ability to appreciate sensuous singularity and intensive pluralities. Sholtz offers an original account of the singularity of sensual existence, amplifying the tenuous relationship between beauty and suffering, or the intensification of life, which Bearn courageously explores. The article addresses several important (...) themes which are used to carve out a new aesthetico-ethical path of existing: beauty as imperfection, affirmation of pointlessness, the disarticulation of the aesthetic from the formal realm of art, the existential recognition of the eliminable multiplicity of possible paths, and the indeterminate nature of a true event. (shrink)

This article explores the ethical imperative to dramatise in the work of Georges Bataille and Gilles Deleuze, two of the most radical thinkers in twentieth-century philosophy, as a peculiar kind of askesis. Whereas askesis is often associated with asceticism or self-denial, in the sense of self-regulation and abstention, Bataille and Deleuze advocate training the self towards intensification of the liminal and extreme, which can rather be understood as a denial of self – its dissolution or laceration. Few attempts have been (...) made to compare their work, even though both share a commitment to resisting the closures that bind our desires and inhibit our full participation in and confrontation with the ebbs and flows of an impersonal, immanent life. Through careful consideration and comparison of their work, I argue that both offer important methods for engendering modalities of ecstatic being characterised by sensitivity to immanence, which have important ramifications for our ability to address phenomena of ethical indifference and resist the constrictions of social control mechanisms that decimate our political imaginations and inhibit our resolve to invent a different future. In the final sections, I interrogate the differences in their invocation of affect and art. (shrink)

Deleuze’s differential ontology is a sustained attempt to think and affirm difference as opposed to the unity of identity he insists philosophical thought has tended to privilege. However, by distinguishing between three senses of identity, termed identity of the identical, same, and common, I show that, while Deleuze’s differential ontology offers a powerful critique of identity in the senses of the identical and same, at numerous points in his analysis, such as the virtual-actual movement, the transcendental conditions defining different forms (...) of thinking, and the relationship between the forms of thinking, it appears Deleuze’s affirmation of difference depends on identity in the sense of the common. Rather than using these instances to offer a critique of Deleuze’s differential ontology, I follow his exhortation to read a philosopher creatively and suggest that distinguishing between three senses of identity reveals the complexity of the difference-identity relationship and acts as a stimulus to rethinking this relationship. (shrink)

While Levinas famously claims that ethics precedes ontology and emanates from the concrete experience of the other's face, it is often forgotten that Deleuze also discusses the face in numerous writings. The purpose of this paper is to briefly outline Levinas's arguments regarding the constitution of the face to chart its ethical importance, before engaging with Deleuze's critique of Levinas's position. I show that, by distinguishing between two systems of signification – the head-body system and the face system – Deleuze (...) agrees with Levinas that the face is an important signifier delineating the other, but destructs the notion of face to show that it: is more complex and multi-dimensional than Levinas realizes; emanates from a specific semiotic relationship; and emanates from specific socio-historical circumstances. Showing the face is a semiotic construct based in and emanating from a specific socio-historical configuration allows Deleuze not only to conclude that the face is related to politics not ethics as Levinas claims, but also to claim that it entails the inhuman in the human. This clarifies the nature of the face in Deleuze, offers a critique of Levinas's influential thinking on ethics, brings us to a discussion of the relationship between ethics and politics and reveals what Deleuze takes the political to entail. (shrink)

In this essay I bring Gregory Bateson together with Deleuze and Guattari (primarily with the latter) to show their ecological compatibility, especially with Guattari’s ecosophy. I do this against the backdrop of the Anthropocene which presents us not only with a ‘climate’ of post-truth and political corruption, but also with the so-called climate crisis. In the context of these two broad examinations, I ask what can an artisan-artist-designer do given this problematic context? My reply is to call on ‘speculative design’ (...) by an ‘avant-garde without authority’ to expose the symptoms of the Anthropocene era. (shrink)

