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  1. That obscure object of psychoanalysis.Dany Nobus - 2013 - Continental Philosophy Review 46 (2):163-187.
    This essay examines how psychoanalytic conceptions of the subject and the object in the works of Freud and Lacan may contribute to a re-examination of the vexed issue of the subject–object relationship in science, philosophy and epistemology. For Freud, the ego is the essential subject, yet he regarded it as an always already objectified subject, which is objectively thinkable yet never subjectively knowable qua subject. Lacan conceptualised this Freudian principle of subjectivity with his notion of the divided (barred) subject, which (...)
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  • Haunted by the Other: Levinas, Derrida and the Persecutory Phantom.Michael Burke - 2021 - Film-Philosophy 25 (3):362-385.
    In this article, I explore what I call the persecutory trope – which underscores the alterity of the phantom and its relentless haunting and spectral oppression of the protagonists – in recent American ghost films, connecting it to the ethical thought of the continental philosophers, Emmanuel Levinas and Jacques Derrida. Films like The Ring, The Grudge, It Follows, and Sinister depict terrifying spectral antagonists whose relentless persecution of the protagonists often defies comprehension and narrative closure. I suggest that these films (...)
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  • Lovers in the Age of the Beloveds: Classical Ottoman Divan Literature and the Dialectical Tradition (Ādāb al-Baḥth).Mehmet Karabela - 2017 - In Hanadi Al-Samman Alireza Korangy, Hanadi al-Samman & Michael Beard (eds.), The Beloved in Middle East Literatures: The Culture of Love and Languishing. London: I.B.Tauris. pp. 285-300.
    This chapter analyzes traditional archetypes of divan literature—‘āşık (lover), ma‘şūk (beloved), and rakīb (opponent)—to show the presence of a dialectical discourse in classical Ottoman divan love poems. In both style and content divan poems display a comprehensive understanding of the postclassical Islamic philosophical conception of dialectic and argumentation theory, known as ādāb al-baḥth wa al-munāẓara. The focus on Ottoman love poetry and argumentation theory in this paper aims to demonstrate how the love poetry that developed in Ottoman culture is more (...)
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