Experiences of art involve exercise of ordinary cognitive and perceptual capacities but in unique ways. These two features of experiences of art imply the mutual importance of aesthetics and cognitive science. Cognitive science provides empirical and theoretical analysis of the relevant cognitive capacities. Aesthetics thus does well to incorporate cognitive scientific research. Aesthetics also offers philosophical analysis of the uniqueness of the experience of art. Thus, cognitive science does well to incorporate the explanations of aesthetics. This paper explores this general (...) framework of expansionism : a research strategy that suggests that the explanatory goals and resources of both aesthetics and cognitive science should expand to include those of the other. Two relations are considered. First, what is the relation between aesthetics and more traditional cognitive science? Second, what is the relation between aesthetics and new developments in cognitive science that de-emphasize mental representation and emphasize body and action? (shrink)

Arthur Danto is one of the best Anglophone philosophers of art of the second half of the 20th century. His unique methodology of indiscernibility and provocative claim about the end of art have bee...

The relationship between self-consciousness, Aristotelian ontology, and Cartesian duality is far closer than it has been thought to be. There is no valid inference either from considerations of Aristotle's hylomorphism or from the phenomenological distinction between body and living body, to the undermining of Cartesian dualism. Descartes' conception of the self as both a reasoning and willing being informs his conception of personhood; a person for Descartes is an unanalysable, integrated, self-conscious and autonomous human being. The claims that Descartes introspectively (...) encounters the self and that the Cartesian extent of inner space is self-contained are profound errors, distortions through the lenses of modern theories. (shrink)