So-called ‘new materialism’ enables feminist theorists to emphasize the agential quality of matter, thereby challenging the notion that matter, particularly the biological body, is passive and inert – a notion that is gendered given the traditional association of passive matter with the feminine. While appreciating the materialist turn increasingly evident in feminist theory, Claire Colebrook warns feminist thinkers against an uncritical appeal to the vitalist tradition, which continues to privilege action, creativity and productivity over that materiality which remains unactualized potential. (...) After outlining the new materialist re-conception of matter, this paper considers the idea of a ‘passive vitalism’, which Colebrook develops in light of Gilles Deleuze and Felix Guattari's co-authored works. This paper shares Colebrook's contention that the new materialist emphasis on the agency of matter simply extends the model of the human person to the rest of nature. However, the final part of this paper begins to indicate how a theological materialism is able to affirm both the agency and patiency of matter in ways that challenge the view that the avowal of divine transcendence is inevitably opposed to the integrity of material immanence. (shrink)

Much has been written about biopolitical sovereignty in the wake of Agamben's work, which relies, at least in the first volume of Homo Sacer, on Carl Schmitt's transcendental account of sovereignty. This article argues, however, that Foucault and Arendt rightly identify what Derrida once called the “changing shape and place of sovereignty” in modernity, which for them is horizontal and disseminated within a presupposed nation. For this reason, we will look to the source of modern philosophical immanentism, Spinoza, to show (...) that he is not extrinsic to this modern biopolitics, and demonstrates how the sovereign exception and its nationalized version work hand-in-glove in the era of which he was a part – and thus is part of all thinking that would take this to form a new communitas. In this way, we argue that it is Spinoza's political theology, not Schmitt's, that is the better pass-key to what Foucault and Arendt identify as biopolitical. By doing so, we put in tension two trends in recent Continental philosophy: philosophical vitalism and the critique of biopolitics at the heart at any contemporary thinking of community. (shrink)

The article explores aspects of the notion of forms of life in the Wittgensteinian tradition especially following Iris Murdoch’s lead. On the one hand, the notion signals the hardness and inexhaustible character of reality, as the background needed in order to make sense of our lives in various ways. On the other, the hardness of reality is the object of a moral work of apprehension and deepening to the point at which its distinctive character dissolves into the family of connections (...) we have gained for ourselves. The two movements of thought are connected and necessary. (shrink)

This essay seeks to articulate the many implications which Giorgio Agamben's work holds for theology. It aims, therefore, to examine his conceptualizations of language in light of particular historical glosses on the “name of God” and the nature of the “mystical,” as well as to highlight the political task of profanation, one of his most central concepts, in relation to the logos said to embody humanity's “religious” quest to find its Voice. As such, we see how he challenges those standard (...) notions of transcendence which have been consistently aligned with various historical forms of sovereignty. In addition, I intend to present his redefinition of revelation as solely the unveiling of the “name of God” as the fact of our linguistic being, a movement from the transcendent divine realm to the merely human world before us. By proceeding in this manner, this essay tries to close in on one of the largest theological implications contained within Agamben's work: the establishment of an ontology that could only be described as a form of “absolute” immanence, an espousal of some form of pantheism yet to be more fully pronounced within his writings. (shrink)

This paper explores the general characteristics of the aesthetics of life. Our approach will be in thinking about the aesthetics of life as a domain independent from the realms of ethics and morality. This thesis discusses some of the theoretical debates around those concepts. The notion of ‘pleasure’ in those practices will be discussed as the one that gives shape to ‘the art of life’. Pleasure also makes it possible for a person to perform these practices for a long period (...) of time; what we call the ‘life-long character of the aestheticization of life’.However, this effort endeavors to demonstrate another central theme of this style of life; the individual/social character of those practices is the one that exemplifies ‘the art of life’. Thinking simultaneously about ‘oneself’ and the ‘other’ is the main concept that helps us the most to appreciate these practices. These debates are elaborated further in some case studies that have been researched between 2016 and 2019. These are real examples of peoples’ lived experiences who, in different ways, try to give meaning to their lives by turning their existence into a work of art. (shrink)

Angelaki, Volume 16, Issue 3, Page 101-115, September 2011.

