Aristotle says in the De Sensu that other colours are produced through the mixture of black bodies with white. The obvious mixture for him to be referring to is the mixture of the four elements, earth, air, fire, and water, which he describes at such length in the De Generatione et Corruptione. All compound bodies are produced ultimately through the mixture of these elements. The way in which the elements mix is described in i. 10 and 2. 7. They mix (...) in such a way as to produce an entirely new substance, in which the characteristics of the original earth, air, fire, and water survive only in modified form. (shrink)

The paper provides an innovative interpretation of the treatise De Victu, showing that, though Heraclitean, Anaxagorean and Empedoclean borrowings in the work are certainly pervasive, the author also develops a sophisticated and multi-purpose explanatory framework, which, being based on an original conception of the nature of man, the cosmos and the relationship between the two, provides an effective foundation for the medical enterprise, allowing him to propose his dietetics as a ‘way of life’. At the core of this enterprise is (...) the relationship between microcosm and macrocosm: in virtue of this relationship, I submit, the cosmos becomes both an active factor to be taken into account for the maintenance of individual physical well-being and the normative standard to which a dietician and whoever cares about health must refer in order to live the healthiest possible life. (shrink)

This article offers a study of the early formation and development of the ideal of harmony in ancient Chinese philosophy and ancient Greek philosophy. It shows that, unlike the Pythagorean notion of harmony, which is primarily based on a linear progressive model with a pre-set order, the ancient Chinese concept of harmony is best understood as a comprehensive process of harmonization. It encompasses spatial as well as temporal dimensions, metaphysical as well as moral and aesthetical dimensions. It is a fundamentally (...) open notion in the sense that it does not aim to conform to any pre-set order. This broader, richer, and more liberal understanding of harmony has had a profound influence on Chinese culture as whole in its long history. (shrink)

Pythagoras and Pythagoreanism have a different position in the ancient philosophy tradition. The reason for this is the eclectical structure of Pythagoreanism which has syncretized from Orphism, Indian and Egyptian religions with philosophy. Orphism of these religions is especially important for affecting Pythagoreanism the most and giving to the ancient Greek religion a mystical content. Orphism which is a mystery cult is based on Orpheus, the poet, who sometimes is identified with Pythagoras in philosophy and the history of religions. Orpheus, (...) was attributed divine character by virtue of his beautiful voice and hymns in the ancient history, has brought many religious and philosophic elements such as reincarnation and unity with God to the Greek religion. The way of life and creeds of Orphism based on asceticism and wisdom, first affected Italian philosophy starting from Pythagoras and, later influenced both philosophy and the other religions such as Judaism and Christianity through Plato. The reason for this was the Orphism’s stronger theological structure than the Greek religion had. Thus, philosophy, the Miletus philosophers tried to purify from the Homeric religion, has regained some spirituality through Orphism and Pythagoras. Pythagoras, a philosopher and a religious leader, accepted students to his philosophy school by initiation in Crotone. In this way, Pythagoreanism gained the quality of both a school of philosophy and a community of mystery. In this school, Pythagoras constituted a strong natural philosophy based on the idea of arkhe consisting of numbers, and the system of mathematics and music. At the same time, for he was a religious leader, Pythagoras used his school both to teach philosophy and to celebrate the teletaic mystery rituals of Orphism. According to the Pythagoreans, as a master, Pythagoras has united with the spirit of Dionysos and has privileged to rise to the World-Soul of God. Due to this union, it has been believed that Pythagoras received revelations from Dionysos and knew the secrets of God’s spirit. Similarly, Pythagoras’ students of philosophy also joined these rituals. They, on the one hand, witnessed to the divine union of Pythagoras, on the other hand, experienced the communication with the subordinate gods, called daemons, allied to Dionysos. Through these mystical rituals in Pythagorean school, it was believed that the philosophical knowledge was not only a reasoning, but also a divine wisdom obtained from the divine word. Therefore, Pythagoreanism accepted that philosophy is from God and it is a way of life which rises the human to the divine level. According to Pythagoras philosophy, thinking about God is equal to dealing with natural philosophy. Because Pythagoreanism, that has a pantheistic belief in God, has acknowledged God and nature as the same. Additionally, the natural philosophy of the school was established on the Monad idea which has been accepted as the World-Soul. For Pythagoreanism, Monad is not a number, but it is the ONE as the source of all numbers and a theological principle. The ONE, which symbolizes God and the cosmic unity, brings into existence the life by limiting the chaos caused by the TWO. Similarly, the TWO, not a number but a principle, has been used in a positive sense in Anaximander and was called apeiron, meant “infiniteness”. But, for Pythagoras, infiniteness was a negative circumstance. For this reason, the TWO/Apeiron has been accepted as a female being which corresponds to limitless absence and evil. By Monad’s confinement the Apeiron had been passed into the cosmos, the cosmic harmony had been balanced and a spheric being had emerged. This is “unity” which corresponds with both the World Soul Monad and the nature in the Pythagorean philosophy. This study will discuss the notion of Monad which is known as the World-Soul and God in Pythagorean philosophy, from a perspective of the history of religions. In this context, the sources and knowledge of history of philosophy will be used by methods of the history of religions. Starting from Orphism, Monad will be discussed within similar mythical elements. Thus, the origin of the Pythagorean philosophy in ancient religions will be determined and the theological infrastructure will be shown. (shrink)

