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  1. The Contents of Perception and the Contents of Emotion.Bill Wringe - 2014 - Noûs 49 (2):275-297.
    Several philosophers think there are important analogies between emotions and perceptual states. Furthermore, considerations about the rational assessibility of emotions have led philosophers—in some cases, the very same philosophers—to think that the content of emotions must be propositional content. If one finds it plausible that perceptual states have propositional contents, then there is no obvious tension between these views. However, this view of perception has recently been attacked by philosophers who hold that the content of perception is object‐like. I shall (...)
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  • Introduction: Perception Without Representation.Keith A. Wilson & Roberta Locatelli - 2017 - Topoi 36 (2):197-212.
  • Nonconceptual content.Josefa Toribio - 2007 - Philosophy Compass 2 (3):445–460.
    Nonconceptualists maintain that there are ways of representing the world that do not reflect the concepts a creature possesses. They claim that the content of these representational states is genuine content because it is subject to correctness conditions, but it is nonconceptual because the creature to which we attribute it need not possess any of the concepts involved in the specification of that content. Appeals to nonconceptual content have seemed especially useful in attempts to capture the representational properties of perceptual (...)
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  • Systematicity, Conceptual Truth, and Evolution.Brian P. McLaughlin - 1993 - Royal Institute of Philosophy Supplement 34:217-234.
  • Ambiguous Figures and the Content of Experience.Fiona Macpherson - 2006 - Noûs 40 (1):82-117.
    Representationalism is the position that the phenomenal character of an experience is either identical with, or supervenes on, the content of that experience. Many representationalists hold that the relevant content of experience is nonconceptual. I propose a counterexample to this form of representationalism that arises from the phenomenon of Gestalt switching, which occurs when viewing ambiguous figures. First, I argue that one does not need to appeal to the conceptual content of experience or to judgements to account for Gestalt switching. (...)
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  • Embodying the Mind by Extending It.Pierre Jacob - 2012 - Review of Philosophy and Psychology 3 (1):33-51.
    To subscribe to the embodied mind (or embodiment) framework is to reject the view that an individual’s mind is realized by her brain alone. As Clark ( 2008a ) has argued, there are two ways to subscribe to embodiment: bodycentrism (BC) and the extended mind (EM) thesis. According to BC, an embodied mind is a two-place relation between an individual’s brain and her non-neural bodily anatomy. According to EM, an embodied mind is a threeplace relation between an individual’s brain, her (...)
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  • Nonconceptual Content and the Elimination of Misconceived Composites!Adrian Cussins - 1993 - Mind and Language 8 (2):234-252.
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  • Content, embodiment and objectivity: The theory of cognitive trails.Adrian Cussins - 1992 - Mind 101 (404):651-88.
  • Color realism and color science.Alex Byrne & David R. Hilbert - 2003 - Behavioral and Brain Sciences 26 (1):3-21.
    The target article is an attempt to make some progress on the problem of color realism. Are objects colored? And what is the nature of the color properties? We defend the view that physical objects (for instance, tomatoes, radishes, and rubies) are colored, and that colors are physical properties, specifically types of reflectance. This is probably a minority opinion, at least among color scientists. Textbooks frequently claim that physical objects are not colored, and that the colors are "subjective" or "in (...)
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  • Self-location and agency.Bill Brewer - 1992 - Mind 101 (401):17-34.
    We perceive things in the external world as spatially located both with respect to each other and to ourselves, such that they are in principle accessible from where we seem to be. I hear the door bang behind me; I feel the pen on the desk over to my right; and I see you walking beneath the line of pictures, from left to right in front of me. By displaying these spatial relations between its objects and us, the perceivers, perception (...)
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