While most new materialists, including Thomas Nail, tend to distance themselves from Deleuze, this essay reads the encounter of Nail's ‘process materialism’ and Deleuzian philosophy as productive rather than contentious. After tracing the affinities of their notions of continuity and discontinuity by way of Deleuze's The Fold: Leibniz and the Baroque and Nail's Lucretius I: An Ontology of Motion and Being and Motion, the essay considers Nail's unfolding of Lucretius’ luminous philosophy in relation to Deleuze's reading of Lucretius from within (...) Deleuze's own ‘philosophical luminism’. Within the multiple overlaps between Nail and Deleuze, particularly vis-à-vis quantum physics and quantum field theory, their divergent readings of the particle–wave duality bring about a productive conceptual tension. Nail's argument about the ontological precedence of waves over particles is illuminated by Deleuze's concept of their ontological complementarity, and vice versa. (shrink)

This article builds upon concepts of simultaneity and coexistence offered by Bergson and Deleuze to explore new approaches to cinematic audibility. Recognised film theory terms such as synchronisation and synchresis approach sonic time from the transcendent distance of audioviewership. This essay moves cinematic experience inward to ask what is audible within the film world itself. Simultaneity and coexistence penetrate cinematic time to express a multiplicity of audible layers, threads or lines that occur in relation to image-events. The essay both advances (...) and critiques Bergson's and Deleuze's conceptions of time, making it relevant to both film studies and metaphysics. (shrink)

The philosopher and sociologist Georg Simmel made repeated efforts throughout his career to address the crisis of modern culture by drawing on a wide repertoire of scholarly discourses and imaginative fictions. An overlooked and unique feature of his early works include humorous vignettes and free-verse poems in pseudonymous pieces published in the avant-garde journal Jugend. In later writings, he advances his own life-philosophy through an idiosyncratic use of Goethe’s scientific, autobiographical, and literary works in an attempt to articulate what is (...) distinctive about the modern worldview. Focussing on these lesser-known writings reveals the tragi-comic character of his approach to modern individuality in a variety of cultural spheres, and in the life of theory itself. Like Simmel’s vitalist quest for the archetype or “primary phenomenon […] of the idea of Goethe” and in his formulation of “the values of Goethean Life”, this essay offers a kind of theorizing about the “spiritual meaning of Simmelian existence” in its many forms of expression. Although Simmel’s ideas may seem antiquated to us now, recovering what might be called his ‘theory-fictions’ is essential if the humanities and social sciences are to address the most pressing problems we face in the 21st century. (shrink)

Death is often characterised within naturalism as being ‘nothing to us’ and we are urged to think of ‘nothing less than of death’. In his lectures on Spinoza, Deleuze says ‘thinking of death is the most base thing’. Thinkers such as Lucretius, Nietzsche and Spinoza, have clear perspectives on the need to avoid thinking about death. They share in the belief that meditation on death only leads to fear and sadness. These affirmationists, that is, philosophers whose writings aim at affirming (...) life, therefore denounce death as unimportant to philosophy. Deleuze also presents a philosophy that seems affirmationist, in keeping with the tradition of those whose ideas he interprets and incorporates into his own philosophy. And yet, death - in the form of the death drive - is a key concept in Deleuze’s work Difference and Repetition. This thesis asks the question: Does Deleuze present a concept of death that affirms life? The concept of death is rarely explored in Deleuze studies, and yet it plays an important role in his philosophy. This thesis seeks to contribute to this research, by delineating and examining Deleuze’s concept of death in Difference and Repetition. The description of death provided by Deleuze is compared with the concepts of death in the works of two affirmationists, Lucretius and Spinoza. Hegel’s concept of death is then explored to determine whether Deleuze succeeds in avoiding the use of negation in death’s relation to the subject. The thesis then considers Deleuze’s interpretation of Nietzsche’s eternal return. The result of his use of the eternal return leads to discussions around kenosis, transpantheism and immanence. It is decided that the naturalist process of demystification is taken by Deleuze to require the demystification of identity, giving primacy to immanence as a singular life. (shrink)

Drawing from Arjen Kleinherenbrink's recent book, Against Continuity: Gilles Deleuze's Speculative Realism (2019), this paper undertakes a detailed review of Kleinherenbrink's fourfold "externality thesis" vis-à-vis Deleuze's machine ontology. Reading Deleuze as a philosopher of the actual, this paper renders Deleuzean syntheses as passive contemplations, pulling other (passive) entities into an (active) experience and designating relations as expressed through contraction. In addition to reviewing Kleinherenbrink's book (which argues that the machine ontology is a guiding current that emerges in Deleuze's work after (...) Difference and Repetition) alongside much of Deleuze's oeuvre, we relate and juxtapose Deleuze's machine ontology to positions concerning externality held by a host of speculative realists. Arguing that the machine ontology has its own account of interaction, change, and novelty, we ultimately set to prove that positing an ontological "cut" on behalf of the virtual realm is unwarranted because, unlike the realm of actualities, it is extraneous to the structure of becoming-that is, because it cannot be homogenous, any theory of change vis-à-vis the virtual makes it impossible to explain how and why qualitatively different actualities are produced. (shrink)