This catalogue is divided into two parts. Part 1 presents basic bibliographical information on books and journal issues that consist exclusively or in large part in papers devoted to the Presocratics and the Sophists. Part 2 lists the papers on Presocratic and Sophistic topics found in the volumes, providing name of author, title, and page numbers, and in the case of reprinted papers, the year of original publication. In some cases Part 2 lists the complete contents of volumes, not only (...) the Presocratic and Sophistic-related papers. Annual updates are submitted as additional files below. (shrink)

A pergunta, “Tudo é número?” no título do famoso artigo de 1989 de Zhmud, deixa aberto um desafio para o extremamente importante testemunho aristotélico de que “tudo é número” era a definição fundamental da filosofia pitagórica. Tal desafio não é nada simples, especialmente quando se considera que, até então, as histórias tanto da filosofia quanto da matemática antiga parecem não ter dúvidas de que esta afirmação é correta. Este artigo pretende submeter à avaliação crítica a alegação de Aristóteles de que (...) os pitagóricos acreditavam que “tudo é número”. Nossa análise dos muitos modos nos quais Aristóteles enuncia a tese de que “tudo é número” revelará, para além de variações meramente semânticas, uma contradição teórica fundamental que o próprio Aristóteles parece incapaz de resolver. De fato, três versões diferentes da doutrina estão presentes na doxografia aristotélica: uma identificação dos números com objetos sensíveis; uma identificação dos princípios dos números com os princípios das coisas que existem; uma imitação dos objetos pelos números. Enquanto as versões e parecem identificar, em termos que lembram Platão, os números com a causa material da realidade, a versão, a saber, números como causas formais da realidade, é uma reconstrução aristotélica da teoria pitagórica. Aristóteles teria sido levado a tal reconstrução pela dificuldade que encontrou para aceitar a noção pitagórica material de número, e por considerá-la, para seu gosto, fortemente marcada pela recepção da mesma teoria no ambiente da Academia. (shrink)

In this paper, I argue that the different understandings of “harmony”, which are rooted in ancient Greek and Chinese thought, can be recapitulated in the name of “dialectic harmony” and “ambiguous harmony” regarding the representation of the beautiful. The different understandings of the concept of harmony lead to at least two kinds of aesthetic value as well as ideality – harmony in conciliation and harmony in diversity. Through an explication of the original meaning and relation between the concept of harmony (...) and beauty, we can learn more about the cosmo-metaphysical origins in Western and Eastern aesthetics, with which we may gain insights for future aesthetics discourse. (shrink)

At Phaedo 86b7–c2 Simmias puts forward the theory that the soul is the attunement of bodily elements. Many scholars have claimed that this theory originates in the Pythagoreans, especially Philolaus. The claim is largely based on their reading of the Phaedo, since we have scarce doxographical evidence. In this paper I show that the dialogue in question does not constitute any evidence for the Pythagorean origin of Simmias’ attunement theory, and that it rather represents the theory as stemming from a (...) materialistic world view that had become widespread among people at that time. I also pursue the question how and why, then, the attunement theory was able to attract many people, by examining its relation to Socrates’ affinity argument. (shrink)