This article explores Hegels concept of education within the context of his idea of ‘second nature’. Hegel believes that institutional life forms, which have been formed through education, culture, technical and social progress, constitute the ‘second nature’ of human beings. The immediacy of institutional forms which act as humans’ ‘second nature’ is the product of social and cultural mediation. The phenomenon of morality is here of central importance, because through morality the natural arbitrariness of the will is transformed and the (...) substantial spirit of freedom prevails. In Hegel’s opinion, human individuals differ from animals on account of education ; only through education does the human being become that which he should be. Bildung is a ‘formatio’ of the personality, which transcends particular knowledge, because it enables one to make a judgment concerning relationships and objects of our experience. By education human beings achieve the ability to raise themselves up from the concrete to the universal. We become conscious thereby that we exist within the ‘realm of the spirit’ and educate ourselves from its abundance. (shrink)

(2013). Sportworld. Sport, Ethics and Philosophy: Vol. 7, Sport and Art: An Essay in the Hermeneutics of Sport, pp. 30-54. doi: 10.1080/17511321.2013.761881.

Resumen El objetivo principal de este texto es el análisis de la concepción poético-filosófica propuesta Peter Sloterdijk (1989) en su libro Thinker on Stage; Nietzsche's Materialism, en el cual intenta revalorar El Nacimiento de la Tragedia de Nietzsche y su influencia en la Modernidad filosófica y las prácticas artísticas contemporáneas. Explorando los conceptos Cosmonáutico y Psiconáutico propuestos por Sloterdijk, indagaremos la relevancia de la interpretación nietzscheana de la tragedia griega para las prácticas artísticas actuales. Cómo es afectada la filosofía al (...) encontrarse con conceptos tales como estilo, práctica y performance es la pregunta central que guía este análisis. El concepto de acción es la herramienta a utilizar en esta exploración.This text aims at the analysis of the poetic-philosophic conception in Peter Sloter-dijk (1989) in his book Thinker on Stage; Nietzsche's Materialism, in which he revalues Nietzsche's The Origin of Tragedy and its influences in philosophical Modernity and contemporary artistic practices. How is philosophy affected in the encounter with concepts such as style, practice, and performance is the main question guiding this analysis. The concept of action is the conceptual tool used for this exploration. (shrink)