This thesis is about the crisis in representation that accompanies the attempt to account for lived experience, with particular reference to bodily pain in social science. The diagnosis of this problem of experience identifies epistemology as an inappropriate means of knowing that initiates a translational paradox unable to satisfy the simultaneous demands of making lived experience familiar in representational form yet retaining the foreignness of the original experience at the same time. This problem of simultaneity is not a problem, however, (...) if it is built into a way of knowing, something that escapes epistemological conditions of possibility with its either/or of singularities. To know in such ‘double vision’, or fractionally, characterises post-epistemological thinking. This thesis draws on a relatively underdeveloped method for practicing a fractional means of knowing from post- actor-network theory, that of the pinboard, and explores how it might be usefully applied to the problem of experience. The thesis constitutes an experiment in producing a social science account of the lived experience of chronic pain using this method as an alternative to conventional epistemological techniques that initiate the problem of experience. Through initial theoretical discussion, followed by reflection on its practical application involving the construction of fractional accounts of lived experience for five participants experiencing chronic pain, the pinboard is developed as a technique that seeks to maintain ‘double vision’ whilst inherently resisting attempts to resolve the juxtaposition it makes visible, enacting and engaging in an ontological politics with conventional methods of social analysis. This includes discussion of how the method might be transported from methodological knowledge spaces to effectively intervene on such conventional methods. (shrink)

This aim of this study is to investigate the manner in which Deleuze’s individual and collaborative work can be productively understood as being concerned with the question of living well, where it will be suggested that living well necessitates that we not only become aware of, but that we also explore, the forever renewed present possibilities for living otherwise that each moment brings. In particular, this study will make an original contribution to existing Deleuzian studies by arguing that what legitimises (...) this conception of living well, and what can motivate us to engage in such a practice, is that a life that becomes aware of and explores the open field of present possibilities for living otherwise that each moment engenders is a life that reflects, or that is lived in accordance with, the challenging ontological account that can be discerned throughout Deleuze’s individual and collaborative work; a life lived in accordance with his open, dynamic and thoroughly temporal theory of Being or what I will suggest he came to refer to simply as ‘Life’. In addition, I will argue that in so far as each individual human being is to be understood as an ongoing and immanent expression of Life, an immediate expression of Life understood as a universal, impersonal and pre-individual dynamism, then a life that strives to explore the forever renewed present possibilities for living otherwise that each moment brings - a practice that I shall propose also necessitates that each individual strives to resist the diverse ways in which their present possibilities are continually hindered, thwarted and negated - is not only a life that strives to live in accordance with the temporal dynamism of Life, but is also a life lived in accordance with our own dynamic and thoroughly temporal being. (shrink)

The thesis tries to define and explain the rudiments of a 'nonphilosophical' or 'non-decisional' theory of materialism on the basis of a theoretical framework provided by the 'non-philosophy' of Francois Laruelle. Neither anti-philosophical nor anti-materialist in character, non-materialism tries to construct a rigorously transcendental theory of matter by using certain instances of philosophical materialism as its source material. The materialist decision to identify the real with matter is seen to retain a structural isomorphy with the phenomenological decision to identify the (...) real with the phenomenon. Both decisions are shown to operate on the basis of a methodological idealism; materialism on account of its confusion of matter and concept; phenomenology by virtue of its confusion of phenomenon and logos. By dissolving the respectively 'materiological' and 'phenomenological' amlphibolies which are the result of the failure to effect a rigorously transcendental separation between matter and concept on the one hand; and between phenomenon and logos on the other, non-materialist theory proposes to mobilise the non-hybrid or non-decisional concepts of a 'matter-without-concept' and of a 'phenomenon-without-logos' in order to effect a unified but non-unitary theory of phenomenology and materialism. The result is a materialisation of thinking that operates according to matter's foreclosure to decision. That is to say, a transcendental theory of the phenomenon that licenses limitless phenomenological plasticity, unconstrained by the apparatus of eidetic intuition or any horizon of apophantic disclosure; yet one which is simultaneously a transcendental theory of matter, uncontaminated by the bounds of empirical perception and free of all phenomenological circumscription. (shrink)

