Historians have usually connected the presentation of nature as a part of natural history with the natural cabinet or the natural history museum. A closer look at travel and field work, however, shows that display of nature as a spatial concept and set of material conditions begins already in the first moment of collecting objects, specimens and economic information about a region. In 1720 Tsar Peter I of Russia sent the German physician Daniel Gottlieb Messerschmidt to Siberia to explore this (...) hitherto terra incognita. During his travels Messerschmidt established two main instruments for collecting data and things, which I shall describe as organizing, material principles for his field work: written lists and notes, and boxes and cases. An analysis of these material objects and their specific uses reveals the intellectual and practical traditions in which learned activities and strategies took place at the beginning of the eighteenth century. (shrink)

Special issue of the Journal for Early Modern Studies (4.1., Spring 2005) Guest Editor: Lucian Petrescu. -/- .

The presentation of nature as part of natural history is usually connected with a natural cabinet or natural history museum. A closer look at travel and field work, however, shows that display of nature as a spatial concept and material conditions begins already in the first moment of collecting objects, specimens, and economis news about a region to be investigated. In the year 1720 the German physician Daniel Gottlieb Messerschmidt was sent to Siberia by the Tsar Peter I of Russia (...) to explore this hithero terra incognita. During his travels Messerschmidt established two main instruments for collecting data and things, which I shall describe as organizing, material principles for his field work: written lists and notes, and boxes and cases. An analysis of these material objects and their specific uses reveals the intellectual and practical traditions in which learned activities and strategies took place in the beginning of the eighteenth century. (shrink)

(2001). Corpuscular alchemy and the tradition of Aristotle's Meteorology, with special reference to Daniel Sennert. International Studies in the Philosophy of Science: Vol. 15, No. 2, pp. 145-153. doi: 10.1080/02698590120059013.

The presentation of nature as part of natural history is usually connected with a natural cabinet or natural history museum. A closer look at travel and field work, however, shows that display of nature as a spatial concept and material conditions begins already in the first moment of collecting objects, specimens, and economis news about a region to be investigated. In the year 1720 the German physician Daniel Gottlieb Messerschmidt was sent to Siberia by the Tsar Peter I of Russia (...) to explore this hithero terra incognita. During his travels Messerschmidt established two main instruments for collecting data and things, which I shall describe as organizing, material principles for his field work: written lists and notes, and boxes and cases. An analysis of these material objects and their specific uses reveals the intellectual and practical traditions in which learned activities and strategies took place in the beginning of the eighteenth century. (shrink)

When customers like Samuel Pepys visited the shop of Thomas Tuttell, instrument maker to the king, they could purchase a pack of mathematical playing-cards. The seven of spades, reproduced as Figure 1, depicted the diverse connotations of magnets, or loadstones. These cards cost a shilling, and were too expensive for many of the surveyors, navigators and other practitioners shown using Tuttell's instruments. They provide an early example of the products promising both diversion and improvement which were increasingly marketed to polite (...) audiences. Tuttell's description of loadstone as ‘a treasure of hidden vertues’ encapsulated many contemporary perceptions of these naturally occurring magnets which were to endure throughout the century. This phrase, with its hints of concealed financial and epistemological benefits, resonates with major eighteenth-century analytical themes, such as commercialization, the opposition between vice and virtue, and the fascination with the occult in the face of Enlightenment rationality. This card is emblematic of the multiple interpretations and utilizations of magnetic phenomena during the eighteenth century. It thus provides a useful starting-point for exploring some of the disputes which arose as enterprising individuals concerned with natural philosophy promoted themselves, their activities and their products. (shrink)

ArgumentBy the mid-eighteenth century, governors of the major European states promoted the study of nature as part of natural-resource based schemes for improvement and economic self-sufficiency. Procuring beneficial knowledge about nature, however, required observers, collectors, and compilers who could produce usable and useful descriptions of nature. The ways governments promoted scientific explorations varied according to the form of government, the makeup of the civil society, the state's economic ideologies and practices, and the geographical situation. This article argues that the roots (...) of a major natural history initiative in Denmark-Norway were firmly planted in the state-church organization. Through the clergymen and their activities, a bishop, supported by the government in Copenhagen, could gather an impressive collection of natural objects, receive observations and descriptions of natural phenomena, and produce natural historical publications that described for the first time many of the species of the north. Devout naturalists were a common species in the eighteenth century, when clergymen and missionaries involved themselves in the investigation of nature in Europe and far beyond. The specific interest here is in how natural history was supported and enforced as part of clerical practice, how specimen exchange was grafted on to pre-existing institutions of gift exchange, and how this influenced the character of the knowledge produced. (shrink)

Sometimes in the course of image-making, images are asked to represent unusual things. Around 1960, scientists and engineers working on the Computer-Aided Design Project at MIT began imagining that computers could be “active partners” to human designers. They began talking about a future of “human-computer symbiosis.” And they created a new type of image—the screenshot—that represented this new possibility. This paper describes early CAD research as a site for the emergence of the ideal of the interactive computer and how this (...) ideal was described and distributed through screenshots.Though we now routinely associate computers with interactivity, interactivity was beyond the average user’s experience in 1960.... (shrink)