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Creative Imagination in the Sufism of Ibn Arabi

London,: Routledge (1969)

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  1. Roots Reloaded. Culture, Identity and Social Development in the Digital Age.Ayman Kole & Martin A. M. Gansinger (eds.) - 2016 - Anchor.
    This edited volume is designed to explore different perspectives of culture, identity and social development using the impact of the digital age as a common thread, aiming at interdisciplinary audiences. Cases of communities and individuals using new technology as a tool to preserve and explore their cultural heritage alongside new media as a source for social orientation ranging from language acquisition to health-related issues will be covered. Therefore, aspects such as Art and Cultural Studies, Media and Communication, Behavioral Science, Psychology, (...)
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  • From “The Things Themselves” to a “Feeling of Understanding”: Finding Different Voices in Phenomenological Research.Peter Willis - 2004 - Indo-Pacific Journal of Phenomenology 4 (1):1-13.
    This paper explores some of the ways in which phenomenological approaches have been linked to contemporary social science inquiry into human ways of knowing and learning in the fields of education and nursing research. It then looks at four contemporary approaches which draw on phenomenology namely: distinguishing imaginal from rational/logical knowing as an alternative and complementary mode of knowing; using ‘arts based’ or ‘expressive’ approaches to inquiry; developing hermeneutic text making to present research findings and using heuristics in a cyclical (...)
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  • Act One to the End: Ask the Ayatollah, a Play.Roxanne Varzi - 2019 - Comparative and Continental Philosophy 11 (2):178-197.
    ABSTRACTThis play is based on the author’s ethnographic and archival research on the French philosopher Henry Corbin’s years in Tehran, Iran. Corbin taught in Tehran between 1947 and 1978 at the Institute of Philosophy, which he founded. The play is a dialogue between a fictional university student, Ali, and his mentor, the French philosopher Henry Corbin, with interjections from the angel of history. Ali is trying to come to grips with his love of Islamic mystical philosophy and its dangerous appropriation (...)
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  • Towards an imaginal dialogue: archetypal symbols between Eastern Orthodox Christianity and Islam.Ali Qadir & Tatiana Tiaynen-Qadir - 2016 - Approaching Religion 6 (2):81-95.
    This paper explores the potential for a dialogue between religious traditions based on art, in order to complement the dominant channels that rely on conceptual meanings. Building on a theoretical framework of post-Jungian archetypal psychology – as developed by James Hillman and Henry Corbin – we propose that the utility of such a dialogue inheres in the notion of an imaginal realm, or mundus imaginalis. In the first part of the paper we highlight three key features of this notion: the (...)
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  • Prayer as Inner Sense Cultivation: An Attentional Learning Theory of Spiritual Experience.T. M. Luhrmann & Rachel Morgain - 2012 - Ethos: Journal of the Society for Psychological Anthropology 40 (4):359-389.
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  • Anthropocentric intention of hesychast and sufistic practies of freedom personal development.Yurii Y. Semchuk - 2015 - Anthropological Measurements of Philosophical Research 7:36-49.
    The Purpose is to analyse problems of individual freedom in mystical currents of Hesychasm and Sufism comprehensively in the territory of Ukraine. It deals with issues of Hesychasm and Sufism origin, mystical practices features and their overflowing borrowing on the way to Truth by God finding. Methodology. With a view to the reconstruction of a holistic world view of the desert in their deification of personal freedom, the author uses methodology of humanitarian analysis, and the phenomenological method – the study (...)
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  • Ta’wil: in Practices of Light.Narjis Mirza - 2019 - Performance Philosophy 4 (2):564-575.
    This research is situated within an Islamic philosophical paradigm, with a series of experiments in studio art practice. In my investigation of Mulla Sadrā’s theory of systematic intensification, I was led towards Ta’wil, a unique method of interpretation, that is primarily used for interpreting the verses of the Quran. I extract this traditional Quranic method of interpretation, Ta’wil and translate it into a visual and collective dialogue, for a practice-oriented research. Keeping in view the traditional association of the method of (...)
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