Uncontainable Life: A Biophilosophy of Bioart investigates the ways in which thinking through the contemporary hybrid artistico-scientific practices of bioart is a biophilosophical practice, one that contributes to a more nuanced understanding of life than we encounter in mainstream academic discourse. When examined from a Deleuzian feminist perspective and in dialogue with contemporary bioscience, bioartistic projects reveal the inadequacy of asking about life’s essence. They expose the enmeshment between the living and non-living, organic and inorganic, and, ultimately, life and death. (...) Instead of examining the defining criteria of life, bioartistic practices explore and enact life as processual, differential, and always already uncontainable, thus transcending preconceived material and conceptual boundaries. In this way, this doctoral thesis concentrates on the ontology of life as it emerges through the selected bioartworks: “semi-living” sculptures created by The Tissue Culture and Art Project and the performance May the Horse Live in Me by L’Art Orienté Objet. The hope is that such an ontology can enable future conceptualisations of an ethico-politics that avoids the anthropocentric logic dominant in the humanities and social sciences. (shrink)

Bioart is a form of hybrid artistico-scientific practices in contemporary art that involve the use of bio-materials (such as living cells, tissues, organisms) and scientific techniques, protocols, and tools. Bioart-works embody vulnerability (intrinsic to all beings) and depend on (bio)technologies that allow these creations to come into being, endure and flourish but also discipline them. This article focuses on ‘semi-living’ sculptures by The Tissue Culture and Art Project (TC&A). TC&A’s artworks consist of bioengineered mammal tissues grown over biopolymer scaffoldings of (...) different shapes and require sterile conditions of a bioreactor and constant care in order to survive. The article explores how bioart-works are always already intertwined with multiple (bio)technologies and techniques of care and labour, forming specific feminist technoecologies that challenge conventional bioscientific and cultural imaginaries of embodiment and the relation between physis and techné. TC&A’s sculptures expose life as the non/living: the processual enmeshment of the organic and inorganic, living and non-living, and growth and decay. The article argues that thinking with and through the feminist technoecologies of bioart mobilises philosophical inventiveness: not only does it problematise the entwinement of technology and biomatter and of culture and nature, but it also prompts us to rethink the ontology of life. (shrink)

Straipsnyje analizuojamas žmogaus teisių paradoksas, atskleistas Hannah’os Arendt, Jacques’o Rancière’o ir Giorgio Agambeno darbuose. Žmogaus teisių konceptas veikia kaip biopolitinis aparatas, įdiegiantis žmogaus kaip gyvos būtybės ir žmogaus kaip politinio subjekto perskyrą. Ši gyvūniškumo ir žmogiškumo perskyra, atrandama pačiame žmoguje, rezonuoja su žmogiškumo ir gyvūniškumo klausimu filosofijoje. Klasikinė filosofija – nuo Aristotelio iki Heideggerio imtinai – postuluoja žmogaus ir gyvūno skirtingumą, o Agambenas ir Derrida teigia, kad žmogaus gyvūniškumas ir gyvūno humanizavimas yra tik dvi tos pačios problemos pusės. Toks klausimo (...) performulavimas leidžia pereiti prie Roberto Esposito filosofijos, kurioje teigiamas visų gyvų būtybių lygiavertiškumas bei pačios gyvybės imanentiškumas. Priešingai nei negatyvioji biopolitika, kuri siekė pajungti gyvybę normai ir įstatymui, Esposito nori sukurti teigiančiąją biopolitiką, kurioje norma laikoma imanentiška taisykle, leidžiančia gyvybei siekti maksimalios išraiškos. Nors atrodytų, jog tokia teorija turi mažai ką bendra su politiškumo konceptualizavimu, Esposito teigia, jog būtent ribos tarp zoē ir bios, tarp nuogos gyvybės ir politinės egzistencijos, panaikinimas ne tik nesumažina galimybių veikti politinėje plotmėje, bet, atvirkščiai, yra bet kokio bendro buvimo sąlyga. (shrink)